Guitarists are equipped with a wide range of skills in performance and collaboration, creating dynamic and flexible musicians ready for the 21st century musical landscape.
During undergraduate study, the central part of the Guitar programme is the solo repertoire of the last four centuries. During the second year of the BMus – Bachelor of Music Honours degree, students take theorbo lessons which lead to continuo work. In Years 3 and 4, chamber music and concerto playing are essential parts of the syllabus.
Students experience comprehensive training at the highest level with a focus on performance in solo, concerto and chamber music repertoire. There are many performing opportunities plus masterclasses and talks by pre-eminent guitarists and musicians. Students are encouraged to take part in cross-departmental performances, when the opportunity arises, including participation with Historical music projects, drama, opera and orchestral events.
While My Guitar Gently Weeps
The Guitar Department is led by the eminent international soloists Robert Brightmore, Toby Carr and Sean Shibe. We offer comprehensive training at the highest level in both solo and chamber music performance, across the repertoire of the last four centuries. Chamber music and concerto playing are essential parts of the syllabus.
Recent visiting players and lecturers have included masterclass with David Russell and Sean Shibe, plus workshops with David Jaggs, Douglas Rogers and Arne Richards. Previous years’ masterclasses have included Manus Noble, Sasha Savaloni, Ignacio Rodes, Berta Rojas and Maximo Pujol.
The guitar open day is an opportunity to meet the team, get to know the nature of the course and enjoy student performances. Alumni concerts often form part of the day, and all open day attendees are invited.
Brouwer Guitar Lesson
My time at Guildhall School of Music & Drama has in no small part set me on the path I am today as a musician. I found skilled guidance and inspiration but most importantly I formed the musical collaborations that would shape my career as an ensemble player and soloist.
My experience at Guildhall School of Music & Drama was crucial for my career. I was not just receiving the best guitar lessons by Professor Robert Brightmore but also huge encouragement as a composer from him. My time at the School represents a collection of beautiful memories.
Music Open Days Attend one of our Music Open Days to find out more about the opportunities available at the School, and discuss the training with teaching staff, current students or recent graduates.From the sultry Spanish sounds of the Concierto de Aranjuez to modern adaptations of 17th-century lute music, some of the greatest classical music sounds absolutely stunning on guitar.
Chris Sherland Guitar
For a work as Spanish as Rodrigo’s Concierto de Aranjuez, it might seem bizarre that many people’s first encounter with it linked to Yorkshire. But the concerto’s use in the 1996 film Brassed Off! ensured that the popularity of this work sky-rocketed. The miners affectionately referred to it as ‘Orange Juice’, after finding it rather challenging to pronounce ‘Aranjuez’.
This wonderfully playful Baroque concerto was originally composed for a lute, but the modern transposition for classical guitar is just lovely. Although Vivaldi spent the majority of his life in Venice, this concerto comes from his globe-trotting period. It was written in Bohemia, although its three short movements were never published in his lifetime.
By no means an easy piece to master, Walton’s technically fiendish ‘Five Bagatelles’ (1971) is a minefield of quirky rhythms. By the 1970s, the classical guitar was enjoying immense popularity – but the lack of Spanish/Latin associations in the Five Bagatelles meant it never achieved great prominence in 20th-century guitar repertoire.
You Can Play The Guitar: Vol 2. Intermediate
However, listen closely and the Bagatelles, with their unruly harmonies and tonality, are wistful, beautifully shaped – and they might just be classical guitar music at its best.
Recorded and published in 1974 in Milan, this sultry tango marks a change in style for composer Astor Piazzolla from classical tango to nuevo tango. Spicy rhythms and a fiendish melody have kept this one at the forefront of modern Tango, with countless brilliant interpretations to explore. The original score even features an accordion, adding a folky element to the music.
Really stretches the soloist to the limit with this piece. The left-hand positions required of the guitarist are rather awkward, involving all sorts of unusual stretches – plus, the use of tremolo is a technical challenge for any performer. But at its best,
Jens Larsen Triads
Despite its posthumous title, which implies a link to the northern-Spanish region of Asturias, Albéniz’s work for guitar is a clear nod to Andalusian flamenco traditions. Its sudden dynamic changes and fiddly, intricate melody make it a fiendish piece to master on guitar, but the passion it conveys is stunning. You can almost feel the dusty heat of a Spanish marketplace as you listen to the speedy strumming.
One of the most famous pieces among guitarists, Bach’s popular ‘Bourrée’ was originally written for lute. Although it owes its name to a French dance, Bach by no means intended his Bourrée to be for dancing. However, its slick tempo and its switch from minor to major in the last chord of each verse gives it a wonderfully jaunty feel.
The galliard was a form of Renaissance dance, popular in Europe in the 16th century, and it involved a lot of jumping, leaping and hopping. But what’s unusual about this galliard is its persistent, trochaic rhythm – a stressed note followed by an unstressed one – which was an unusual feature for English composers.
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No one is quite sure how John Dowland’s galliard for lute earned its animalistic name – but rumour has it, it had something to do with one of Queen Elizabeth I’s suitors, whom she affectionately referred to as her ‘frog’.
This Prelude had a lively B section, but it’s in the sultry, yearning opening that Heitor Villa-Lobos really finds his niche. The Brazilian composer was one of the most successful Latin American composers of the 20th century, his works successfully combining Brazilian folk melodies and rhythms with Western classical music. It’s surely the unique combination of the two genres that makes section A of the Prelude No. 1 so exquisite.
The most popular piece of modern classical guitar music. It was written specially for guitarist John Williams (not to be confused with the film composer), when composer Myers expanded a short piano phrase into a full piece in 1970. He called the piece ‘Cavatina’, which is Italian for a small, simple song.International delivery of items may be subject to customs processing and additional charges. International postage – items may be subject to customs processing depending on the item's customs value. Sellers declare the item's customs value and must comply with customs declaration laws. As the buyer, you should be aware of possible: • Delays from customs inspection. • Import duties and taxes which buyers must pay. • Brokerage fees payable at the point of delivery. Your country's customs office can offer more details, or visit 's page on international trade .
Best Relaxing Guitar Music Acoustic Guitar, Calming Music.
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Study In E Minor (tarrega): Classical Guitar Tab
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