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This type of steel string guitars gained fame thanks to the initiator of European jazz, Django Reinhardt, who caused a great sensation in the early 20th century. His virtuoso technique was unparalleled, especially due to the fact that he could only use two fingers of his left hand due to an accident.
The Maccaferri design was made famous by Selmer, and the RM-150-NT is the later version with the petite bouche, the oval, smaller soundhole. Due to the body shape and the special bridge in combination with the tailpiece, the guitar produces a particularly powerful tone if you - like Django - act with a strong attack.
Godin Multiac Gypsy Jazz 10 Acoustic Electric B Stock
Richwood RM-150-NT Hot Club Jazz Guitar solid top O soundhole NT, hot club jazz guitar, manouche petit bouche body shape with cutaway, solid sitka spruce top, sapele back & sides, mahogany neck with pao ferro fingerboard with 12 radius, ladder bracing design, black ABS binding on body and neck, 2-ply purfling on top, white Pearl Dot inlays (5mm) on fretboard and fretboard rim (2mm), 645mm scale length, 43.6mm neck width, 20 frets, neck-body junction at 14th fret, O-shaped sound hole on top. O-shaped soundhole with wooden rosette, Pao Ferro bridge and headstock veneer, ivory ABS nut with 0 fret, 2-way truss rod, Selmer style gold-plated tuners, gold-plated tailpiece with Pao Ferro decoration, DÁddario EJ83L factory strings, tinted top, high-gloss finish, body length 475mm, lower bout 403mm, body depth 94-98mm
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Gypsy Jazz M01f +case
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Castelluccia Grande Bouche Gypsy Jazz Guitar , C. 1955
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Woodland Wm 300 Vintage Gypsy Jazz Acoustic Electric Guitar Japan 1970s 1980s With Hard Case
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With the Godin Multiac Gypsy Jazz guitar the Canadian manufacturer presents one of its new achievements which guarantees an authentic Gypsy Jazz sound on stage thanks to its clever combination of different pickup systems and its solid construction . The Sitka spruce top and mahogany body with two resonance chambers give the instrument a fast sound development with strong mid and high frequencies. A flat mahogany neck with a richlite fretboard and 45.72 mm nut width enables the player to quickly and precisely grasp all 21 frets , which can be played easily and comfortably in all positions thanks to a generous cutaway . The highlight is the dual electronics, equipped with a Seymour Duncan Lipstick pickup and an L.R. Baggs Lyric pickup . This allows you to create an individual sound, which can be adjusted by a volume pot , a tone pot and a 3-band equalizer . The Godin Multiac Gypsy Jazz is rounded off by the 0 fret typical for gypsy jazz guitars, a nickel tailpiece and the characteristic bridge on which the strings rest.Here is the latest guitar for Canadian Blues great James Anthony. This guitar is a bit of a departure for James as he finds himself playing more jazz of late, and being inspired by 1930's jazz in the style of Django Reinhardt. This style of music was very technical, and very fast. DJango played the accoustic Selmer-Maccaferri (now commonly called a Gypsy Jazz guitar) developed in Europe before electric amplifers were in wide spread use. This guitar is inspired by those instruments, thus built in the style of a Gypsy Jazz but with the thin body of a modern electric, and the nexk joint shifted to the 16th fret giving much better access to the high frets then Django ever had.
Can You Play Gypsy Jazz On A Classical Guitar?
This head stock is a big departure for an electric guitar, but is a copy of the slotted type use on the Gypsy acoustic guitars. This was one more element of the design capturing the feel of the 30's instruments.
You're looking at a highly chambered version of a solid body electric guitar built in the style of a 30's Gypsy Jazz Acoustic. That Spruce top plate also really gives it the look of an acoustic.
This is my second Stereo Guitar; with a Gretsch Filtertron Pickup in the sound hole, a Shadow SH 099 piezo pickup under the bone saddle to give that Plugged in Acoustic Tone, volumes for each, and a Ghost Acousti-Phonic pre-amp circuit board tying it all together. From there the signal is sent to a stereo jack, and with a Y-cable, run to two amps - an acoustic guitar amp and an electric guitar amp. Talk about a big sound. Leaving the pickup selector in the middle position with both sources ON, allows you to shape the tone of the guitar with the volume control as you send various amounts of signal to either amp.
Gitane D 500 Grande Bouche Gypsy Jazz Vintage Maccafferi Acoustic Guitar
The body of this guitar is Mahogany, with most of the wood routed out but for a beam down the middle of the body to just past the string through ferrules. The neck is set with a tenon like a Les Paul, but unlike a Les Paul, the necks heel is cleanly flowing into the lines of the body. This neck is a sandwich of Mahogany, Maple, and Ebony. The Head caps and control covers are also Ebony. Note that this is not an acoustic guitar. It is a Chambered Solid Body Guitar, meaning that this guitar does not push air. The sound comes mostly from the pickups, one magnetic positioned in the sound hole, and one piezo pickup embedded under the bone saddle. The Piezo style of pickup is what is used to give acoustic guitars the ability to be Plugged in for amplification. The quality of sound that provides is not the same as the guitar heard live with out an amp but it
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