When you’re learning classical or flamenco guitar, one of the first things you need to know is what to call the left and right hand fingers.
Learning the finger names will not only help you discuss how to play guitar, but it’s also necessary in order to read sheet music.
Keep reading to see the breakdown of the fingers on each hand. You’ll also get answers 5 frequently asked questions about guitar fingerings.
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The left hand finger names on classical guitar are 1, 2, 3, and 4. Here’s the numeric order of the left hand fingers:
Classical guitarists don’t use the left hand thumb to press on the strings or frets. Therefore, the left hand thumb doesn’t have a number associated with it.
Classical and flamenco guitarists use letters to represent the right hand fingers instead of numbers. Fingerstyle guitarists also use these letters for right hand finger picking. These letters are abbreviations for the Spanish language finger names:
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Strum, classical guitarists typically don’t play using using the right hand pinky finger. However, rasgueados using the pinky finger are quite common in flamenco guitar playing.
So as you can see, there’s a lot of alternative pinky finger names out there. But keep in mind these are rarely seen compared to the letter
Here’s five more frequently asked questions about guitar fingerings. If you have any additional questions, please feel free to ask them in the comments!
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, in which case they’re just referring to the right hand thumb, index, middle, and ring fingers. It’s common to leave out the name of the right hand pinky finger because classical guitarists don’t use it for plucking.
The left hand pinky finger is extremely important for playing guitar. You’ll often play melody notes with the pinky, and it’s also good for both vertical and horizontal stretches.
If you’re a beginner, you might notice that the left hand fourth finger is very weak, stiff, or slow. But don’t worry! Over time you’ll be able to stretch your pinky further, move it faster, and ensure that the pad of the finger doesn’t collapse on the fretboard.
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So how can you train your left pinky finger for guitar? I recommend you get a copy of the Segovia slur exercises or Pumping Nylon. Both of these books offer terrific daily exercises that will strengthen your pinky fast.
Please note that if you ever experience numbness and tingling in the pinky, this might be due to ulnar nerve entrapment. This can happen with repetitive wrist movements over time.
I don’t want to offer explicit medical advice, but if you feel numbness in the pinky then you should let it rest and it will usually go away on its own. Obviously if the pain is excruciating, you should see a medical professional.
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, or strum, classical guitarist don’t use the right hand finger to play the strings. In fact, many classical guitarists can go their entire life without ever having to use their right hand pinky finger.
Since flamenco guitarists use rasgueados on a regular basis, they utilize the right hand pinky often. They use it on a technique called the 5-stroke rasgueado, where the pinky is actually the first finger to strike the strings.
In both classical and flamenco guitar, you’ll never want to use the right hand pinky finger to pluck the guitar strings. From the natural order of fingers, it would seem that the pinky finger would be in the best position to play on the high treble strings. However, it’s also the weakest finger on the hand, so it’s actually not ideal for plucking. Instead, you want a stronger finger to play the treble strings since those are usually responsible for the melody.
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Your right hand fingerings absolutely make a difference when playing classical guitar. In fact, developing a proper right hand technique on guitar will allow you to play with more expression and finesse.
Generally speaking, you want to alternate your right hand fingers for each note you play. The most common pattern for right hand finger alternation is
Unlike steel string acoustic guitar players, classical guitarists don’t use finger picks to play guitar. However, some classical guitarists will use artificial fingernails.
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Yes, you can use a pick on a classical nylon string guitar. However, you won’t be able to play much classical guitar music using a pick because most pieces require you to play multiple different strings at the same time. Simply put, classical guitar technique requires you to play without a pick.
Now you know all the classical guitar finger names and numbers! If you have any questions or insights, please let me know in the comments. Thanks for reading!I've noticed that, usually, barre chord shapes are just like non-barre chords but shifted. For example, the B major chord is exactly the same as A major chord shifted by 2 frets (+ using the index finger for barre).
The thing is, I've learned to play the A major chord using my 1st, 2nd and 3rd fingers to push the three strings needed:
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While the B major chord has a barre so I need to push the three strings using my 2nd, 3rd and 4th fingers.
Now I begin to wonder: should I try to get my fingers used to the barre chords by avoiding use of the index finger for non-barre chords, so for example doing the A major chord using my 2nd, 3rd and 4th fingers instead?
Would doing that facilitate switching from chords like A major to B major, E major to F major, C major to C# major, and so on...?
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There is (and should be) no general rule. Try several fingerings for each chord, and see what works best for any specific situation / chord progression. Most advanced guitar players use several fingerings for the same chord shape, depending on the situation. It's good to have a choice.
It's a cunning idea, and will, to a degree, work quite well. One of the main considerations is where you came from, and where you're going next. That's actually one of the main considerations for all chord fingering.
If you were playing the Spanish sequence in Dm, then you may well start with an Am shape on 5th fret barred, go down to C, A shape barred on 3rd fret, down to Bb on 1st fret, and keep middle, ring and pinky on strings 4, 3 and 2 for an open A.
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However, if your open A chord was sandwiched between say E and D, then a better fingering would work. I would still play A like that after an E. Mainly because middle and ring fingers can move across a string each, and pinky goes on 2nd string, 2nd fret.
Moving on to the E shape, which I usually play with middle, ring and index. I do that for a couple of good reasons. If B7 follows, my middle stays where it is. If A follows, see previous para.
C shape also gets barred, but because of the previous and next chords' likelihood of being F or G, with open type chords (how can F be open?!) then I'd use pinky on 5, ring on 6, middle on 4, index on 2.That's not transferrable as index is already occupied, so needing to put index as the barre finger means everything has to be swapped round.
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EDIT: as an aside, people with larger fingers find A easier using middle, ring and pinky, as they take up less room than the first pictured version. it's also easier then to get to open E. Give it a try.
As you say, there may be times you want to switch quickly between a barre chord and an open chord of the same shape. In those cases, it is helpful to play the open chord without using your first finger.
But there are also cases where you will want to play two chords close together where using your first finger will make it easier to change quickly. So you will want to know how to finger the same chord using your first finger.
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Would doing that facilitate switching from chords like A major to B major, E major to F major, C major to C# major, and so on...?
Yes, it would. But there are other chords that it WOULDN'T facilitate. Choose your shapes according to context - according to what comes before and after.
If you want to switch from one chord to the other, you have to twist your hand fast and move 3 fingers.
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Both of your A chord forms are legitimate. It is good that you see the pattern between barre chords and open string chords.
Some guitarists prefer to play the open string chords using the barre chord fingering with the index finger behind the nut. But this is not a rule of any sort, just a preference. It may interest you to know that many guitarists play the open string A chord with an index finger barre on the second fret (D, G, B, E) strings, plucking or picking only the middle four strings. Plucking the barred high e string would create an A6 chord, and your other fingers are free to create A7, A maj7 etc.
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