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Before you can take the stage at a local live music venue, you need the proper equipment. Rest assured, Los Angeles is stocked with music stores that cater to both amateurs and professionals alike. From a massive music complex in Echo Park to a beloved acoustic shop in Santa Monica, buy your first guitar or the latest addition to your keyboard collection at these music stores.
If you can pluck it, strum it or hammer it, you'll probably find it at this Santa Monica institution. McCabe's has been specializing in mostly acoustic and folk instruments since 1958, from guitars and banjos to bouzoukis and ouds. By day, it's a revered guitar shop and lesson location, but on weekend nights it doubles as an intimate performance space.
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This stalwart music shop has resided in its Westwood space since 1947, serving the likes of Neil Young and Dolly Parton in the process. There's a heavy folk influence here, with a niche selection of dobros and banjos alongside a typical assortment of acoustic and electric guitars and basses. In addition, the shop runs a repair service and a full-blown music academy, with everything from hourly lessons to group classes.
Pick up a guitar, bass, keyboard or drum set at this Lincoln Heights music shop, alongside amps and effects pedals. As the name implies, the inventory here is largely vintage, particularly a handsome supply of old microphones. The shop also offers repairs on stringed instruments, as well as everything from tube amps to combo organs.
While this Hollywood music emporium is known more for its music collection, Amoeba also sells all sorts of turntables. More importantly, it's maybe the best one-stop-shop for any aspiring turntablist to build up his or her arsenal of tunes.The variety of CDs and records, both new and used, is awesome, the prices are fair and the staff knows its onions.
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This Hollywood shop has been keeping the beat since 1959 as a go-to repair and equipment shop for drummers. You'll find all sorts of snares, sticks and cymbals, as well as electronic kits for apartment dwellers and gongs for, well, inconsiderate apartment dwellers. Additionally, the store sells all sorts of racks, stands and accessories that you just couldn't find in a general music shop.
Nearly every inch of this Santa Monica shop is covered in stringed instruments and accessories. You'll mostly see electric guitars here, alongside acoustic guitars and basses—plus some slightly esoteric instruments, from cigar box guitars to baby sitars. In addition, the store offers repairs, lessons and custom pedalboards.
Part coffee shop, music school and ukulelestore, U-Space resides within Little Tokyo'sJapanese American Cultural Community Center. In addition to repair service and restoration, the space has all sizes and colors of ukulelesfor sale, all of which come with a free service for life plan.
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Bedrock is a utopia for Eastside musicians, with recording and rehearsal spaces—as well as pinball parlor Pins and Needles—all housed in a single, colorful building. But Bedrock also doubles as a one-stop gear destination; its small retail shop, Muffin Man Music, is geared mostly toward last-minuterecording and rehearsalneeds and stays open until midnight. Plus, you canrent PA systems, drums, amps and keyboards, as well as get your gear patched up from the in-houseelectronics and guitar repair.
The future of music is analog judging by this Highland Park shop's supply. Sure, you'll find modern effects pedals and keyboards here—as well asin-house guitar and equipment repair—but Future Music's differentiator isits stock of pre-1983 equipment (that's pre-MIDI revolution). Make sure to swing by on the second Sunday of each month for the musical instrument swap meet.
© 2024 Time Out England Limited and affiliated companies owned by Time Out Group Plc. All rights reserved. Time Out is a registered trademark of Time Out Digital Limited.Los Angeles is synonymous with rock ’n’ roll, so it’s no surprise it’s home to many famous stores. Here’s our pick of shopping in the City Of Angels.
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Travelling can be daunting, to say the least. All of the planning that goes into it, from flight and hotel reservations, where to eat, to figuring out what to do with your days, it seems that vacations can often feel like anything but. And on top of all of that, musicians will naturally want to know where to see the coolest stuff and the best deals. If this is the case, you’re in luck! If you’re traveling to sunny Los Angeles, we’ve done some of the legwork for you. Once you’ve visited the bright lights of Center Hollywood on Sunset Boulevard, here are four other must-see shops in the area.
Over the last 32 years, Norman’s Rare s has become something of a worldwide phenomenon thanks to its appearance in t-shirt form in
and being name-checked in plenty of other films. Not limited to cinema, the shop has kept up with the changing trends of social media with its Of The Day posts on Instagram and YouTube, and continues to serve as a place of pilgrimage for movie stars, up-and-coming rockers, and -minded folk across the globe.
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Owner, proprietor, and namesake Norm Harris started buying up old s in the 1960s, long before the idea of the vintage market as we know it had solidified. An expert in all things – you name it, he knows it – Norm put his extensive knowledge to use and stockpiled truckloads of instruments and banked on a boom down the road. Chances are you know his name, or at least the name of the shop, so it’s safe to say his foresight paid off.
The shop offers all manner of instruments, from ultra-rare one-offs, tried and true vintage favorites, and even modern affairs. With a cursory glance at what hangs on the walls of its huge showroom, it’s clear that the love of the is alive and well in Norman’s Rare s. As we browse and peruse, our friend and salesman Todd Wisenbacker rolls out after while Norm gives us the inside scoop on each instrument.
First from the back room is an undeniably breathtaking 1955 Les Paul Goldtop… and back, and sides, and neck. That’s right, the beautifully crazed gilded vision you see before you is in fact one of the rare all-gold models and a sight to behold in its totally original glory. Each crack in the finish reads like a line on the palm of your hand, each a story of the past and portent of things to come. Yellowed binding sets off the silky smooth Brazilian rosewood fretboard and unadorned cream plastics, while that famous golden-era craftsmanship ensures the has a loud and resonant sound and near-infinite sustain.
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An original 1955 Gibson Les Paul. Not just a Goldtop, this has the rare all-gold finish that includes the back and the neck
Next up is a jaw-dropping 1951 Stromberg 400, which seems particularly exciting for Norm as he gives us a brief run-down of the brand’s history. He explains: “The two boutique makers who made the top s for the top players were D’Angelico and Stromberg, and Stromberg was the last word for players like Irving Ashby and Oscar Moore. And all of them were unique, you’ll notice with Strombergs that the inlays are a little different. They were spec’d for the individual.”
Its natural finish is still bright and clean, and with body width at 19-inches, Norm notes it’s “bigger than a Super 400.” The has a bold, round sound that seems loud enough to reach the cheap seats. The only non-original part on the is the pickguard, which suffered the usual celluloid deterioration that you see with most plastics from the era. Thankfully, Norm’s techs replaced the guard with a hand-cut replica, completing and preserving the look of such a stately . Oh, and that handle on the back of the headstock – that’s the strap button!
Guitar Buzz. Was At The Shop And Apparently Wiring Is All Fine. Checked Amp, Cables And Experimented With Electrical Devices. Sometimes It Sounds Completely Clean But Mostly It Buzzes And Cracks. Please
Moving on, Norm brings out something truly special. Now before us is a Mauer model 595 from the 1930s in all of its abalone-inlaid splendor, eliciting gasps from our team. It’s an instrument we know next to nothing about, but we are glad to have Norm as our caretaker.
“The Larson Brothers were builders in the midwest in the 20s through the 1940s, ” he tells us. “They made s under a number of different names like Mauer, Euphonon, Prairie State, and Stahl depending on where it was sold. They didn’t mass produce and they were all unique.”
The intricate pearl inlay work framing the body, headstock, and ebony fingerboard is as exquisite as it is plentiful – so much so that it’s easy to get lost on some of the finer details: the stars on the bridge, for example. And while it looks great, the sound simply must be heard to be believed: it is full, rich, and shockingly loud.
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To be honest, after the last one we aren’t sure that anything will impress us so much, but
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