However, despite our massive population we are more isolated than ever it seems! But modern technology comes to our rescue with drum machines and virtual drumming software!
The best way to follow this tutorial is to follow it along with the free online drum machine opened on another page, so you can experiment with real sounds.
Before we even use a drum machine app or software, we need to get some foundation in the idea of rhythm. Rhythms are mostly like chord progressions and bass lines; they are only a handful, and we use them over and over.
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Our basic unit when discussing rhythm is the beat or pulse. This pulse can be strong or weak, depending on what kind of accent or flair we use with it. Syncopation and swing are when we slightly offset the beats to create momentum. The downbeat is the first beat, and the upbeat is the last.
Another way the beat is described is on or off. In popular music the 1st beat is the strongest with the 3rd a little less, but still strong. The weak or off-beat is the 2 and the 4. Most popular genres like rock and pop are stressing and syncopating these off-beats. In fact, most music you will hear today still relies on a backbeat.
How fast the beat or pulse moves is called the tempo. For the most part tempos are not included in the grids below, this is so you will experiment more. The same drumbeat can be for different genres depending on the speed used. And sometimes tempo can get confusing with cut time. Any beat you create or play it is best to try different speeds.
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When we have repeated patterns of beats or pulses that is called the meter. We will mostly be dealing in duple and triple meters, which are made up of two and three beats respectively.
Try not to confuse it with measures which are phrases or bars that contain a certain number of pulses or beats. And remember, here we are dealing with drum machines so we may need to break our steps down to fit the right meter!
The rhythm comes from a mix of the different beats, pulses, percussion parts, bass lines, and more. All these aspects together with different accents and syncopation can create the final rhythm of the song. It is a word that is used in many music situations and part of the definition also has to do with a feel or vibe.
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You can play your guitar or another instrument along with your drum machine as a rhythmic accompaniment or if you prefer for a lead melody or solo. The important part is to understand the difference.
Like rhythm, groove is not easy to give a specific definition. It is the cyclical feeling that we derive from a very good and repetitive rhythm. It can also be called playing in the pocket.
Groove is not easy on a drum machine; it is important to get to know the hardware or software you are using so you can take basic patterns and turn them into a groove. Modern virtual drumming software has an easier time with swing and syncopation as they are more akin to recorded drums sliced up.
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When you mix different rhythms or meters together that may not normally match, you get a polyrhythm. And while they can be complicated they are also incredible when all the parts are pulled off correctly. Some synthesists connect their drum machines together to attempt this and the results can be cool.
This is how we notate our meters. Most modern styles use 4/4 or common time and that will be your best chance at a popular tune. However we will show you some ways to do different time signatures for new song ideas. The better drum machine you have the more choices, but if you are creative some great time signatures can be made.
If you ever have trouble finding a rhythm pattern simply look up a songs sheet music and see what notation it has. Just like reading music you compare the drum notes to the key. It can be tedious but learning to read sheet music is always helpful.
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When you can't find song, just look up the genre, and it is likely similar. And if all else fails in finding a drum pattern, use your ears. The tried and true method of learning any instrument is listening. Start paying close attention to the drums and rhythms in every song you listen to.
Before starting, you might need some instructions. The drum machine has been designed to be easy and fun to use, anyway it's better to learn how it works.
You can switch beats on and off by clicking on the grid; if you use a double-click, you'll get an accented note.
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We will start with some basic pattern templates and move into some more complicated rhythms. But it is recommended to experiment as you go, after all the whole point of this is to teach creativity in your guitar practice and songwriting.
Our rhythms can be used across a variety of genres. So if a particular pattern below is given a name attributed to rock or hip-hop it doesn't imply they are stuck in that genre. It is just an attempt at providing a well-known example.
We will start with basic 4/4 rock-n-roll pattern that is a backbone of so much popular music. We will count the beats in 1/8 notes which will give us two measures in each round. If you have more than 16 steps just repeat this same pattern
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This is the essential rock groove that has been used a trillion times over! Ok maybe not that much, but it is a staple. And despite the simplicity there are a variety of ways to this beat. Remember the 2 and 4 are the offbeats and what provide syncopation. If we accent them and strike them harder it gives us even more emphasis and a rockin' vibe.
Often drummers aren't just hitting a closed hi-hat but using their foot to open it some. We will take the and: after the offbeat and use an open hi-hat in place of those. Play the beat below and notice the change in the feel. The beat has a steady consistency.
Now remove the last open hi-hat yellow block. Do not add anything to replace, notice how it now has a halting feeling at the end of each two measures. Even the tiniest changes provide major sound alterations. They will require a different lyrical approach that is for sure.
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Another way to change the beat is to cut out some of the closed hi-hats like this. And while we are at it, let's add in a couple more bass beats in there.
This next one is a very simple mix which was used in the Mersey beat sound similar to The Beatles! The original beat had a bit of extra buzz added to the snare hits, so try playing around with the snare sound and delay. And start adding in some hi-hats of course, similar to the patterns above.
Another common beat in rock is the train beat, where we have a constant snare playing. Now the key to a good train beat is accents on specific snares. The better your drum machine the more you can play with these constant snare hits and add some variation.
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As the real drummer plays they are not smacking the snare with the same force, so by adding different accents you can eventually get that train chugging sound. If you have more than 16 steps change the accents up a little on the 2ndbar to mix it up.
So far we have stuck with the basic four drum kit parts, but a lot of rock and pop music adds toms, cymbal crashes, and claps in. Granted having more than 16 steps allows for less repetitive tom and cymbal playing.
Just these simple additions of extra percussive elements can bring a whole new vibe. If you add open hi hats to each + beat it will give it an even more driving feel. This rhythm could fit indie disco, EDM, pop, 80's synthwave, and more especially if you play with accents on the beats.
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Reggae is going to be a challenge on a drum machine, but it can be done. The key is put the emphasis on the on the 3rd downbeat, and of course to add a lot of syncopation. We can find ways to mix some swing in by adding in more percussive elements.
If you do not have a rimshot you can substitute snare and other loud hits. The key is to keep a groove going with the hi-hats while making sure to hit that 3rd downbeat. Sometimes the 1st downbeat bass drum is played, other times not. Try adding the 1 step above in the bass drum and see the difference.
Adding delay to just the bass drum, rimshot, and hi-hat will give you a very groovy reggae vibe. Add in other parts for more variety.
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Of course this drum break is one of
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