Welcome to the learning guitar road map. You often see people who are teaching themselves to play guitar get quite confused about what to practice or what they should focus on with the instrument. I’ve put this roadmap together to give one possible birds eye view of the stages and skills you develop when learning the instrument.
I think irrespective of your skill level at the instrument, it is useful to develop a conceptual map of the overall process and range of skills involved. This can be useful to understand where your current material fits in the overall scheme of things and see other areas you may want to start to research and practice to take that next step.
If your starting out at guitar, I’d recommend to tackle two parallel streams of practice at the same time. One is your single note playing and the other is learning chords. Both of these streams should be supplemented by their own theory and techniques.
The Major Scale
In terms of single note playing, you will probably want to start with some simple exercises to build coordination and synchronise your right and left hands. I always recommend a student starts practicing the 1 – 2 – 3 – 4 exercise right from day one. In this exercise you ascend the fretboard playing one note with each of your four left hand fingers for each position:
There are all sorts of variations of this exercise such as moving up and down the neck on one string or up and down all six strings per fret. The exercise can be practiced with all down strokes and is also useful to start developing alternate picking with.
Depending on the level of technique and speed you want to develop in your playing, tackling different form of single note exercises can continue quite a way into your development. Even as your lead approaches quite advanced levels, you may continue with exercises for advanced techniques such as tapping or sweep picking.
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Before starting to look at soloing, very early in the learning process I would recommend beginners start to practice a range of single note riffs from songs they like. This could start right from day one with simplified version of things like the blues brothers riff or smoke on the water, and you can keep getting more complex till your playing riffs such as the Sweet Child of Mine intro, the Michael Jackson “Beat IT” riff, The Beatles “Day Tripper” and the list goes on. I think these sorts of riffs are a great way to start to take your single note technique further than exercises and are useful to start to develop a basic coordination before tackling soloing.
As you develop further you can get into writing your own riffs and start coming up with much more technically challenging material to work on here.
Once you’ve developed some reasonable co-ordination at single note playing you can move into soloing and learning to improvise. It’s at this point that a knowledge of scales can really start to pay off and form the basis of your progress. In my guitar scales article I recommend people start by learning six of the most common guitar scales. This would start with the most commonly used of all guitar scales, the minor pentatonic scale. The process of learning scales can quite naturally transition into learning to solo. As you practice the scales and it’s sequences to learn the pattern, you also start experimenting with the notes of the scale to come up with phrases that you like the sound of and learn existing licks. This then naturally moves into soloing as you start to apply this over backing tracks and become more spontaneous with the process to the point of improvisation.
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As you move through the steps above there’s a range of single note techniques to learn on the instrument that will add variety and color to your playing. These include techniques such as bends, vibrato, slides and hammer ons and pull offs.
At the same time as developing your single note playing you should also start to learn chords. There is a large range of chords you can integrate into your playing and you should learn broad categories of chords in order of difficulty.
The first chords people learn are open chords. These are the most common type of chords, and the 8 most common open chords would be C, D, G, E, A, Em, Am and Dm. It will initially be a challenge to learn to finger each of these chords and transition between them smoothly while playing in time. You can learn about these open chords in our open chord section.
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At the same time as learning open chords, or shortly after, power chords would be the next type of chord to learn. These chords only involve 2 or 3 strings and are moveable in that once you learn the shape of the chord, you can simply move it up or down the neck to change the chord. Power chords are common in styles with distorted electric guitar such as hard rock or heavy metal. Some examples of songs with power chords are Nirvana’s “Smells Like Teen Spirit” and “You Really Got Me” by the Kinks.
After getting a good grip on both open and power chords, you can start to tackle barre chords. Just like power chords, barre chords are moveable in that once you have learned a shape, you can change the chord by simply moving the shape up or down the neck, but unlike power chords you can play major, minor, dominant 7th and a range of other types of chords as barre chords. Power chords have a minimal set of notes and are therefore not major or minor in tonality but barre chords add the extra notes required to achieve this.
In learning barre chords, you will need to learn to bar you index finger across all the strings on a single fret and these chords will take quite a bit more practice to learn than open chords and power chords.
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With the above chords under your belt, there a vast array of additional chords you can add to your skills such as 9th chords for blues, the Hendrix E7#9 chord, and a wide range of jazz chords as examples.
This is the sort of sequence of chords I would tackle in that order when learning the instrument, and at the same time as learning these chords some complementary skills to focus on are strumming patterns and some basic theory.
Learning a good range of strumming patterns and loosening up your right hand is a way to make virtually any chord progression come alive. You can also get quite rhythmic with your strumming patterns, all the way to almost viewing your strumming as a drum.
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You should also complement this material with gaining a basic understanding of theory. Such theory includes an understanding of intervals and which intervals comprise the various chords as well as understanding how chords relate together in a chord progression. As a first step in understanding chord progressions, I would recommend looking at how to form chords from a scale that act as a family of chords in the one key. You can read about this in the article on forming chords from scales. You can also go into a lot more detail on understanding chord progressions by studying classical theory such as four part harmony or the common chord progressions that occur in many jazz standards.
With a good grip on both single note playing and chords, you can start to get into styles that combine both of these elements in a single guitar part. The first step here could be viewed as adding chords in among riffs or single note passages into chord progressions. These are very similar and I really just view the difference based on if there is more riff type single notes in the passage or if its more chordal based. To get a feel for the sort of thing I am referring to here, a great exponent of this sort of stuff was Jimi Hendrix. Songs like the rhythm part to Angel and Hey Joe blend chords and single note passages seamlessly into the one part.
As a culmination of combining chords and single notes you move into playing where the one guitar part can carry melody, chords and potentially bass all in the one part. This is achieved through finger picking styles such as fingerstyle guitar, classical guitar or the chord-melody playing of jazz musicians. Probably some of the most well known fingerstyle players include Chet Atkins, Tommy Emmanuel and Sangha Jung. I personally tend to view these sort of styles as almost the pinacle of the instrument, probably in part due to the fact that I like to play as a soloist rather than as a band member.
Horse With No Name Chord Chart And Lesson
As well as the sequences of skills and theory presented above there are a number of other skills that should be developed concurrently to your playing.
Your rhythm and timing is a skill that should keep developing as long
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