There are a lot of benefits to going the amp simulator route as a guitarist. Cost and versatility are both huge advantages over real amps, because modelers can give you access to hundreds of different heads, cabinets, and effects sims in a single package. They’re also the most convenient and practical way to record guitars in your home studio.
If you simply plan to record guitars in your home studio, you can’t go wrong with plugins. Even stock amp modelers like Logic Pro’s Amp Designer can give you very high quality results. Plugins are also the less expensive option over hardware units, and you can collect a bunch of them for whatever tones you need—all for less money than a hardware amp simulator.
With plugins, it’s as easy and loading up your DAW and dropping it on a track. You can record or practice silently on headphones, or as loud as you’d like with studio monitors.
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If you plan to jam with a band or perform live, or you just want the ability to connect to a physical speaker cabinet, you’ll need a hardware amp simulator. The best ones will cost about as much as a great tube head, but they also model hundreds of different amps, cabinets, and effects. As you can imagine, this is still a much, much cheaper option than collecting the ‘real’ stuff.
Hardware units make recording and practicing convenient as well, with seamless connection to your DAW via XLR direct outs (or even direct connection to your computer via USB), headphone outs for silent practice, and all the ease of a plugin but with an added tactile interface and the ability to play it like a real amp with a cabinet.
Fractal Audio’s Axe-FX series is the industry-leading hardware amp and effects sim. The Axe-FX III is currently one of the most powerful and feature-rich guitar processors on the market. At around $2500 USD it isn’t cheap, but you have access to virtually any tone and combination of effects you could ever imagine.
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Quad Cortex is the latest and greatest addition to the world of hardware amp and effect modelers. It’s currently one of the most powerful, with quad-core SHARC DSP at the heart of the unit. In addition to all of the various amp models and effects, Neural Capture lets you model your favorite real rig and turn it into a digital emulation like the Kemper. The I/O is also incredibly flexible as well. As far as hardware in 2022 goes, this definitely checks all the boxes!
The Kemper is a unique guitar processor. It’s a multi-effects processor, preamp, and optional power amp, with lots of connectivity to suit different playing situations from the studio to the stage.
It’s called a Profiler because it has the ability to accurately capture the sonic fingerprint of real amplifiers with a single button click. If you or your friends own a few tube heads you really love, you can capture and recreate them in the Kemper!
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Line 6 is responsible for one of the first amp modelers ever created back in 1996. The Helix unit came out a several years ago, and features 87 amps, 231 effects, 41 speakers, and 16 microphones for custom tone shaping. It comes as a rack unit head and a floorboard unit (or even a native plugin!).
AmpliTube by IK Multimedia is massive. When the first version of the software came out almost 20 years ago, it was the first plugin that modeled the entire signal chain of a guitar/bass rig. It’s only gotten better with time, and is available at different price points. There’s even a free version that comes with 41 gear models, while the next step up includes 80 models for $150. The most complete version of AmpliTube 5 includes a staggering 400 models of amps, effects, cabinets, microphones, and more. There’s also a section for adding rack effects, like classic outboard EQs and compressors.
The developers over at Neural DSP have really blown up over the past few years because of their painstakingly accurate emulations of Fortin amplifiers. If you’re looking for a state-of-the-art virtual amp plugin, Neural DSP is definitely worth trying.
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Their most recent release was the Archetype amp designed in conjunction with Australian virtuoso Plini. It’s a very versatile amp, from crystal cleans to high gain, suiting Plini’s eclectic playing style. Their Fortin emulations are also incredible!
Toneforge by Joey Sturgis Tones is a proprietary line of virtual amps “made for and by musicians, producers, and engineers.” Rather than attempting to emulate classic amps, Toneforge features all original designs for the highest quality virtual amp experience possible.
Toneforge is geared more towards metal/hard rock players, with signature amps by Jason Richardson, Misha Mansoor, and even a bass amp by Rex Brown.
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Native Instruments first put out Guitar Rig in 2004 and included three tube amp emulations. Over the past 15 or so years, Guitar Rig has naturally grown up quite a bit!
Guitar Rig 5 currently comes packaged with 17 amps, 27 cabinets, and 54 effects. Native Instruments’ award-winning Dynamic Tube Response Technology lets you create incredible tones with and natural-feeling virtual amp experience.
BIAS Amp 2 by Positive Grid another fantastic virtual amp designer. Like the majority of amp sims, the plugin recreates the tone and feel of a real tube amp.
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BIAS Amp lets you mix and match components to create your ideal amp. It comes with a feature called Amp Match which allows users to clone the tone of real hardware, or you can connect to the ToneCloud to gain access to thousands of custom amps from artists and recording studios.
Amp Room cleverly emulates the experience of stepping in a renowned studio full of insane equipment and building a signal chain. It includes models of classic outboard compressors and EQs, iconic amplifiers and cabinets, plus a ton of pedals and microphones. Amp Room is a fantastic platform for guitar and bass tone modeling in the box.
GTR3 by Waves is one of the most affordable premium amp simulator plugins out there. It currently contains over 30 amps, 30 cabinets, and 25 effects. You can load it in your DAW, or choose to play it as a standalone application through the ToolRack. Waves runs promotions all the time, so it’s easy to pick this one up for well under $50.
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Whether you go with a hardware unit or just a plugin, amp modeling has gotten impressively good. There’s not really a wrong choice anymore; you can even gig with plugins running off a laptop! Hardware aside, lots of developers offer free trials of their plugins to see what’s right for you.In case the title wasn’t a dead giveaway, an amp simulator is exactly what it sounds like – a program that simulates an amp (or more often, amps). Spanning a range of iconic tones to amps that have no real reason to exist, amp sims are extremely popular among guitarists, engineers – amateur and professional alike.
As you would know if you’ve been following my VST effects series (if you haven’t that’s okay, but just know that I’m very disappointed in your lack of commitment to me) there is an easy way to define the difference between a virtual instrument and a virtual effect:
Guitar amp simulators fall under the latter category, in that they do not create the sound of a guitar but instead manipulate the output of another recording/track to resemble it being ran through an amp.
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There’s really not much more to it — though many of these guitar simulator VSTs are extremely malleable and are capable of unrecognizably mangling and transforming various sounds through a suite of options, stomp-boxes and cabinets — they are ultimately still just amp simulators.
The other way around) look around right now. Unless you’re rich, professional or just a better planner than I am, I doubt you have more than 2-3 amps and certainly not enough space to comfortably fit and eventually record more than 5.
And with that, you have it — the easiest justification for simulating an amp. Most hobbyists can’t afford to shell out thousands of dollars per classic amp to create an army of amplifiers to do their creative bidding, yet this is something that many amp libraries offer at a fraction of the price and space.
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Amps, especially if you are using a cabinet and head instead of a combo amp (where the speaker and amplifier are contained within the one box) can take up a whole lot of room.
Once you factor in mic stands, cables — did you just shudder? — it can become a minefield for tangling, tripping or just generally getting frustrated and breaking things of your own accord.
If you start buying amp libraries like an absolute maniac it can begin to slow down your computer and become deceptively detrimental to your music-making process — but if you have a powerful PC and plenty of room on your hard drive this is unlikely to exacerbate into a major issue.
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Additionally, there is no need to concern yourself with room acoustics, microphone placement (or just owning a microphone) with amp simulation — all of that
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