Guitar is one of the toughest instruments to sample for a plugin. There’s so much detail and nuance that’s just too easy to lose in translation. Most of the time they end up sounding over-processed and fake—really far from the real thing. Still, a handful of developers have actually figured it out and done an incredible job! These are the best FREE guitar VSTs to fill out productions; no guitarist or previous guitar experience required!
If you’re looking for amp sims to play through, or impulse responses for the most realistic virtual rig, check out these other articles:
Ample Guitar M Lite by Ample Sound brings the sound of a Martin D-41 acoustic right to your studio in this intricately sampled virtual instrument. This free guitar VST is the little brother to a heftier paid version, but includes plenty to work with. You’ll get close to 1GB of sounds for fingerstyle acoustic, complete with realistic articulations like hammer-ons, pull-offs, and palm mutes.
Decoding Modern Midi Guitar
DSK Dynamic Guitars contains three different styles: acoustic, nylon, and steel. It provides complete ADSR control, monophonic or polyphonic voices, and built-in reverb. It also has dynamic velocity response to make it feel more like the real thing, even if you’re programming it through a MIDI controller. Overall it’s a very expressive and responsive free guitar VST.
The Spitfire LABS series is just incredible, and if you’ve never checked it out, here’s a fine place to start. LABS is an “infinite” collection of totally free virtual instruments that gets routine updates and additions. Spitfire Audio is already known for its immaculate virtual instrument libraries, and LABS brings that quality and attention to detail to users for free.
The Peel Guitar is a Fender Telecaster run through a vintage tweed amp with a bit of vibrato, tremolo, and distortion—a sound synonymous with British indie music. All LABS instruments require the proprietary sample loader, which is also free, of course! Note, too, that Peel Guitar isn’t the only instrument available free from LABS. Feel free to download the other guitar samplers in the collection.
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Spooky season is year-round, and don’t let anyone tell you different. Haunted Guitar Lite is a unique free guitar VST made with a multi-sampled Fender Strat. Each of the 8 presets in the plugin features 28 samples processed with various effects to get some really dark and creepy guitar sounds, for a total of 224 different samples. As a bonus, the GUI is pretty creepy as well.
Shreddage 3 Stratus by Impact Soundworks is a great free Kontakt library. It features an S-type guitar with up to three octaves of range and up to 24 samples per note. Articulations include sustain, palm mutes, and chokes for that extra touch of realism.
Emissary by STL Tones is an amp simulator plugin and a brilliant one at that. It’s a model of a two-channel amplifier with a clean/crunch channel and a high-gain lead channel. This is obviously perfect for metal guitarists, especially those modern ones who utilize a variety of tones within a single song. Emissary isn’t exclusive to metal players, though, because it’s versatile enough to work for other genres as well. It comes with six free cabinet IRs, so it’s everything you need to get into amp simulation plugins for free.
Xhun Audio Ironaxe
Komplete Start by Native Instruments is one of the best free plugin bundles you can get. It includes a total of 16 instruments and two effects. Of the sampled instruments in the selection, there’s a plugin called BAND that houses 13 rock/pop instruments itself. These include electric guitar and bass, though clearly the bundle is much more versatile than just that!
Pettinhouse has a good handful of free guitars to pick from, as well as tons of other instruments. The acoustic, funk, and warm jazz guitars are all excellent instruments in their own way. If you’re looking for a bit more variety, sift through what Pettinhouse has to offer in the way of free guitar VSTs to flesh out your collection.
We tend to overlook guitars when it comes to VSTs. Strings, drums, horns, complete ensembles, synthesizers, and so many more tend to be the norm, though for some reason guitars seem off limits for sample libraries. Try any of the best free guitar VSTs here, though, and you’ll see the value it can add to your plugin collection and productions!The stand-alone version of MIDI Guitar 2 includes an enhanced range of bundled instrument plug-ins, as well as a selection of MIDI Machines.
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Are the days of hex pickups numbered? Now available as a Mac/Win plug-in or stand-alone, Jam Origin’s guitar-to-MIDI utility is fast, versatile and affordable.
The original version of Jam Origin’s MIDI Guitar software gained a glowing review from Bob Thomas in SOS May 2014 (/reviews/jam-origin-midi-guitar). So much so that, on seeing that v2 had been launched, I went straight to the Apple Store and
— yes, you read that right! — a copy for myself. And, as a guitar player who is totally rubbish at keyboards, I have to say that it is one of the most impressive pieces of software that I have ever used.
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The original MIDI Guitar ran as a stand-alone program, intercepting audio from a designated input on an audio interface and then converting it to MIDI to be passed on to the MIDI input of the DAW. Now available for Mac and Windows, version 2.2.1 offers even more functionality, but at its heart is still the seemingly impossible trick of turning the output from a standard guitar pickup into polyphonic MIDI. This it does so reliably and quickly that I now use it in preference to any of my hex pickup MIDI guitar systems. Systems that can handle monophonic conversion are old news, but MIDI Guitar really can separate out the notes from chords and rapid arpeggios at lightning speed. According to the designer, it uses deep-learning/AI technologies employed in speech recognition and other ‘learning’ applications, rather than traditional DSP techniques, and he feels that we are just on the verge of seeing what this technology can do in the pro-audio field.
Version 2.2.1 is available directly from the Jam Origin web site, and can be authorised to multiple machines. The latest version is bundled with MIDI Bass, which is similar in concept but monophonic, and can also host third-party AU or VST plug-ins. One big difference from the original, however, is that MIDI Guitar 2 now comes in a plug-in version of its own, offering the best of both worlds whether you are recording or playing live. For DAW users, I really would recommend this full package, but note that an earlier version of MIDI Guitar 2, seemingly aimed at GarageBand users, is still available on iTunes and saves you a little on cost if you don’t need MIDI Bass or the plug-in version. MIDI Guitar is available in VST and AU plug-in formats, but there is not yet an AAX version.
An online guide to using MIDI Guitar 2 with many of the popular DAWs is available from the Jam Origin web site. In Logic Pro, which I use for nearly everything, both the stand-alone version and the plug-in version worked perfectly, generating MIDI data that you can edit in the Piano Roll in the usual way. Jam Origin say the plug-in version is preferable for minimum latency as the stand-alone version can add 3 to 6 ms of latency. Since MIDI generated by the plug-in is automatically routed to Logic’s active instrument track, you can use it to play Logic’s own plug-ins as well as any third-party instruments that appear in your plug-in folder.
There's Software That Turns Any Guitar Into A Midi Controller Without Any Hardware
The plug-in version opens in an audio track insert point, so the audio input feeds both a chain of amp/speaker and effects modelling and the MIDI conversion engine, allowing you to play one of MIDI Guitar’s onboard synths or any other plug-in instrument you have on your system. You can come up with some unique tonal combinations by mixing the processed guitar sound and a synth sound. The MIDI Guitar plug-in can itself host instrument plug-ins to provide a real-time synth output, as can the stand-alone version, but if you want to record editable MIDI, it is usually best to set up a separate DAW track for the virtual instrument you wish to control. As long as that instrument track is selected, it will receive MIDI from the MIDI Guitar plug-in.
You can, of course, also use the plug-in to process any previously recorded clean guitar parts into MIDI, though any recorded reverb, delay, modulation or distortion is likely to compromise the translation process. This seems to be the cleanest approach for working with synth sounds with a fast attack: record your guitar part as normal, insert MIDI Guitar 2, then create a new instrument track to record the MIDI data. For sounds with slower attacks you might prefer to hear the synth sounds as you play, in which case you can have the synth track active and recording as you play the guitar.
To hear a guitar through the plug-in, something must be selected in the Amp/FX slot: Direct is
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