What do you do when you come across a Bb or an Eb chord in a songbook? Struggle with a barre fingering? Slap on a capo? Turn the page and go on to the next song? Take up the harmonica? All of these are possibilities, of course, but the idea is to play these chords, not succumb to them. You want to be able to make not-so-common chords sound good without hurting yourself in the process.
In this chapter we will dispense with barre chords, which are a handful for many guitarists. We’ll learn some basic major and minor fingerings that will give you any major or minor chord you need, when moved up or down the neck, without pain and suffering! Accomplished guitarists know that there are at least two possible fingerings for most chords. And almost every chord can be fretted in more than one position on the neck. The guitar is great in that way. What we are looking for are some of those alternative fingerings that will rid us of the “unplayable” chords. They do exist, and they are surprisingly easy to use.
Amazingly, a C-chord fingering is nearly all you are going to need to play any major chord. Try adding your fourth finger on the third fret of the first string of an open C chord, as shown in Example 1. I call this voicing of a C chord “Freight Train C, ” because almost
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Everyone’s version of that classic tune starts with this chord. It’s a great voicing for a number of reasons. First of all, it’s easy to play. Second, it has the root note in the bass—on the fifth string. Third, the four fretted strings provide all the notes of a major chord, and the fingering leaves a minimum of open strings to contend with. This is important as you start sliding fingerings up the neck (Example 2).
I use this fingering regularly (with my first finger on the fourth fret) to play an Eb chord. The only things to watch out for in “Freight Train C” are the two open strings:
The third and the sixth. Generally, you can avoid picking the sixth string, unless your ring finger reaches out to fret it during an alternating-bass pattern (the tune “Tentacle Tango” on page 60 requires you to do this). You can pick the third string if it happens to belong to the chord, or you can avoid it by picking around it or muting it with the second finger of your fretting hand.
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But with several of the chords, the open strings work beautifully as added color notes. And on some of these chords you can lift your fourth finger and include the open first string, as in Example 3. You might recognize the Dadd4 from Simon and Garfunkel’s “Kathy’s Song.”Every new endeavor is challenging, there’s no doubt about that. However, everything gets easier with time. Just think how hard it would be to learn a new language, and then take stock of how much you have mastered your native tongue.
By the same token, if you put your work in – in the form of small digestible chunks – you will get much better at playing guitar in no time.
All of the efforts come back with compound interest, there’s also no secret about that, also. As always, our mission here is to make the hard things easier.
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So, if you want to learn how to achieve the heavenly heights of guitar playing without unnecessary struggles, make sure to read on!
Here’s why learning to play guitar is so hard and what to do about it: 1. The guitar is a rhythmic, melodic, and harmonic instrument
Look at it from this angle… When you play the drums, you are mostly just playing rhythmically. In most scenarios, the notes that you are playing are not that important harmonically and melodically, but rather rhythmically.
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In another example, when playing classical bass, you are almost always playing chord progressions, in other words – it is mainly focused on harmony and rhythm.
Guitar demands a high level of rhythmic components. Besides that, most of the time you are providing the harmonic background for the song. And finally, the guitar takes a lion’s share of melodies and solos in modern music.
If you zoom out and take a more holistic view, the guitar gives you an advantage over most other non-guitar-playing musicians. It gives you the greatest possible perspective and insight into the magical world of music.
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Now, let’s focus on the part of making this easy. Make light of the fact that you are dealing with three different avenues of music. Get your goals straight and develop a reasonable practice routine that covers all of these three avenues.
You should not make it too ambitious, but don’t make it all too easy for yourself. Make it so your daily, weekly, and monthly aims are just outside of your reach. Repeat this practice on a regular basis and you will be a force to behold sooner than you think!
Just imagining pressing hard with your soft fingertips on a steel or nylon string can be pain-inducing. However, the real situation is even more painful.
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Also, certain chord shapes demand your hand and fingers to be stretched in an unnatural way which causes a very unpleasant dull sort of pain.
So, what can you do about this? Well, if your technique is right, the pain will subside as you build stamina and toughen up your fingers or hands.
If the pain continues after that, you may need to change your technique. If not, you will injure yourself and therefore hinder your guitar-playing journey. Even worse, it can diminish your interest in playing this wonderful instrument.
I Don't Have Huge Hands So It's A Bit Hard On A 4 Fret Stretch. And Don't Want To Limit Myself On Guitar Choice. Anybody Finally Have It Easy Now With The
Yep. We all know this one. When learning music theory, you are literally accessing the knowledge that has been accumulated throughout the whole history of mankind. So, it is no surprise that this the vastness of the field can be a bit fear-inducing.
To make things worse, a lot of music teaching systems as well as influencers have very aggressive campaigns emphasizing the importance of music theory in which they portray that knowledge as something that you should master as soon as possible.
Our suggestion would be the following… Find what you like in music. The songs that you like, the artists that you like, etc. Then start delving into those pieces of work learning how to play them. Once you have done that, start analyzing the theory of the said pieces.
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If you make that a practice, you will be fiercely adept at music theory at the level that you need to be. In other words, have fun first and foremost. Then you can follow the tempo of your own desire to learn while stretching yourself optimally.
This one can be really tricky. On one hand, it is the very sentiment that has inspired you to pick up the guitar. On the other hand, it can make you so frightened that you give up altogether.
Every idol is an ideal, hence the word. Make it your distant spark in the dark; something worth striving for. However, don’t compare yourself to someone who has been professionally playing for 30-odd years. Rather, compare yourself to your level of playing yesterday, or the past week, or month.
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If you do it that way, your motivation levels should not drop and your longevity in this pursuit will be significantly more probable!
Another cool trick is to learn the box positions. Once you have learned all the positions, you can use them shape-wise to access many other scales of the same harmonic structure.
Traditionally, chords can be troublesome in two different ways. One would be fretting the chords when playing barre chords. And the other one would be the mere chord changes that you perform.
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Let’s get real; both of those are difficult in the beginning. However, if you set your expectations reasonably and keep at it, you can become really good in a much smaller time frame.
As far as chord changing goes, the trick is to see if there is a fingering overlap between the two chords that you ought to play one after the other. If there is an overlap, don’t move that finger. Keep that one fretted, and move the ones around it.
In the world of guitar playing, the same rule applies as in many other walks of life. If you want a great teacher, the chances are you will have to spend a lot of hard-earned cash.
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However, in these days of widely available information, you can achieve the same effect by buying affordable online courses, as well as a lot of the content that you have available for free.
Although person-to-person interaction has some priceless advantages, you can avoid all of those costs and become a tremendous guitar player while spending much less cash. The internet is a treasure chest of information, so go for it!
You can get to an acceptable level pretty fast, but for some advanced stuff you will have to put in the hours.
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Without a doubt, yes. Anything that enlightens your soul and inspires you is worth its
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