Remix records are an established vehicle for extending the life cycle of an album, but it’s rare for one to redefine the parent collection from which it came. What makes
Stand out is the fact that it showcased sometimes startling reinterpretations of the tracks that had cemented Justin Bieber’s status as a global superstar, demonstrating the depth of talent that underpinned the teen idol persona that had largely shaped critical reaction up until that point.
Had started life as a small EP project, but the creative momentum led to three new songs being added to a selection of live and re-recorded versions of recent cuts.
Believe Acoustic': How Justin Bieber Proved It Was All About The Music
Instead of taking the easy route of hiring remixers to add new elements to familiar hits, Bieber decided to reinterpret his material in a loose, stripped-back style. Most startling, the R&B tumble of “Boyfriend” – a No.2 hit in both the US and the UK – was reimagined as a tender acoustic ballad with Bieber’s assured vocal accompanied by a solitary guitar. “Beauty And A Beat, ” a hit duet with Nicki Minaj from the previous autumn (it made the US Top 5 and went Top 20 across Europe), had been the single that hinted most strongly at the direction Bieber would take on 2015’s
On the jittery “As Long As You Love Me” original, rapper Big Sean added R&B ballast to a lighter pop track largely pumped up by some extreme production trickery. For
, however, the song is given room to breathe; Bieber more than demonstrates he can hold the tune – and it’s all the better for it. On “Be Alright, ” the addition of a piano as the lead instrument transforms a tender stand-out from
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Into something truly special. It’s one of those occasions when a reworking improves on the original. Though none of the 11 tracks on
Bieber largely let the album’s three new tracks find an audience without promoting them. As late as October 2013, he performed the piano ballad “Nothing Like Us” on Saturday Night Live, but that was about it. It is one of the fan favorites from the collection, not least because Bieber takes the sole composition credit on the track – a staggeringly assured piece of work for an artist then still in his teens.
That should have been evidence enough that Bieber’s career would long outlast the first wave of hysteria. The two other original tracks on
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Maintain the light, stripped-back approach of the rest of the album: “I Would, ” created with Boyz II Men and John Legend production team Da Internz, is a charming R&B shuffler, while “Yellow Raincoat” is a steady Ed Sheeran-esque ballad.
200 and made the Top 5 in the UK, with gold and platinum sales around the rest of the world. It was actually Bieber’s third remix project, following 2010’s
, and is certainly his most assured. There is a growing confidence in his vocals and a stronger sense of his input into the material. Fan reaction to the album was incredibly positive, and Bieber was humbled by the fuss. In a tweet that January, he wrote, “seeing a lot of people out there loving but even more so respecting the #BELIEVEacoustic album. means alot. It is all about the Music. thanks.”
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In time, Bieber would further demonstrate that it really was all about the music. But in a career at that point defined by the impact he had on his young fanbase, there was still plenty to prove.
Would go some way to showing that only an idiot would write him off too quickly, but in 2013 there were still many of them around when it came to evaluating the idol’s long-term potential. They would soon be re-examining their judgments. PerhapsBelieve Acoustic is the third remix album by the Canadian singer Justin Bieber. It was released on January 29, 2013, by Island Records as the follow-up to his second remix album, Never Say Never: The Remixes (2011). It is Bieber's second acoustic album, following My Worlds Acoustic (2010). The album has acoustic and live versions of songs from his third studio album Believe (2012), as well as three new recordings. The album wt to number one on the US Billboard 200 albums chart, making this Bieber's fifth number-one album and sevth consecutive top 10 album in the United States.
Bieber confirmed the project on December 8, 2012, by tweeting, Be writing a lot...new stuff...and yeah. the acoustic album, new arrangemts, is happing.
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On January 6, 2013, it was announced that 11 tracks would be on the album instead, including new songs Nothing Like Us, Yellow Raincoat and I Would.
Believe Acoustic received mixed reviews from music critics. Robert Copsey of Digital Spy wrote that the removal of the multi-layered production and studio trickery on Believe reveals a smoother and less [...] babyish vocal than most will be familiar with. He noted that embarrassingly weak lyrics are a recurring issue throughout the album, though it is largely saved by Kanter, who sures the melodic hooks remain largely intact. He noted that it is less of an issue on the album's three new songs. He concluded, We'd prefer the polished, shinier and glossier Justin Bieber any day.
Andrew Leahy of The Washington Times cited Believe Acoustic as a way of squeezing extra cash out of material that already has be released. He wrote that only a few of the new arrangemts shine any new light on the original versions.
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Andy Kellman of Allmusic wrote that like My Worlds Acoustic (2010), Believe Acoustic maintains the flow of Bieber product following a proper studio album. He noted that the playful side of Believe is not well-suited for earnest, stripped-down rderings and added, Party anthems like 'Beauty and a Beat' and lines like 'Chillin' by the fire while we eatin' fondue, ' from 'Boyfrid, ' seem silly wh performed with the singer in serious artist mode.
Jody Ros of Rolling Stone wrote that as cash-grab remix albums go, Believe Acoustic offers a little added value, for hardcore fans, at least. According to Ros, the acoustic versions of blustery dance-pop songs like All Around the World and Beauty and a Beat sound a tad wan, with a six-string standing in for the synths and bludgeoning rhythms. She, however, thought that Bieber gives the songs his best, and his raspy, soulful vocal tone stands out nicely against the stark musical backdrop. Ros thought the best songs on the album were the three new studio tracks.
On February 9, 2013, Bieber gave a debut performance of Nothing Like Us, a bonus track on Believe Acoustic on Saturday Night Live. He was both the host and musical guest and also performed an acoustic set of As Long as You Love Me.
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