I was talking to a sales guy in a shop and got into that age-old debate about overdrive vs. distortion and what they sound like. I’m not a mean person, so before he started flailing wildly, opining on how each sounds and the differences between soft clipping and square-wave distortion, I had to stop him, and just said, “Listen, I get it.”
I guess he felt a need to push his point, and my only reply was a question: “Do you understand that overdrive is a verb and distortion is a noun?” I just let the question hang in the air and waited for the expected response, “What do you mean?” which he finally asked after a bit of a stunned silence. My answer was simply, “Distortion is the end-product of the process of overdriving a device like a pedal or an amp, which is why I call overdrive a verb and distortion a noun.”
That led into a discussion on pedals. I explained that in the end, the goal of all “drive” pedals is to produce a form of distortion as the result of overdriving the input of a device to cause it to clip. The higher the gain, the higher the clipping. And different devices produce different kinds of gain. He nodded in agreement and then I went on to explain the following:
Overdrive Vs Distortion Vs Fuzz
We went on to discuss how each sounds, but I won’t bore you with that. Instead, I’ll break down what we discussed.
Of course, they do. A pure amp distortion is a distortion produced in the amp itself. That has a sound all its own, and different amps sound differently overdriven. Booster pedals are designed to create amp distortion.
The soft-clipping of an overdrive pedal is considered kind of an “open” and “airy” type of distortion, more gritty than smooth with lots of room for dynamics depending on the instrument’s gain and player attack; that is, the amount of distortion produced varies based on gain and attack.
Setting Up Your Effect Signal Chain
A hard-clipping device like a distortion pedal produces a more compressed, consistent, low dynamic sound; that is, irrespective of a note being played or its volume, the internal gain of the device is set so high that whatever is played will be amplified into clipping beyond the device’s saturation point. Distortion is not as affected by gain or attack as it is with an overdrive or booster pedal. As an aside, fuzz pedals are ultra-high-gain. These produce that square wave distortion: super-compressed, with lots of sustain (think “American Woman” by the Guess Who).
Circling back to amp distortion, in general, vintage and vintage-style amps distort with soft-clipping as they have few gain stages and in a lot of cases, at least for vintage tube amps, by default, their tubes are biased on the cooler side. Modern, high-gain amps have more gain stages which can produce hard-clipping distortion.
I know I’m covering ground I’ve crossed in the past. But even today, the debate continues, so I think it’s worth it to dust off the discussion now and then.WE TAKE A LOOK AT ALL THE DIFFERENCES BETWEEN OVERDRIVE, DISTORTION AND FUZZ TO HELP YOU FIGURE OUT WHICH PEDAL YOU NEEDTO GET YOUR PERFECT SOUND
Used Truetone V3 Vs Xo Premium Dual Overdrive Guitar Effects Pedal Vsxo
Even if you're a seasoned guitar pedal geek (aren't we all?) figuring out the differences between overdrive, distortion and fuzz can be a little confusing, especially if you want to get the perfect effect for your sound! So today we’re going to look at all the different types of effects, the differences in sounds and how they interact with your amplifier and guitar. We’ll also aim to show you which styles of effects might be right for you with some of the industry standard options.
To understand the difference though, we need to look at each type of effect just in a little bit more detail. If you want the short version, just skip to the bottom of the blog - but hey, maybe stick around? You might learn something, and let's face it you never stop learning when it comes to music! Let’s take a more in depth look at each type of effect so we can figure out what the difference is between overdrive, distortion and fuzz.
Overdrive pedals can sometimes be confused with distortion pedals, but make no mistake, an overdrive is a different animal altogether. Overdrive pedals drive your valves to the point of distortion, or at the very least mimic what that would sound like if you have a solid state amplifier. The purpose of an overdrive pedal is to mimic the sound of you turning up your valve amp as loud as it can go, except this is a far safer (and neighbour-friendly) option.
Remember: Distortion Is What You Hear! Overdrive Produces It.
Essentially, the aim of an overdrive pedal is to provide you with the same dynamics that you get when you play a cranked tube amp. The effect responds to your touch - play soft and you’ll hardly notice the gain, but dig in and listen to how your signal starts to break up. Overdrives provide a soft-clipping sound, so don’t expect earth-shattering crunch from one – it’s there to add a smooth, dynamic sound rather than melt faces.
Overdrive is definitely a gentle style of distortion that waits for you to play hard before it unleashes the sound you want. To get the full benefit of an overdrive, play it through a valve amplifier/tube amp as these pedals are designed to make your tubes work harder at lower volumes. Trust us, you’ll really appreciate it, especially through the likes of a VOXAC30, Fender BassbreakerorMarshallJCM 800.
Ideal for:Blues, Rock and Country players as well as those who want a gain boost with a bit of flavor without losing the tone of their guitar or amplifier too much.
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The Tubescreamer is probably the most famous and commonly used overdrive pedal. The Ibanez TS9 Tubescreamerreissue is now considered an industry standard thanks to how easy it is to operate and how beautiful it sounds through your valve amplifier. You can add a little boost to your signal or push your valves to the point of saturated heaven!
TheBoss SD-1 Super Overdrivepedal effectively produces the warmth and natural distortion of an overdriven tube amp, responding beautifully to all the subtleties of your playing. This pedal is perfect for adding that extra drive boost to your sound without becoming overbearing.
Pro tip:Set your amp up with a touch of gain and kick this in when you need to push it a little harder for a beautiful sounding overdrive tone that retains all the beauty of your amplifier and guitar. Easy to use, built like a tank and complete with a Boss 5 year warranty- just a few reasons why this pedal is relied on by professional musicians everywhere. If you want more options, check out theBoss Waza Craft SD-1W Super Overdrivewith all analogue circuitry and a more refined custom tone designed by the the engineers in Boss Japan.
Amps Vs. Pedals For Overdrive Tones
The Fender Santa Ana Overdrive Pedal is a newcomer to the scene of overdrive pedals and hails from the new range of fender effects pedals. These pedals have taken the music world by storm, offering exceptional tone and easy manipulation of your sounds without ever getting too difficult to operate.
This is one of the best options as you have the ability to add a Drive Boost (overdrive sound) as well as a Level Boost - it's essentially 2 pedals in 1.
I think the best way to describe an Overdrive is to think of it as an amplifier sound support system. The pedal says to your amp OK, I like the sound you've got, but I'm here to push that sound and make you work harder! It's essentially the personal (sound) trainer of the effects world.
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Distortion pedals are very different to Overdrive pedals. A distortion pedal is a little more aggressive than an overdrive as it takes your tone and completely screws with it to create something entirely of its own creation. Where an overdrive simply drives your amp, or mimics that coveted cranked sound, a distortion has it's own agenda completely and changes the sound accordingly. A distortion pedal will cram a load of filth and grit into your tone - and depending on which option you choose - will either create some serious rocking crunch or all-out doom laden, earth-shattering distortion by saturating and taking over the signal completely.
With most distortion pedals, it doesn't really matter how hard or soft you play - you'll get the same effect. A distortion pedal is a hard-clipping device that is here to do one job and do it well - distort your sound! A distortion pedal is commonly associated with heavy rock bands as they give your sound a heavy tone, darkening the output and even boosting the signal depending on your settings. It also compresses the signal allowing you to enjoy far more sustain which will eventually break into feedback.
If you prefer the hi-gain sounds of a solid state amplifier, the all-out attack of the grunge sound or the heavier, dirtier and tighter sound of the metal world, you'll love throwing a
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