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Best studio headphones for most people not because they're perfect - they're not the most comfortable - but for the money, you'll hear your mixes in stunning detail. Great build quality too.
Semi-open-back, over-ear. Not the most suitable for bass-heavy music, but a solid entry point into the world of open-back headphones. Read more
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Studio headphones are one of those purchases you ideally get right the first time, simply because the more you get to know the headphones and the more you break them in, the better your results will be in the studio. When it comes to dropping $100, $200, maybe even $300+ on a shiny new pair, there are a lot of things you need to understand and consider.
We went to work to bring you a guide to the best studio headphones - what they are, what you need to know, and our top recommended models.
Studio headphones are mostly used for creating, recording, mixing, and mastering music - things commonly done within the context of a music studio. Of course these days, a proper studio space is hardly necessary. With little more than a laptop and some software, you can record and produce anywhere at any time.
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Let’s say you’re an electronic music producer or a recording artist, and your goal is to produce a track or demo. You’re going to want headphones that have a flat frequency response, meaning they don’t “color” the sound by artificially boosting the bass or treble.
Consumer headphones (i.e. headphones & earbuds meant primarily for causal and entertainment use) typically alter the frequency response. When the bass and treble are artificially boosted, everything just
As an artist who is recording or creating - and more importantly mixing - tracks, you need more professional headphones that are honest; you don’t want any frequencies to be under- or overrepresented. Why? If you can get your music to sound nice and balanced on flat/honest studio headphones, your music is going to “translate” well to wherever people listen to it - laptop speakers, cheap earbuds, car stereos, etc.
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Variety is the spice of life, but the staggering amount of headphones out there labeled as studio headphones can make shopping for a pair frustrating.
You have to be careful of marketing deception. Think of it this way - when a food says “low fat” on the box it doesn’t necessarily make it good for you, the same as if a headphone slaps the word “studio” on the box doesn’t necessarily make it suited for studio work.
Well, fear not, we’re here to cut through the hype and clear up any confusion. The following are the important things to understand and decide on when you’re ready to get yourself some great studio headphones:
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In your search you will encounter closed-back, semi-open, and open-back headphones. This is very important, because they're pretty different from each other.
Closed-back headphones have ear cups that are completely closed off, and since the soft foam (or leather) pad forms a seal with your head around your ear, the sound has nowhere to go so it stays inside the ear cup. The majority of headphones out there are closed-back.
Closed off. The part of the ear cup opposite your ear - the one that faces the outside world - is open, meaning that instead of sound staying contained within the ear cup, it can travel outwards.
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This has great implications on what the headphones are going to sound like. Closed-back headphones are great for isolation. If you’re producing in a noisy environment, outside noise will be kept out, and people won’t be able to hear what you’re listening to. The sound is tighter and more focused, and as a result the bass frequencies might be slightly exaggerated. Furthermore, the soundstage and stereo separation doesn’t sound as
Open-back headphones are just the opposite. Sound will easily leak in and out, so if you’re in a noisy environment, forget about using open-back headphones. If you
In short, think about what you want to do with your studio headphones. If you’re always working in a quiet space and you want to produce and mix as accurately as possible, consider open-back. If you’re in noisy spaces, or you want to record live instruments like guitar and vocals, closed-back is better since sound leakage would be a big issue.
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, hopefully you can do that in a quiet studio space, since open-back headphones tend to be much more accurate and suitable for that.
) goes over and surrounds your entire ear. On-ear headphones tend to be more compact since the ear cups aren’t as large, although the main problems are that 1) the pressure applied directly to the ear can be uncomfortable, and 2) the sound isolation isn’t as good, since there’s no tight seal created.
An over-ear headphone has the advantage of sound isolation. That makes them better suited for recording, and working in loud environments. They also provide a more immersive listening experience. Because the ear cup needs to fit
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Your ear, these types of headphones tend to be a little bit larger - not an issue in the studio, but it might be for portability. The majority of studio headphones are over-ear.
Often budget ends up being the deciding factor when selecting the best studio headphones for you. If this is your first pair of quality headphones, it doesn't make sense to jump straight to a $400 pair.
Generally speaking, there's a noticeable jump in quality every $100 or so. If you’re currently producing on cheap earbuds, $150 Audio-Technica ATH-M50x are going to change your life. If you’re already using something in the price range of the ATH-M50x and want to upgrade, you’ll want to look at something in the $250-300+ range to make a significant difference.
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Your intended use of the headphones, as well as your level of experience, kind of ties everything together. If you produce electronic dance music on your laptop, and you frequently travel and produce on the go, delicate open-back headphones don’t make much sense for you. A nice durable pair of closed-back cans is what you should aim to get.
If instead you have a nice quiet home studio and you work on perfecting your mixes late at night and can’t use speakers for fear of waking up your housemates, open-back headphones would be a good bet.
Ideally, it would be great to own a great pair of closed-back headphones for producing and recording, open-back headphones for mixing, and a few other pairs to test your mixes on. However, owning that many headphones is not only pricey, but also not necessarily practical. Prioritize what’s most important to you, and make your decision that way.
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You could read entire books on audio frequency, so we’ll stick with the very simple explanation. Frequency is measured in hertz (Hz). Humans can generally hear from 20Hz all the way to 20, 000 Hz. Every headphone advertises their frequency response, which is the effective range they can reproduce of bass, mids, and treble. Some headphones have a frequency response that spans beyond that which humans can hear (5 to 35, 000 Hz for example). This does not make their sound quality better.
Make a note of the frequency response, but don’t base your buying decision on it. What's more important is the headphone's frequency response curve. Since no headphone has a
A headphone’s comfort is important, no matter how you feel about any of the other criteria. If a pair feels like a head vice after 30 minutes, you’ll never be able to focus, get in the zone, and truly enjoy your music production.
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We ordered all of the headphones ourselves and put them through extensive testing over several weeks before reviewing them in this guide.
We plugged all of them into an RME Fireface 800 audio interface (as well as our laptop and phone's headphone jacks for our causal listening test). We used each headphone both in our quiet home studios, and noisy office environment to test isolation.
We played with software synths, and pulled up unmixed projects (with and without vocals) all in the context of Logic Pro X. We also used the headphones with our Casio Privia PX160 digital piano and solid state guitar amps.
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It's not fair to compare a $70 pair of closed-back headphones to a $300 open-back pair. For this reason, we decided the best thing to do would be to split the list into:
A rugged & indestructible workhorse of a headphone that sounds fantastic both for studio work and casual listening. I owned the Sennheiser HD 280 PRO for a while and upgrading to these was a game changer. If I did more mixing & mastering work I would go with the DT 990 PRO.
We've owned the Beyerdynamic DT 770 Pro 80 headphones for many years, so while we don't quite remember the unboxing, here's what you can expect to find in the box:
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These German-made headphones have a very utilitarian look and feel. The rounded ear
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