In guitar tablature, a hammer-on is denoted by the letter “H” as seen in Figure 1 below, which starts with a hammer-on from the fifth fret to the eighth fret on the low E string.
Pull-offs are denoted by the letter “P” as seen in Figure 2 below, which starts with a pull-off on the eighth fret to the fifth fret of the high E string.
When you start learning to play guitar or bass, you’ll quickly discover that there are useful ways to sound notes other than just plucking them. Two of the most useful ways are those dexterous twins of fingering technique, the hammer-on and the pull-off.
Legato Playing Techniques ( Hammer On & Pull Off )
Hammer-ons and pull-offs complement each other nicely, and are so instinctive and ever-present in guitar music that we wouldn’t even call them tricks. They’re just simply a part of how guitar is played, both acoustic and electric.
Physically, there’s nothing to it—when you’ve learned one, you’ve pretty much learned the other, too. So let’s begin with a simple hammer-on, and the pull-off will follow.
Hold a note down on a fret with your index finger. Any fret on any string. Pluck the note, and then tap your middle finger down sharply on the same string a fret or two up from the first fretted note. There—you’ve now sounded two notes even though you only plucked the string once. You’ve done a hammer-on. You, musical friend, have hammered on.
Guitar/hammer Ons, Pull Offs, And Trills
Now, it doesn’t matter which fingers you use—you can hammer-on with your index and middle fingers; index and ring fingers; middle finger and pinkie; whatever you need to do to get the job done. Nor does it matter how many frets apart the two notes are—you are bound only by the reach of the fingers of your fretting hand. Most hammer-ons are one, two or three frets apart, but if you can do several frets apart (easier on the upper frets), more power to you.
A pull-off is basically a hammer-on in reverse. Once you’ve done a hammer-on with your other finger on the other fret, now just pull that finger off the fret, pulling on the string a little with that finger as you do so and letting the note ring. There—you’ve pulled off a pull-off.
You can see from these basic instructions that it’s possible to sound a note, hammer-on and then pull-off, thus sounding three notes despite only plucking the string once. This musical seesawing can in theory go on indefinitely, as long as you can keep up sustain and volume (easier on electric guitar than acoustic) A rapid such series of hammer-ons and pull-offs between a single pair of notes is called a trill. A trill is denoted by the letters “tr” and a wavy line as seen in the last note of Figure 3 below. The note number in parentheses indicates the note to hammer-on and pull-off. If no note is shown in parentheses, just hammer-on and pull-off the note directly above in the given scale.
Hammer On And Pull Off Techniques
Hammer-ons and pull-offs let you tie notes together smoothly, cleanly and quickly, with no silence between them. Both are note articulation methods referred to in formal musical notation as legato (Italian for, literally, “tied together”).
Want to learn more about hammer-ons? Check out these videos from Play. And if you're not a Play member yet, click here for a free trial.Hammer-ons and pull-offs are two closely related techniques. They are used to play legato, that is, in a smooth manner, and are also used to help the guitarist to play faster. They are most commonly used in electric guitar work, but can be used in acoustic tunes as embellishmts.
Hammer-ons can be done anywhere on the fretboard, but for the beginner it is easiest using an op string. To quickly learn, strike an op E on the first string. While the note is still ringing, quickly and firmly press a finger on the third fret. If done properly, a G note should be sounding.
Guitar Technique Lesson: How To Perform Hammer Ons And Pull Offs
Quickly pressing your finger down and raising the note without hitting the string again is called hammering on. Without electric amplification, the hammer-on tds to be quieter than regularly struck notes, especially if you hav't practiced it! Because the strings are closer to the fretboard, hammer-ons are easier to execute on an electric guitar. However, this doesn't make them less common on an acoustic guitar, where they are used frequtly to embellish op chords
The hammer-on can just as easily be played with fretted notes: just play the note normally and hammer onto another (higher-numbered) fret on the same string. If you practice hammer-ons, evtually you will be able to move each finger smoothly and indepdtly.
The pull-off is the opposite of the hammer-on. Again, using the E string, hold it at the third fret. Strike the string and while the note is still ringing, release the fretting finger. If done properly, the G should be followed by an op E. If the note doesn't ring out properly, try hitting the G harder and releasing faster.
Guitar Techniques: Hammer Ons, Pull Offs, And Slides
Like the hammer-on, the second note tds to be less loud than the first. To help alleviate this, a slight sideways motion of the fretting finger while pulling off will add extra vibration to the string, and give you some extra volume. Oft it is hard for a beginner to accomplish, and the sideways movemt helps greatly.
A trill is two alternating notes, such as an A and A#. Only the first note is struck; the rest are rapidly hammered-on and pulled off
Getting Started: Differt Types of Guitars | Anatomy of a Guitar | Buying a Guitar | Buying an Amplifier | Tuning the Guitar | Tablature | Lead Guitar and Rhythm Guitar
What Is A Hammer On And Pull Off On A Guitar?
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Lead Guitar: Picking and Plucking | Scales | Arpeggios and Sweep Picking | Slides | Hammer-ons, Pull-offs, and Trills | Bding and Vibrato | Harmonics | Vibrato Bar Techniques | Tapping
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