The challenge with writing a guide on David Gilmour’s gear is that his rig has constantly evolved and can be quite complex. There are entire websites dedicated to following the changes in David Gilmour’s rig.
So if you’re reading this guide to find out how you can perfectly replicate David’s rig, then this photo should give you an idea of what’s involved.
The other issue is that it constantly changes. David switches in and out different pedals over time and it’s hard to find specific pedals that he uses throughout his entire career.
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The goal of this guide isn’t to give you an exact list of gear David Gilmour uses so you can build your own rig, instead, the goal is to give you the key effects he uses and you can build your own custom rig based on what type of effects and tones you enjoy using.
Note:this guide is intended for beginners-intermediates who are just getting into Pink Floyd or David Gilmour. If you already know a fair bit about his playing or gear, then this guide isn’t for you. This guide is for somebody who isn’t sure what effects he uses and how to try and get a similar tone.
You have probably heard this saying over and over whenever somebody talks about how a guitarist gets a certain tone. It can be frustrating for a beginner to hear this from more advanced guitarists because it isn’t practical or useful for a beginner (eg: you may not be ready to practice the type of bends that sound distinctly like David Gilmour).
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The reason I bring this up is that you will hear this phrase used over and over whenever somebody talks about David Gilmour’s tone. Somebody will ask ‘how does he get that tone in
I’m not going to talk about ‘tone in the fingers’ because this is a guide on gear, not on technique. So keep this in mind if you build a rig with the intention of trying to sound like David Gilmour (or any other guitarist) – after you sort out the gear, youshould then focus completely ontechnique. Gear will get you so far, technique will take you the rest of the way.
Was released in 2015. Listen to those three albums (and any in between) and you will hear very different tones and effects.
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In terms of gear, a lot has changed from David’s early career to the present day. Gear that David used on more recent albums didn’t even exist in the earlier Pink Floyd days.
So your first job is to decide what type of effects and tones you like from David Gilmour’s large discography. Do you like the ethereal and atmospheric clean tones in tracks like
? Do you like the very early Pink Floyd fuzz distortion tones? Or do you like the warm and silky smooth tones heard on many of his later work?
Guitar Pedal X
This is important to think about because the gear you need will vary depending on what era of his career you’re interested in. It’s also why his live rig is so complicated – he needs to cram in a lot of different effects to cover his long career. So pick and choose the gear covered in this guide to go with the type of tone and effects that interest you.
For example, a fuzz distortion pedal is crucial if you want to try and replicate his dirtier tones, but if you’re only interested in his clean tones, you can skip it.
While you might occasionally see a photo of David playing a Telecaster or a Les Paul, he mostly uses Stratocasters. Just like David’s overall rig, his guitars experience constant changes over the years. David has played a variety of different Strats over the years and even when you look at one type of Strat, you will see he constantly changes necks, pickups and other features.
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So my recommendation is to keep it simple and choose a guitar you love rather than struggle to find exactly what type of pickups or neck he uses.
The two most well known and used guitars in David’s collection are a black strat (shown to the right) and a red strat (also with a maple neck).
Remember that essentially every single feature of his guitar have changed over the years: different pickups, different necks (even a rosewood fretboard at one point), different bridges, etc.David constantly experiments with different configurations so you can do the same thing.
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My basic recommendation is to find a Strat you like the look and feel of with a maple neck. Over time you can change the pickups to suit your own preferences. If you’re on an extreme budget, all you need is a strat-like guitar that uses single coils.
It would be hard to try and replicate the majority David’s tones with humbucker pickups when he mainly uses a Strat with single-coils.
Budget:While there are plenty of cheaper strats than the above option, if you’re on a strict budget, the below strat by Squier (click here for price, details, and different options) will give you the same style and basic features as Gilmour’s signature strat.
How To Sound Like David Gilmour
David Gilmour’s main amp has been a Hiwatt DR103 100 watt throughout most of his career. But before you go out and buy a 100-watt Hiwatt stack, let’s look at why it’s probably not suitable for your needs.
It’s really important you choose an amp that suits your situation. If you only play for fun at home, then a high powered tube amp will not only drive your neighbors or family nuts, but it won’t sound good at low volumes. It won’t sound
The temptation for most beginners is to buy a nice big amp because it looks great to have a massive amp against the wall at home. But when it comes to tube amps (the type of amp David Gilmour uses) at home, a small tube amp will work better.
Live At Pompeii 2016
The reason is that tube amps sound the best when the tubes are pushed really hard. Cranking the volume up will drive the tubes and as they warm up, you hear it in your tone.
A 15-watt amp doesn’t need to be pushed as hard in volume level to achieve the warmth needed compared to say a 100-watt amp which makes it much more suitable for home use.A 100-watt tube amp is overkill for most gigs and can easily drown out a small venue. Even a 20 or 50-watt amp can easily be overkill for some gigs or rehearsals.
This rig is based on the amplifier modified by Pete Cornish for David Gilmour. If you want the closest option to what David uses but one small enough to use at home, then this is the best option. It does come at a cost though so if you have the budget, enjoy.
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One feature worth noting is that you can switch the amp from 20watt to 0.5watt which is handy when you need to keep the volume down. Many tube amps have the ability to scale the wattage down so look out for this when checking out alternatives.
This is a great budget alternative for home use that’s still a great quality amp. 5 watt may not seem like much, but it’s plenty for playing at home. It has a 8″ speaker so it will have a different response compared to the rig above.
This is a 15-watt combo with a 12″ speaker. It’s a nice mix of features and has a very similar sound to a Hiwatt amp. Still significantly cheaper than the Little D Rig, but plenty of power.
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Whatever amp you choose, the main point is that you want to find a tube amp that produces a nice clean tone. David Gilmour produces his dirty tone with pedals so focus on finding a good clean sounding amp.
Fuzz distortion is an important component of David Gilmour’s tone. In the 60s, fuzz distortion was common as there weren’t many distortion or overdrive options available. David started with a Dallas Arbiter Fuzz Face (as seen in my Jimi Hendrix guide) and eventually moved over to the well known Big Muff in the late 70s.
Vintage fuzz pedals can cause havoc with your existing pedalboard so while it might be tempting to look for vintage gear, I highly recommend using modern reissues or any other modern pedal.
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There are countless fuzz distortion pedals available today and each one provides a different characteristic that you may love or hate. Fuzz distortion is a very personal choice and what might suit one person may not suit another.
Because there are so many different Fuzz pedals out there, I’ll list three options that losely match what David Gilmour has used over the years:
David’s first Fuzz Face pedal used a germanium transistor (a germanium fuzz face pedal is available here:Dunlop FFM2 Germanium Fuzz Face® Mini Distortion) and switched over to a silicon transistor in the early 70s. There’s quite a difference between a germanium and silicon based fuzz face so if in doubt, try both out at a local guitar shop to get a feel for what you prefer.
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The reason I recommend the below pedal is
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