The DR-40X is a versatile four-track audio recorder for music, podcasting, cinema and any other application requiring high-quality audio. Building on the highly successful DR-40, this recorder adds several new functions to the already comprehensive feature set.
A pair of cardioid condenser microphones handles high sound pressure levels and can be set up in AB or XY orientation for a wide stereo field or extra-clear reproduction with reduced phase displacement between both channels. Users can also use their own microphones or line-level source through dual Neutrik XLR/TRS combo jacks that support both mic level and +4 dBu line level from mixers or the FOH console. The microphone preamps include 48-volt phantom power and plenty of gain to capture everything from small whispers to loud live sounds. Using the stereo built-in microphones, you can capture ambient sound of the audience while recording directly from an external console, which is ideal for live performances. Like its predecessor, the DR-40X also offers dual-level recording, a feature that helps to avoid distortion by providing a second recording file created with a lower level setting.
The layout of the DR-40X has been revamped to be quick and easy to work with one thumb. Operations like recording, adjusting levels, deleting bad takes and adding marks are just a button press away. Menus are available in English, Spanish, Portuguese, French, Italian, German, Russian, Chinese, Korean, Japanese. Three different auto level modes (Limiter, Peak Reduction, Auto Level) can help to prevent accidental distortion while recording. You may apply one out of six reverb effects to the input or output signal, and an Overdub feature allows voices or instruments to be added to existing audio files. There is also a Level Align function that allows to smooth out any sudden volume jumps during playback, and a built-in speaker is provided for quick check-back. Other features like variable speed audition, low-cut filtering, chromatic tuner and more can be chosen from the menu.
Tascam Dr 07x 2 Input / 2 Track Portable Audio Recorder With Onboard Adjustable Stereo Microphone
The new Dictation Mode enables you to jump back and forth in preselected increments while playing back a file. It can be combined with speed control and a special dictation EQ making it useful for transcribing minutes recordings, for example. The new tape-style Overwrite mode with one level of undo lets you select a drop-in time and replace part of an existing recording.
Apart from handheld recording, the DR-40X can also be used as a USB audio interface with two inputs and outputs, making it a strong yet easy gear for voiceover work, live streaming, podcasting and songwriting with studio-quality audio.
In addition to normal stereo recording and dual recording, the DR-40X has a four-channel mode that allows you to record two different stereo feeds simultaneously. You're flexible with the combination of the sources: record with the built-in microphones along with a pair of external mics for close-up and ambient sound, for example. Or use the built-in mics together with balanced line input to record the sound in the room along with a feed from a mixer.
Tascam Dr Recorders
Film-makers and videographers often experience sudden audio volume spikes during filming. An actor could suddenly scream, or a documentary subject could do almost anything.
With its Dual Recording mode, the DR-40X captures a copy of your take but at a lower level, as a safety track in case of sudden distortion. There is also an auto recording function that can detect the signal level of the input sound to start recording automatically. And the pre-recording function provides fail-safe protection by actually capturing the audio up to two seconds before you press the Record button.
Peak Reduction works in rehearsal mode or in record. So even if the sound or performance is louder than the soundcheck you’re safe. Combined with Auto Level and Limiter for preventing distortion, you never have to worry about sudden level changes.
Martin J 40 Standard Jumbo Acoustic Guitar Fitted With Pickup 2nd Hand
If you don’t like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the “Overwrite mode” is exactly what you need. It allows punch-in recording from a desired point. This means destructive editing with one level of undo.
The overdubbing function makes it possible to record while playing a previously recorded file. This allows you to record other parts such as a guitar solo over a backing track made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, thus making it easy to re-record.
The DR-40X supports SDXC cards as recording media, which are available with very large data capacities. If you record one stereo file in 44.1-kHz / 16-bit CD quality, it can be as long as 192 hours. In MP3 format at 320kBit/s, such a card can hold up to 896hours (that is 37 days!).Like many musicians I have a home studio but most of my music making happens elsewhere. So a portable audio recorder is essential for catching the fleeting moments of my live performances. The DR-40 is as portable as it gets—fits in the palm of my hand—but are the features and sound quality good enough? Tascam DR-40 | (image courtesy Tascam)
Tascam Dr 07x — Studiocare
Tascam DR-40 Recording | Using the built-in mics, I recorded my original composition, Bagatelle Five, on a Hirade H8SS classical guitar. No pickups or amps were used. This is a pure acoustic track. Your browser does not support the audio tag. Construction The body shell is dark gray plastic with good fit and finish. It feels sturdy but is a far cry from the beefy metal body of the DR-100 MKII. It's smaller than the DR-100 and comfortable in my hand, although I don't recommend handheld recording with the built-in mics due to handling noise. Use a grip or tripod. The stainless steel tripod socket allows easy mounting on tripods, grips or light stands. I use an Arca quick release plate on the DR-40, allowing quick mount/dismount from tripods. However, the tripod socket is shallow: most Arca plate screws bottom out in the tripod socket, allowing the plate to spin. The obvious workaround is to file down the screw. However, I found a shorter screw and fit is fine. The monochrome LCD is tiny, funky orange and 1990s tech but easy to read. It's the same LCD used in the DR-100 MKII. Honybal Sosa plays Distant | Tascam DR-40
Controls In contrast to the DR-100, the DR-40 has only basic physical controls: record, stop, play, solo, mode, levels, line, mic, forward, reverse and hold. That's it. Everything else is done in the menus making setup more tricky than the button rich DR-100 MKII. Level control is awkward and uses stepped button presses rather than a calibrated knob or slider. Plus, level adjustments are strictly global, i.e., individual channels can't be adjusted. While controls are labeled, they're difficult to read even in good light, so you'll need to memorize functions before using at a gig. Spartan Control Layout | Global gain control and only mini-plug output
I live in the inner city and am surrounded by cellphone and radio station transmitters. RFI is a problem in my condo and every piece of gear needs shielding or it becomes a classic rock station. The DR-40 has a lot less RFI shielding than the DR-100 MKII. Normally RFI is not a problem for stage use but location recording near microwave towers results in enough static to ruin the track. Also, a smartphone within 5 or 6 feet causes a loud high pitched beeping reminiscent of Morse code. I figured this out while recording a classical guitar track with an iPhone 5S on my belt. Simple fix, put the iPhone on airplane mode but sheesh... Connectivity The input options of balanced XLR and TRS analog allow you to record from mics or line level sources such as mixers or mic preamps. The DR-40 has a switch to toggle inputs from mic, phantom power and line level. Unlike the DR-100, there are no digital or unbalanced inputs. Output consists of headphone and analog stereo line out from a single mini stereo jack. That's it. So adapters will be needed to interface with studio and home stereo systems. My SD card goes straight in my Mac for storage, editing and playback, so no biggie. The DR-40 has mini-USB for power or uploading to a computer, but not for playback or recording. A card reader is faster for uploads but it's good to have a USB port just in case. The headphone preamp is noisy and only good for basic field monitoring. During the first session I checked a track and heard eggs frying galore! Later, when editing at home with studio monitors, the tracks were clean. So decent mic preamps but terrible headphone preamp! XLR Inputs | Clean mic preamps with locks and TRS!
Tascam Dr 60d Mkii Portable Recorder
Batteries It's an odd bird with three AA batteries in its belly. I use Eneloop rechargeables and can last through a long rehearsal. No true AC adapter but you can power it from a USB port or most USB chargers. Sound Quality I wish the cardioid mics were black instead of glitzy chrome. However the
If you don’t like the last part of a phrase you just recorded with your guitar, or if you change your mind and want to rephrase narration, the “Overwrite mode” is exactly what you need. It allows punch-in recording from a desired point. This means destructive editing with one level of undo.
The overdubbing function makes it possible to record while playing a previously recorded file. This allows you to record other parts such as a guitar solo over a backing track made such as at a rehearsal studio. Overdubbing creates a new file, leaving the original file unaffected, thus making it easy to re-record.
The DR-40X supports SDXC cards as recording media, which are available with very large data capacities. If you record one stereo file in 44.1-kHz / 16-bit CD quality, it can be as long as 192 hours. In MP3 format at 320kBit/s, such a card can hold up to 896hours (that is 37 days!).Like many musicians I have a home studio but most of my music making happens elsewhere. So a portable audio recorder is essential for catching the fleeting moments of my live performances. The DR-40 is as portable as it gets—fits in the palm of my hand—but are the features and sound quality good enough? Tascam DR-40 | (image courtesy Tascam)
Tascam Dr 07x — Studiocare
Tascam DR-40 Recording | Using the built-in mics, I recorded my original composition, Bagatelle Five, on a Hirade H8SS classical guitar. No pickups or amps were used. This is a pure acoustic track. Your browser does not support the audio tag. Construction The body shell is dark gray plastic with good fit and finish. It feels sturdy but is a far cry from the beefy metal body of the DR-100 MKII. It's smaller than the DR-100 and comfortable in my hand, although I don't recommend handheld recording with the built-in mics due to handling noise. Use a grip or tripod. The stainless steel tripod socket allows easy mounting on tripods, grips or light stands. I use an Arca quick release plate on the DR-40, allowing quick mount/dismount from tripods. However, the tripod socket is shallow: most Arca plate screws bottom out in the tripod socket, allowing the plate to spin. The obvious workaround is to file down the screw. However, I found a shorter screw and fit is fine. The monochrome LCD is tiny, funky orange and 1990s tech but easy to read. It's the same LCD used in the DR-100 MKII. Honybal Sosa plays Distant | Tascam DR-40
Controls In contrast to the DR-100, the DR-40 has only basic physical controls: record, stop, play, solo, mode, levels, line, mic, forward, reverse and hold. That's it. Everything else is done in the menus making setup more tricky than the button rich DR-100 MKII. Level control is awkward and uses stepped button presses rather than a calibrated knob or slider. Plus, level adjustments are strictly global, i.e., individual channels can't be adjusted. While controls are labeled, they're difficult to read even in good light, so you'll need to memorize functions before using at a gig. Spartan Control Layout | Global gain control and only mini-plug output
I live in the inner city and am surrounded by cellphone and radio station transmitters. RFI is a problem in my condo and every piece of gear needs shielding or it becomes a classic rock station. The DR-40 has a lot less RFI shielding than the DR-100 MKII. Normally RFI is not a problem for stage use but location recording near microwave towers results in enough static to ruin the track. Also, a smartphone within 5 or 6 feet causes a loud high pitched beeping reminiscent of Morse code. I figured this out while recording a classical guitar track with an iPhone 5S on my belt. Simple fix, put the iPhone on airplane mode but sheesh... Connectivity The input options of balanced XLR and TRS analog allow you to record from mics or line level sources such as mixers or mic preamps. The DR-40 has a switch to toggle inputs from mic, phantom power and line level. Unlike the DR-100, there are no digital or unbalanced inputs. Output consists of headphone and analog stereo line out from a single mini stereo jack. That's it. So adapters will be needed to interface with studio and home stereo systems. My SD card goes straight in my Mac for storage, editing and playback, so no biggie. The DR-40 has mini-USB for power or uploading to a computer, but not for playback or recording. A card reader is faster for uploads but it's good to have a USB port just in case. The headphone preamp is noisy and only good for basic field monitoring. During the first session I checked a track and heard eggs frying galore! Later, when editing at home with studio monitors, the tracks were clean. So decent mic preamps but terrible headphone preamp! XLR Inputs | Clean mic preamps with locks and TRS!
Tascam Dr 60d Mkii Portable Recorder
Batteries It's an odd bird with three AA batteries in its belly. I use Eneloop rechargeables and can last through a long rehearsal. No true AC adapter but you can power it from a USB port or most USB chargers. Sound Quality I wish the cardioid mics were black instead of glitzy chrome. However the
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