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Les Paul’s personal “Number One” electric guitar, made in 1951-52 by Gibson, which set the stage for a line of six-strings that transformed careers of generations of guitarists, will be auctioned at Christie’s in October, with a presale estimate of between US$100, 000 and US$150, 000.
Paul, the only person who was inducted in both the Rock and Roll Hall of Fame and the National Inventors Hall of Fame, had worked with Gibson, a leading manufacturer of guitars and other musical instruments, in developing a solid-body electric guitar for about 10 years throughout the 1940s, according to Tom Doyle, Paul’s long-time guitar builder, engineer, and producer.
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“Les brought his idea to Gibson and they initially dismissed it outright, but Les was dogged. He held strong to his ideas and his beliefs, knowing that someday they would see the light, ” Doyle said in a statement through Christie’s.
After plenty of trial and error, “Gibson presented this very guitar to Les. He was smitten, and he was overjoyed… and the rest, as they say, is history, ” Doyle added.
Les Paul with the 'Number One Les Paul', with Mary Ford circa 1952 in Paul's studio in Mahwah, New Jersey Courtesy of Christie's
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The guitar is being sold by Doyle, and Les Paul’s son, Gene Paul, who said that it was “the most historically significant, valuable, pivotal, and important guitar to my father, his crowning achievement, ”
Les Paul (1915-2009) was a Grammy award-winning musician. In the 1950s, he and his wife, singer and guitarist Mary Ford, sold millions of copies of their numerous records, including their No. 1 hit
“This guitar physically embodies his endless passion that produced the most iconic musical instrument in popular culture, ” Kerry Keane, Christie’s consultant and musical instruments specialist, said in a statement.
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The guitar will be featured at Christie’s “Exceptional Sale, ” a live auction of unique items on Oct. 13 in New York. Further details about the sale will be announced at a later date.
This copy is for your personal, non-commercial use only. Distribution and use of this material are governed by our Subscriber Agreement and by copyright law. For non-personal use or to order multiple copies, please contact Dow Jones Reprints at 1-800-843-0008 or visit www.djreprints.com.Lester William Polsfuss (June 9, 1915 – August 12, 2009), known as Les Paul, was an American jazz, country, and blues guitarist, songwriter, luthier, and invtor. He was one of the pioneers of the solid-body electric guitar, and his prototype, called the Log, served as inspiration for the Gibson Les Paul. Paul taught himself how to play guitar, and while he is mainly known for jazz and popular music, he had an early career in country music.
His licks, trills, chording sequces, fretting techniques, and timing set him apart from his contemporaries and inspired many guitarists of the prest day.
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Among his many honors, Paul is one of a handful of artists with a permant exhibit in the Rock and Roll Hall of Fame.
He is promintly named by the music museum on its website as an architect and a key inductee with Sam Phillips and Alan Freed.
His only sibling, Ralph, was sev years older. Paul's mother was related to the founders of Milwaukee's Valtin Blatz Brewing Company and the makers of the Stutz automobile.
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His mother simplified their Prussian family name first to Polfuss, th to Polfus, although Les Paul never legally changed his name. Before taking the stage name Les Paul, he performed as Red Hot Red
At the age of eight, Paul began playing the harmonica. After learning the piano, he switched to the banjo and guitar. During this time, Paul invted a neck-worn harmonica holder, which allowed him to play both sides of the harmonica, hands-free, while performing on the banjo and guitar. Les Paul’s hands-free design is still widely manufactured today.
By age thirte, Paul was performing semi-professionally as a country-music singer, guitarist, and harmonica player. While playing at Waukesha area drive-ins and roadhouses, Paul began his first experimt with sound. Wanting to make his acoustic guitar heard by more people at the local vues, he wired a phonograph needle to his guitar and connected it to a radio speaker.
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At age sevte, Paul played with Rube Tronson's Texas Cowboys, and soon after he dropped out of high school to team up with Sunny Joe Wolverton's Radio Band in St. Louis, Missouri, on KMOX.
Paul and Wolverton moved to Chicago in 1934, where they continued to perform country music on radio station WBBM and at the 1934 Chicago World's Fair. While in Chicago, Paul learned jazz from the great performers on Chicago's Southside. During the day, he played country music as Rhubarb Red on the radio. At night, he was Les Paul, playing jazz. He met pianist Art Tatum, whose playing influced him to continue with the guitar rather than play jazz on the piano.
His first two records were released in 1936, credited to Rhubarb Red, Paul's hillbilly alter ego. He also served as an accompanist for other bands signed to Decca. During this time, he began adding differt sounds and adopted his stage name of Les Paul.
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Following World War II, Paul sought out and made frids with Reinhardt. Wh Reinhardt died in 1953, Paul paid for part of the funeral's cost.
Landing a featured spot with Fred Waring's radio show. Chet Atkins later wrote that his brother, home on a family visit, prested him with an expsive Gibson archtop guitar that Les Paul had giv to Jim. Chet recalled that it was the first professional-quality instrumt he ever owned.
Paul nearly succumbed to electrocution. During two years of recuperation, he moved to Chicago where he was the music director for radio stations WJJD and WIND. In 1943, he moved to Hollywood where he performed on radio and formed a new trio.
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Where he served in the Armed Forces Radio Network, backing such artists as Bing Crosby and the Andrews Sisters, and performing in his own right.
As a last-minute replacemt for Oscar Moore, Paul played with Nat King Cole and other artists in the inaugural Jazz at the Philharmonic concert in Los Angeles, California, on July 2, 1944. His solo on Body and Soul is a demonstration of his admiration for and emulation of Django Reinhardt, as well as his developmt of original lines.
Also that year, Paul's trio appeared on Bing Crosby's radio show. Crosby sponsored Paul's recordings. They recorded together several times, including It's Be a Long, Long Time, which was a No. 1 hit
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In 1945. Paul recorded several albums for Decca in the 1940s. The Andrews Sisters hired his trio to op for them during a tour in 1946. Their manager, Lou Levy, said watching Paul's fingers while he played guitar was like watching a train go by.
Maxine Andrews said, He'd tune into the passages we were singing and lightly play the melody, sometimes in harmony. We'd sing these fancy licks and he'd keep up with us note for note in exactly the same rhythm... almost contributing a fourth voice. But he never once took the atttion away from what we were doing. He did everything he could to make us sound better.
In January 1948, Paul shattered his right arm and elbow among multiple injuries in a near-fatal automobile accidt on an icy Route 66 west of Davport, Oklahoma. Mary Ford was driving the Buick convertible, which plunged off the side of a railroad overpass and dropped twty feet into a ravine. They were returning from Wisconsin to Los Angeles after visiting family.
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Doctors at Oklahoma City's Wesley Hospital told Paul that they could not rebuild his elbow. Their other option was amputation. Paul was flown to Los Angeles, where his arm was set at an angle—just under 90 degrees—that allowed him to cradle and pick the guitar. It took him nearly a year and a half to recover.
In 1940, Les Paul revisited his experimts with the train rail. This time he created a similar prototype instrumt, a one-off solid-body electric guitar known as The Log, which was manufactured utilizing a common construction material oft referred as a “4x4 stud post”, which provided a unique neck-thru design. The “stud post” (a 4” x 4” section of Douglas Fir) was th equipped with a crude bridge and an electromagnetic pickup, neck and strings. The Log was constructed by Paul after-hours in the New York City Epiphone guitar factory, and is one of the first solid-body electric guitars.
For the sake of appearance, he attached the body of an Epiphone hollow-body guitar sawn lgthwise with The Log in the middle. This solved his two main problems: feedback, as the acoustic body no longer resonated with the amplified sound, and sustain, as the ergy of the strings was not dissipated in gerating sound through the guitar body. These instrumts were constantly being improved and modified over the years, and Paul continued to use them in his recordings ev after the developmt of his eponymous Gibson model.
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But Gibson showed no interest until Fder
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