If you have never played Heavy Metal on the guitar before, I suggest you read this lesson first so that you know what you will need to learn to become fluent in the genre.
The great thing about Heavy Metal guitar riffs is that while in many cases, guitar solos are hard to play, at least at certain points, riffs can be very easy at times, thus a really good place to start.
In these riffs I’ll be using from a variety of phrasing techniques namely vibrato, slides, hammer ons and pull offs, string bending, and palm muting.
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Though there are other techniques you will eventually add to your bag of tricks, the 5 techniques mentioned above are crucial if you want to create Heavy Metal music.
On each of the following Heavy Metal guitar riffs, I will identify the most important components of each riff so that you can use them when creating your own.
The power chord is notated as the letter name of the chord followed by the number 5. The number 5 has to do with the theory behind the power chord, which you can learn more about here.
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In fact, the rhythm used on this riff is so common in Heavy Metal music that it’s been nicknamed the “Heavy Metal gallop”
The next riff introduces string bending. Though this technique is more likely to be found in guitar licks or solos, bending the string instead of picking the following note can also be used in guitar riffs.
This is achieved in different ways on different instruments and on the guitar it is achieved through the two techniques used in riffs 5 and 6, that is hammer-ons and pull-offs, and slides.
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The next riff uses slides on entire power chords as well as notes of shorter duration that make the riff’s pace faster.
If your phrasing is bad, your bends are out of tune, you’re not in time or don’t have a sense of melody, among other things, the ability to play fast won’t compensate for those weaknesses.
That said, if the other components are in place, playing the guitar fast (learn how to do so here) is both expressive (ex. Using speed to create a climax) and impressive (since most guitar players don’t have this skill, if you do it right, people will be impressed).
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The following riffs involve short legato runs in bars 2 and 4. If you find them hard, zoom in on just four notes and play them at a very slow tempo for a number of times.
Once you gain the necessary muscle memory reaching the speed used in this riff, or even faster, shouldn’t be out of your reach.
If you can play all these metal guitar riffs with ease and on time, well done you’ve already made giant steps in the art of guitar riffing.
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What I would do next – apart from working on the other elements of Heavy Metal guitar playing – would be this:
Being slightly before or after the beat may go unnoticed while playing in your bedroom, or even rehearsing with your bandmates, but it won’t at the studio.
I realized how important this is this the first time I recorded in a studio. Had I had the habit of recording myself, I would have realized these timing inaccuracies at home, rather than in paid studio time, in front of others.
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However, I consider myself a guitarist and a musician first and over time I realized that by listening to and playing just Heavy Metal I was limiting my options.
There’s a lot you can learn from genres like Blues, Funk and Reggae and occasionally learning guitar riffs from these genres will just add to your arsenal of ideas.
Creativity is something that can be trained, and now that you know the main components that make a guitar riff, you can choose any of them, and creatively use them to make riffs of your own.
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