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Portability doesn’t have to mean sacrificing sound quality, especially when it comes to guitar amps. While even the biggest guitar amps for electric or acoustic models still have handles that make it easy to take on the road, most still aren’t ideal for commutes to the studio or a venue. The good news is that you can still find plenty of new portable guitar amps that feature a more lightweight, travel-friendly design with all the functions you’ll need. Whether you occasionally play an open mic, or just want a great-sounding amp that’s ready to hit the road when you are, we found a range of the best portable guitar amps for every situation.
If you’re planning on taking your amp on the go, you’ll need something that’s easy to carry that won’t weigh you down. At the same time, you’ll want to make sure the amp is large enough to produce the volume and sound quality you need. But how do you know which one is right for you? Read on for our guide to buying the best portable guitar amps online right now.
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Amp Type: When you’re shopping for the best portable guitar amp for you, you’ll likely find two main options out there: solid state and tube. Solid state amps use transistors to amplify the signal, while tube amps use vacuum tubes. Generally, solid state amps tend to be more reliable and less expensive, but many guitarists prefer the warmer, more natural sound of tube amps.
Power: If you’re playing small gigs or practicing at home, a lower-wattage amp will likely suffice. However, if you’re playing larger venues or need more volume, you’ll want to look for a higher-wattage amp to reach the back row. An amp that’s 40 watts should be powerful enough to get loud for a good-sized crowd, while 20 watts and under will keep the coffeehouse patrons happy.
Inputs: You’ll also want to think about the number and variety of inputs and outputs the amp has. Some have multiple inputs, allowing you to connect more instruments or even use the amp as a mixer. Outputs such as headphone jacks and line outs can also be useful for practicing quietly, or sending the signal to a larger PA system.
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Effects: Reverb, delay, and distortion are just a few to think about, as well as tone-shaping controls like EQ and gain. These can be useful for shaping your sound and adding extra dimension to your playing, and if possible, we recommend going for an amp that has at least these options on it. Other extras can include a built-in drum machine, and the ability to control everything from an app via Bluetooth.
This combo amp has the power to get seriously loud, while still being light enough to stay portable. The Mark Five: 25 contains a total of six preamp tubes and two power tubes inside, with two channels, two inputs, and 10/25W of switchable kick. Controls like presence, reverb, and even a footswitch are included, while there’s plenty of equalization opportunities to play with to get your perfect sound and volume set for any small to mid-sized performance.
If pure portability is what you’re striving for, it’s tough to find a more pocket-friendly unit than the Fender Mustang Micro. Plug this into your guitar, hook up your headphones in the jack or connect them via Bluetooth, and you’ve got an entire array of 25 amps and effects to choose from that lets you practice anywhere. This is endlessly fun to experiment with as you play along to your favorite tracks. When you’re ready to record, simply connect it up to your laptop or device with a simple USB cable to capture what you’ve composed.
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The bigger brother of the Micro, Fender’s Mustang brings all the fun and experimentation into an amp that’s about half the size of other portables and still powerful (and light) at 40 watts with 4″ speakers inside. The user interface is easy to get the hang of, with a screen and plenty of effects and settings to explore. An added bonus: You can save your favorites with the Fender app. Use the built-in tuner to get started, tap your desired tempo, and crank this light-but-loud unit all the way up.
Compared side-by-side with the others in the bunch, Yamaha’s THR10II looks like it’s from another time, maybe even another planet. But it sounds great, and portability wasn’t lost in the design of this rectangular little powerhouse. At 15 watts, it’s still plenty loud for solo practice, and provides the option of emulating realistic tube-amp tones along with 15 guitar amps, three bass amps, three mic models for acoustic-electrics, and flat modes for everything else. It’s Bluetooth and USB compatible for headphones and desktops/laptops for when you’re ready to record.
By providing your information, you agree to our Terms of Use and our Privacy Policy. We use vendors that may also process your information to help provide our services.There are times when a regular guitar amp – even a small combo amp – isn’t practical. Whether you want something small enough you can fit in you guitar bag when you go travelling or you want an easy way to busk with your electric guitar, a battery powered mini amp can be really handy.
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In this guide let’s look at some battery powered portable guitar amps and what to expect from one. We’ll look at what they’re good for, what they can’t do and some alternatives for people who travel often or need a different option.
In most situations it’s easy to get access to a power outlet and run a regular guitar amp. When you’re practicing at home, at band practice or performing live, you can safely assume you’re going to have access to power.
One common need for a battery powered amp is busking. While there are larger options available than the mini amps covered in this guide, you might just be starting out and want something a bit more affordable. It’s also handy to be able to fit your amp in your bag or strap it to your belt while you play.
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These mini amps are also handy for guitarists who often travel. One of my student regularly needs to travel for work and uses a Blackstar FLY3 while he’s travelling. He simply throws it in his bag and can jam away in his hotel room at an appropriate volume level.
One feature you should consider when choosing a battery powered amp is rechargeable batteries. Some amps may have a built-in rechargeable battery while most don’t. But even if an amp doesn’t have a built-in rechargeable battery, you can still get the same advantage by buying your own rechargeable batteries. They’re more expensive to buy than regular batteries, but the big advantage is you only need to buy one set instead of constantly replacing regular batteries.
You will either need a 9V or AA batteries so check the description I’ve included for each amp to make sure you buy the right type and amount.
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There’s also a 2-pack available instead of the above 4-pack if you don’t need that many spares (although they’re handy for guitar pedals).
If you need AA batteries, you will likely need 6 of them. I recommend an 8 bay charger like this one so you’re able to charge all your batteries at the same time. There are a lot of 4 bay chargers available which is a pain when you need to charge 6 of them.
The above charger can also charge AAA batteries which is handy if you have other things at home that use AAA batteries.
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It’s important to understand how volume and sound quality changes as you move towards smaller amps. Make sure you know what to expect before you buy a smaller amp and you’ll be happier with the results.
The wattage of guitar amps is one of the most misunderstood areas of guitar gear. If you see a 50-watt amp and a 100-watt amp, you would think that the 100-watt amp can produce twice the volume, right? Well it’s not that simple. In fact, a 100-watt amp is only 3dB louder than a 50-watt amp. That’s noticeably louder, but nowhere near double the volume.
This is why a small 3, 7 or 10-watt amp can still produce a loud volume. A 10-watt amp at full volume is only 6dB quieter than a 40-watt amp at full volume.
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The point to remember here is that an amp’s watt rating shouldn’t be thought of as the volume rating. A 3-watt mini amp can still produce a loud volume. While it will be quieter than a 100-watt amp, the difference between the two isn’t as significant as you might think (it’s only a 15dB difference).
If we think of a 4×12 stack as the ‘gold standard’ of guitar tone, as we move to smaller amps, we end up with lower perceived quality in tone. Of course there are plenty of small combo amps that sound amazing,
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