This article is about the album by AC/DC. For the title song from the album, see Who Made Who (song). For Danish musical band, see WhoMadeWho.
Who Made Who is a soundtrack album by Australian hard rock band AC/DC. Released on 26 May 1986, the album is the soundtrack to the Steph King film Maximum Overdrive. The album was re-released in 2003 as part of the AC/DC Remasters series.
Three tracks on the album – Who Made Who and the instrumtals D.T. and Chase the Ace – were newly writt and recorded by AC/DC for the album. The remaining tracks were previously released by the band. Only one song, Ride On, features previous lead vocalist Bon Scott, who died in 1980. All others feature his replacemt, Brian Johnson.
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Along with the album, the band released a 73-minute videotape, which contained music videos for the songs Who Made Who, You Shook Me All Night Long, Shake Your Foundations (remixed), Hells Bells, and footage from a live performance of For Those About to Rock (We Salute You), which was filmed in Detroit in 1983.
The video for the title track, directed by David Mallet, was recorded at the Brixton Academy in London and features a theme of countless clones of AC/DC guitarist Angus Young. According to the book AC/DC: Maximum Rock & Roll, these clones consisted of hundreds of fans who came from all over the UK, many of whom slept in the freezing cold in front of Brixton Academy for the opportunity to take part. This group was made up of approximately 300 members of the band's British fan club as well as others who had simply heard about the evt on the radio.
The song Who Made Who was writt for the Steph King movie Maximum Overdrive, whose theme was machines that came alive and began killing people. The lyrics explore the idea of the gadgets and devices created by mankind coming to rule over human beings instead of the other way around, the irony where humans become subservit to the technology they created.
Backcovers: Ac/dc: Who Made Who (1986)
Though the film it was created for was derided by critics and financially flopped, the song Who Made Who became the band's most successful single in years, reaching No. 16 in the UK and No. 33 in the US.
It was also voted second best track of 1986 by the readers of Hit Parader magazine. Following this, a re-issue of You Shook Me All Night Long was released from the album, peaking at #46 in the UK.
The album has sold five million copies in the US. Steph Thomas Erlewine of AllMusic calls the album a ripping AC/DC retrospective and applauds the band rescuing songs like 'Sink the Pink' from otherwise mediocre albums.These days, a five-year span between hit records is hardly unusual, but in the ‘80s metal bands typically put out a new album every 12 to 18 months and AC/DC were no exception. However, the records they released in the years before
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– seemed like uninspired retreads, lacking the cutting guitar riffs, salacious punch and bluesy swing that made AC/DC one of the biggest bands in hard rock. Never mind that both albums went platinum, they exhibited the band playing on autopilot and out of step with the times.
Is a pumping, thumping track totally in step with the commercial hard rock of the era. The drums are so echoey and over-processed they recall Mutt Lange’s production on Def Leppard’s
. While the rhythm is remarkably simple – even by AC/DC’s standards – Angus Young lets fly with some hammer-ons and pull-offs similar to the ones in “For Those About to Rock, ” and he even plays some Eddie Van Halen-style finger-tapping during the lead. For AC/DC it wasn’t an era for originality, it was a time for rejuvenation and it worked.
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. And the other new tunes are both instrumentals. “D.T.” is a booming, bluesy belter that sounds like it should have vocals, but the band didn’t have time for Brian Johnson to record them, and “Chase the Ace” is a stone(d)-hard, droning jam propelled by some fleet-fingered leads.
Is the six catalog songs, which range from the almost too familiar “You Shook Me All Night Long” and “Hells Bells” to the two somewhat obscure tracks from
. Extracted from the clutter of the rest of the record, “Sink the Pink” is enjoyably brash and bawdy and “Shake Your Foundation” is a crashing hybrid of Chicago blues and overdriven firepower. The only song on
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Sessions were recorded by George Young and Harry Vanda, who produced AC/DC’s first five albums (six in Australia). But the period in the Bahamas wasn’t just an opportunity for the band to chill on the beach and bang out a few new songs. The sessions were also the birthplace for five short, sparse instrumentals used in the score for
To promote the album, AC/DC released a 73-minute-long VHS tape that featured music videos for “Who Made Who, ” “You Shook Me All Night Long, ” “Shake Your Foundations (remixed), ” Hells Bells” and a live performance of “For Those About to Rock (We Salute You)” shot in Detroit in 1983. The tape went Gold in 1988.
, which contained “Thunderstruck, ” “Moneytalks” and “Are You Ready” – not that any of the band’s live shows between 1988 and 1990 suffered either in sales or entertainment value.
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Contributor Jon Wiederhorn is the author of Raising Hell: Backstage Tales From the Lives of Metal Legends, co-author of Louder Than Hell: The Definitive Oral History of Metal, as well as the co-author of Scott Ian’s autobiography, I’m the Man: The Story of That Guy From Anthrax, and Al Jourgensen’s autobiography, Ministry: The Lost Gospels According to Al Jourgensen and the Agnostic Front book My Riot! Grit, Guts and Glory.
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