In this issue: Fender’s striking new Player Plus models, Mojo Pickups founder’s collection, and the rise, fall and rehabilitation of s with onboard tech.
. I’m sure you’ve already noticed this month’s cover : a shiny new Fender Player Plus Stratocaster in Tequila Sunrise. An office poll suggests that its striking gradient finish divides the team neatly down the middle, with an equal split of lovers and haters. We wouldn’t have it any other way – there are already more than enough s with conservative finishes to go around, and it’s great to see Fender ruffle a few feathers with some daring new colourways. How do the new Player Plus models stack up when it comes to playability and tone? Read our review to find out.
On a more sombre note, I was saddened to hear of the recent death of Roger Newell at the age of 73. A former colleague of several members of the
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Team, Roger was best known as the bassist in Rick Wakeman’s English Rock Ensemble in the 1970s. Wielding the world’s first-ever triple-neck bass, Roger’s work with Wakeman included the multi-million selling albums
. Prior to that, Roger was a member of cult psychedelic pop group Rainbow Ffolly and since 1988, he featured in Marty Wilde’s band The Wildcats. Roger also served as deputy editor of Bassist magazine in the 1990s, and was a regular contributor to
In his long career, Roger graced some of the world’s most prestigious stages, all while rocking a bass rig loud enough to earn him the nickname ‘World War Three’. He was also a Shadows aficionado par excellence, an incredibly funny man and an absolute one-off, whose loss will be felt throughout the UK industry and beyond. Our deepest sympathies go out to his family, friends and former bandmates.
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Known for his acclaimed range of hand-wound pickups and specialising in esoterica, Mojo Pickups founder Marc Ransley has a collection that should set pulses racing among offset fans.
With the 1980s very much in vogue, Kramer’s new Custom Graphics series is a flamboyant reminder of what the bold brand stands for.Guitar World is a monthly music magazine for guitarists – and fans of guitar-based music and trds – that has be published since July 1980. Guitar World, the best-selling guitar magazine in the United States,
Contains original artist interviews and profiles, plus lessons/columns (with tablature and associated audio files or videos), gear reviews, news and exclusive tablature (for guitar and bass) of three songs per issue. The magazine is published 13 times per year (12 monthly issues and a holiday issue) by Future plc. Damian Fanelli has be Guitar World's Editor-in-Chief since June 2018.
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Stanley Harris, a New York magazine publisher, launched Guitar World magazine in July 1980. The magazine's debut issue featured bluesman Johnny Winter on the cover and included pieces on the Allman Brothers Band, George Thorogood and pedal steel guitars.
As former Editor-in-Chief Brad Tolinski wrote in the magazine's 40th-anniversary issue, It was a dect start, but the design and editorial contt was still a bit lackluster. If you compared it to an amp, GW's first few issues were a sturdy 40-watt tweed combo, wh what Harris really wanted was a row of 100-watt Marshalls.
Dnis Page, an advertising rep listed to handle the business d of the new magazine, hired a new Editor-in-Chief, Noe Goldwasser [aka Noe Gold]; Gold had his ear to the metal underground, printing the first of many cover stories with Eddie Van Hal. He edited several landmark issues in the magazine's first decade, including GW's fifth anniversary issue in 1985, which featured a cover-to-cover celebration of Jimi Hdrix; and a July 1986 tribute to Led Zeppelin's Jimmy Page, featuring a 15-page interview with the reclusive legd, along with early note-for-note transcriptions of Page solos to Stairway to Heav and Rock and Roll.
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Wh Gold left the magazine in 1988, he was replaced by Editor-in-Chief Joe Bosso and Executive Editor Matt Resnicoff. Due to their divergt tastes in music (Bosso preferred covering rock 'n' roll artists while Resnicoff was a jazz-fusion devotee), the magazine suffered from a split-personality approach to its coverage. As publisher Page said, For a time the magazine lost its way. We started including a lot of jazz, which our readers didn't care about. I knew the key was for us to get younger, not older.
That changed in 1989, wh Tolinski was asked to step into the magazine's lead role. One glance at the May and June 1989 issues sums up the story, Tolinski wrote in 2020. On one cover, a rather nervous-looking Allan Holdsworth hides timidly behind his Steinberger guitar, and on the next, Zakk Wylde explodes with pure animal fury while the headline screams SPECIAL REPORT! THE YOUNG GUNS OF METAL. GW wt from black and white to full-on Technicolor.
After the June issue, GW became a straight-up rock 'n' roll magazine, becoming the publication Stanley Harris and Dnis Page dreamed of – a guitar magazine for rockers with big hair, tight jeans and pointy guitars. And although rock, hard rock and heavy metal are still covered GW's pages, country guitarists, roots rockers, blues masters and shredders of all stripes have graced its pages, not to mtion its cover.
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Tolinski remained with the magazine until April 2015, wh he was replaced by Jeff Kitts, who had be on GW's editorial staff since the early 1990s. Kitts was replaced by Damian Fanelli, who has be GW's editor-in-chief since June 2018;
Guitar World's debut issue was only 82 pages, had a very small staff and budget and wasn't ev on a monthly schedule for about the first 12 years of publication. By 1984, GW began to multiply – spinoffs and offshoots became a large part of its focus as ownership looked to expand its reach into other markets and demographics. That year saw the publication of Guitar Heroes, a one-shot guide to more than 100 of the greatest guitar players of all time. In early 1992, the idea was revived as the semiannual Guitar World Legds, but with one major change: each issue was conceived as a tribute to an artist or gre, and included past GW interviews, lessons, equipmt guides, rare photos and more.
GW's first official sister publication was Guitar School, which debuted in 1989 and foundered in 1997 shortly after its name was changed to Maximum Guitar. In the summer of 1993 GW branched out with Country Guitar, which morphed into Guitar World Acoustic and lasted until 2007. Mid-2003 saw GW vturing into the bass market with the premiere of Guitar World's Bass Guitar, which evtually ceased operation with its Pete Wtz-fronted June 2007 issue.
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In the summer of 2009, GW's editorial staff launched Guitar Aficionado, a high-d publication designed for players passionate about the finer things associated with the rock 'n' roll lifestyle, including vintage and collectible axes, designer watches and fashion, exotic motorcycles, fine foods and spirits and more. By 2017, Guitar Aficionado had run its course.
Revolver, one of the leading hard rock and metal publications still in existce, was conceived as GW's sister publication in 1999. Wh it hit newsstands in the spring of 2000, Revolver's debut issue contained a unique mix of contt, including an oral history of the Doors, a behind-the-sces look at the Japanese pop sce and members of Slipknot wearing fashionable m's suits. But perhaps the world wasn't quite ready for such an eclectic combo: after only a few issues, Revolver was retooled and relaunched into the magazine metal fans know today.
While each of these magazines has either be killed off or – in the case of Revolver – sold to another company, GW is still part of a large family. As a member of Future plc, it calls Guitar Techniques, Total Guitar, Guitarist, Guitar Player and Bass Player its sister publications.
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GW was published by Harris Publications from 1980 to 2003 and by Future US from 2003 to 2012. NewBay Media took over from 2012 to 2018,
It is run by a separate team to the print publication and posts up-to-the-minute guitar news, features, interviews, lessons, reviews and buyer's guides, as well as select contt from the magazine. The site reaches 3.3m users per month.
Since 2020, it has become the online home of other Future guitar brands, including UK titles Guitarist, Total Guitar, Guitar Techniques and US title Bass Player,
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All of which were formerly hosted on GuitarWorld.com sister site MusicRadar. Australian Guitar is also part of the GuitarWorld.com portfolio of brands.
During Guitar World's NewBay Media era, the site was edited by Damian Fanelli, who is now the print magazine's Editor-in-Chief. Since 2019, GuitarWorld.com's Editor-in-Chief is former MusicRadar Guitars Editor Michael Astley-Brown.This article has multiple issues. Please help improve it or discuss these issues on the talk page. (Learn how and wh to remove these template messages)
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