LEPOU PLUGINS (official website) Not only are these amp sims free, but they are also excellent. The Lextac has a very Rock sound (derived from the californian amps Bogner), the LE456 is more Metal-oriented (derived from Engl's Powerball amplifier), and the HyBrit sound British (Marshall). Legion is not based on any real amp. The latest one, Lecto, emulates the Rectifier. These amp sims sound absolutely great and you can easily find settings to suit the sound you're looking for.
Please note that these plugins are donationware, so they are free, but you are encouraged to make a donation to their creator from his official website. On this page HyBrit - LE456 - Lecto - Legion - Lextac - SoloC Downloads Please download preferably from the official website and donate if you like and use LEPOU's plugins. If you still prefer to download from here, click here... These amplifier simulators are provided as DLL files. They must be used within a host software, like a D.A.W., and are therefore not usable alone. Click here to know how to use them.
HYBRIT This simulator offers two Marshall amps in one: The MCJ channel emulates a JCM800, and the PLS channel emulates a Plexi Super Lead 100.
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HYBRIT DEMOS ACDC - CHIC - METALLICA - NIRVANA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES Back in black by ACDC - Download this preset for HyBrit -
LE456 DEMOS ACDC - CHIC - METALLICA - NIAGARA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES Back in black by ACDC - Download this preset for Le456 -
LECTO DEMOS ACDC - CHIC - METALLICA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES Back in black by ACDC - Download this preset for Lecto -
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LEGION DEMOS ACDC - CHIC - METALLICA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES Back in black by ACDC - Download this preset for Legion -
LEXTAC DEMOS ACDC - CHIC - METALLICA - PINK FLOYD - SIMON's BLUES - SIMON's METAL - THE DOOBIE BROTHERS - THE WHITE STRIPES Back in black by ACDC - Download this preset for Lextac -
DOWNLOADS You may download the simulators from here, but please download preferably from the official LePou's website and if you like and use his plugins, donate from his website!!!
Stream Lepou Poulin Lecto By Viktor Jevdokimov
LePou Lecto (lepou_lecto_v1.zip, 516 KB) LePou Legion (lepou_legion_v1_01.zip, 1.27 MB) LePou Lextac (lepou_lextac_v1_0.zip, 780 KB) LePou Le456 (lepou_le456_v1_1.zip, 935 KB) LePou Le456, 2011 GUI (Poulin_Le456_v1_1b.zip, 1.12 MB) LePou HyBrit Series (lepou_hybrit_series.zip, 2158 KB) LePou HyBrit Series, 2011 GUI (Poulin_HyBrit_Head_v1_1a, 1.05 MB) LePou SoloC (SoloC_Head_v2_11.rar, 1.35 MB) (Mac versions on the official website)
* Les Paul-shaped guitar, the brand is SR Guitars, equipped with 3 pickups: a modern Humbucker neck pickup, a vintage P90-like middle pickup, a vintage Humbucker bridge pickup.
* Fender Telecaster American Deluxe with 2 Humbucker custom pickups : The neck pickup is a Lollar Regal, the bridge pickup is a Fender Wide Range. Simon used the Lollar for demos with distorsion, and the Fender for clear demos.
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* Each demo includes two guitar tracks, recorded separately (no copy and paste), and panned right and left in the stereo field.
* No distorsion pedal was used, in order to show whether or not the simulations can produce the distorsion needed in some musical genres.
The settings of each demo are identical for all three guitars. Some demos will sound better with one guitar than it will on the other two. For instance, in Nirvana's demos, the sound of the Mercuriall demos recorded with a Telecaster is closer to the original sound than what I got with a Les Paul or a Stratocaster, because I made the settings for Telecaster first.
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Ideally, each amp sim tested should use different impulses, in order to find the microphone and the positionning that fits the amp best, as you would do when recording real amps with real microphones. Unfortunately, this would take me a considerable amount of time to do, and I cannot afford to do that.
All the impulses I used for these demos are from Redwirez. No EQ was applied, I just added a slight compression on some demos, and a bit of reverb so that it doesn't sound too dry.
These tests help to demonstrate how important the choice of an impulse is. From my experience, I would estimate that the sound you get is: 30% from the guitar you use, 30% from the amplifier head, and 40% from the impulse. Of course, these values will vary according to the pickup settings on your guitar, the settings of the amplifier, and the use of either a clean or a highly distorted sound will greatly influence the relative importance of these elements.
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The closest the microphone from the center of the speaker, the less proximity effect you get, and so you get less lows.
The closest the microphone from the cab, the more precision you get. By moving the microphone farther, the sound becomes less harsh.
1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Neumann U67 in Cap Edge position, at a distance of 2 inches (5 cm). Stereo panning: 100% left.
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1 impulse of Marshall 1960A cab (loudspeaker: G12M) through a microphone Neumann U87 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone Shure SM57 in Cap Edge position, at a distance of 1 inch (2.5 cm). Stereo panning: 100% right.
1 impulse of Marshall 1960B cab (loudspeaker: V30) through a microphone Royer R-121 in Cap position, at a distance of 3 inches (7.6 cm). Stereo panning: 100% right.
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Le Freak by Chic From what I've read, Nile Rogers, Chic's guitar player, doesn't use an amplifier. He plugs his guitar (a stratocaster nicknamed The Hit Maker) directly into the studio's console preamp. As the objective here is to test amp simulations, I obviously won't do the same. In order to get this clear high sound, I used the following cab impulses:
1 impulse of Fender Dual Showman cab (loudspeaker: JBL D130) through a microphone AKG C414B-ULS in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 100% left.
1 impulse of Fender Dual Showman cab (loudspeaker: JBL D130) through a microphone Neumann U47 in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 50% left.
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1 impulse of Marshall '68 Basketweave cab (loudspeaker: Celestion G12H30) through a microphone AKG C414B-ULS in Cap position, at a distance of 4 inches (10 cm). Stereo panning: 100% right.
1 impulse of Marshall '68 Basketweave cab (loudspeaker: Celestion G12H30) through a microphone Neumann U47 in Cap Edge position, at a distance of 4 inches (10 cm). Stereo panning: 50% right.
Personal Jesus by Depeche Mode This riff was originally played on a Gretsch guitar, through a Rivera Venus 5 amp head and a Rivera 2x12 cab equipped with Celestion G12T-75 loudspeakers. I don't know how the original studio recording was made, but live, the sound is transmitted by a Shure SM57 microphone, and a Shure KSM32 microphone, both placed against the cab cloth. I don't have any KSM32 impulse, but from the actual microphone response diagram, it seems that the closest response curve is that of the Earthworks TC30 microphone, for which I have impulses from Redwirez. Also, I don't have an impulse from the Rivera cab originally used by Depeche Mode, but I do have Marshall and Bogner cabs impulses, both equipped with G12T-75 loudspeakers. I used the following cab impulses:
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1 impulse of Bogner Uberkab cab (loudspeaker: Celestion G12T-75) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% left.
1 impulse of Bogner Uberkab cab (loudspeaker: Celestion G12T-75) through a microphone Earthworks TC30 in Cap position against the cloth. Stereo panning: 100% left.
1 impulse of Marshall 1960B cab (loudspeaker: Celestion G12T-75) through a microphone Shure SM57 in Cap position against the cloth. Stereo panning: 100% right.
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1 impulse of Marshall 1960B cab (loudspeaker: Celestion G12T-75) through a microphone Earthworks TC30 in Cap position against the cloth. Stereo panning: 100% right.
Stairway to Heaven solo by LedZeppelin Undoubtedly one of the most famous solos ever, a true standard that I couldn't ignore here. It was played by Jimmy Page with a Fender Telecaster and a Supro amplifier, from what I could find.
1 impulse of Supro Thunderbolt cab (loudspeaker: Jensen 15) through a microphone Sennheiser MD409 in Cone position, at a distance of 2 inches (5 cm). Stereo panning: 10% left.
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1 impulse of Supro Thunderbolt cab (loudspeaker: Jensen 15) through a microphone Neumann U87 in Cone position against the cloth. Stereo panning: 10% right.
Enter sandman by Metallica Another Metal sample from a well-known song by Metallica. Here, I leave the lows in their central position, I lower the mids quite a bit and raise the highs. The saturation is also pretty heavy, depending on the amp sim tested.
1 impulse of Mesa Rectifier cab (loudspeaker: V30) through a microphone Sennheiser MD421N in Cap position, at a distance of 2 inches (5 cm). Stereo panning: 100% left.
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1 impulse of Mesa Rectifier cab (loudspeaker: V30) through a microphone Beyerdynamic M160 in Cap position, at a distance of 1 inch (2.5 cm). Stereo panning: 50% left.
1 impulse of
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