Today I’m gonna show you a few ways to make your guitar tone sound more sweet. Some days you want a dirty tone, but other days you want that perfect clean sound. However, sometimes when you want it clean, it can still be harsh and ice-picky to the ears. So if you want to sweeten up your tone, try these ways:
When you are playing through a dry amp, it can often sound too in your face and abrupt. I say abrupt because when you stop playing, all the sound goes away abruptly, which isn’t always sweet to the ears. Adding reverb will give your tone a trail, and make it feel like you are playing in a bigger place. With the right amount of reverb, the tone can turn very very sweet and addicting. I would recommend a tank reverb in your amp, or a tube driven reverb, over a digital reverb. Digital in my opinion will sound too fake and 1-dimensional. Check out my article on the Best Reverb Pedals on the Market.
Aside from reverb pedals, there are a few that will help sweeten your tone, specifically a clean boost or a compressor. I personally own the Xotic EP Booster, which adds a nice sparkle to the tone. There are many options on the market. I would also check out Echo pedals and if set properly, it can really create the ambience of soothing tones. If you are very serious about making your tone very sweet with pedals, I would recommend to go the boutique route. Also stick to analog circuitry over anything digital as it will sound warmer.
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A lot of the time, you can get a sweet tone from your amp (if its a tube amp) just by dialing it in correctly. If the tone is too harsh, turn the treble down a bit. Not warm enough? Boost the mids and bass a bit. Also pay attention to where the Presence is set and experiment with different levels. I would recommend that you set all the dials to noon, and then go from there. Just use your ears and see where the tone need more or less of something. Also if you are using a tube amp, let those tubes warm up a bit, as the tone will get sweeter the longer the amp is on. Here’s more on EQing in your Amp.
Is a participant in the Amazon Services LLC Associates Program, an affiliate advertising program designed to provide a means for sites to earn advertising fees by advertising and linking to Amazon.comThis toy, six-string, flamenco-style guitar appears to be a miniature version of a full-size guitar. It was made in China by a firm called Sweet Tone. Other Sweet Tone musical instruments known to have been made in Shanghai include full-size guitars and quarter- size violins. Rather than a toy with limited use and poor sound, it is considered that this guitar could have been used to seriously teach children to play. It is unusual as it features six strings. Most toy guitars and ukuleles only have four strings. Flamenco guitars differ from classical guitars in several aspects. They are lighter in construction and feature wooden tuning pegs rather than metal tuning machines in the head. This allows for a lighter weighted neck and permits the guitar to be placed sitting on the thigh or lap of the player and balanced by the right plucking arm without the left hand being impeded by supporting and carrying the weight of the head and neck. This is the first toy guitar to be acquired into the Museum's . Information provided by Nicole Balmer, 2010 Margaret Simpson Curator, Science & Industry February 2014
Small toy guitar featuring a wooden belly, six metal strings, twelve metal frets, six wooden tuning pegs, a wooden bridge and a patterned head stock and back.
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The toy guitar was made by Sweet Tone in ShanghaI, China in the 1960s. As well as small toy guitars, the Sweet Tone firm also made full-size acoustic guitars which came in a plastic case with a tartan print, as well as quarter-size violins with a wooden bow and hard leatherette case. It is thought they were all made in the 1960s.
The toy guitar was used by the donor in Australia in the 1970s. The donor recalls, I cannot remember when I received the guitar nor can I remember where it came from. It feels as though I have always owned it. I must have received it before I was about eight years old because from that age I have clear memories of my toys. When I was two, four and six years my parents took me for extended holidays around Asia. We travelled on cargo boats. This means that I may have purchased the guitar in either Asia or Australia.
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The Tone City Sweet Cream Low-Gain Overdrive convinces with a particularly smooth sound and a sensitive response to the playing technique. Due to the special tuning, the guitar pedal is not only suitable as a standalone drive in front of a
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