Whether you’re treating yourself to your first real high-end acoustic guitar or you’re a seasoned working musician looking for an upgrade, guitar shopping with a budget of $2, 000 leaves you with tons of fantastic options.
We put together this Review of the Best Acoustic Guitars Under $2, 000 to show you some of the fantastic options you have at this price range. We’ve included models starting at $1, 000 all the way to the top end of the budget, focusing on appearance, quality, playability, and tone. When covering acoustic electric models, we used the acoustic voice on our Boss Katana Head and Katana cabinet, with the same settings for every guitar.
If you’re looking for inspiration, or you’re not even sure where to start looking for your next acoustic, you won’t want to miss this. Keep on reading to learn more.
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We loved the blend of performance and value for money we got in the Taylor American Dream AD17. So much so, that it took our Top Pick award. It was tons of fun to play, and sounded wonderful.
Our Best Value choice went to the Epiphone Slash J-45. Considering it costs just half of the allotted budget, it delivers big across the board, matching much more expensive competition in terms of materials, construction quality, and tone.
Shoppers who aren’t afraid to go all in with their budget to get the very best guitar in the price range should be looking at our Editor’s Choice, the Martin D-16E. It offers some of the sweetest most nuanced tones you’ll hear at any price and delivers unparalleled playability.
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This is a wonderful guitar for players looking for plenty of bn for their buck. It’s an American made model, constructed with all solid woods, and it delivers big on the bright, room filing tones that Taylor is so well known for.
The Taylor American Dream AD17 had an extremely handsome slope-shoulder dreadnought body style, which Taylor refer to as the “Grand Pacific” body design.
It was made with a spruce top and ovangkol back and sides. Interestingly, Taylor has placed more emphasis on tone and dynamics than aesthetics on the American Dream series, with the intent of producing a better-sounding guitar at a more affordable price. Honestly, we think they absolutely nailed it.
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The neck was made from mahogany and like most Taylor necks, it was very slim and extremely comfortable. More like an electric guitar‘s neck than you’d typically find on an acoustic guitar. Topping the neck was a eucalyptus wood fretboard. This fretboard had the dark luster of ebony, but with the benefit of being a much more sustainable material.
We were seriously impressed with the fret work on this model. It was about as nicely dressed as we’ve ever seen a non-PLEKd guitar, with beautiful rounded edges and smooth, level crowns.
As for tones, the American dream was clean and exceptionally bright. Even though it was bright, it’s still had quite a mature tone which we attributed to the choice of wood used in the body construction. It was punchy and articulate, especially around the midrange, and had a well-tamed top end that gave us plenty of shimmer without sounding brittle or harsh.
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The hardware was as good as you’d expect for a guitar at this price point. It had Taylor-branded tuning machines which performed flawlessly, providing rock-solid tuning stability and easy fine-tuning.
Was a real joy to play. The set up out of the box was absolutely superb, and we’d have no issue taking this directly to a gig or to the studio without any adjustments. As an added bonus, it came with a fantastic Taylor AeroCase gig bag.
This model sits at the upper end of Epiphone’s range. It has a classic Gibson style J 45 slope shoulder design, developed in conjunction with the signature artist himself, none other than Slash. It benefits from all solid wood construction, and has one of the nicest finishes you’ll see on any acoustic guitar.
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Being one of the flagship models, the Epiphone Slash J-45 was made with all solid woods. Sitka spruce on the top and solid mahogany on the back and sides. This is an obvious step up from most Epiphones. Those with reservations about spending $1, 000 on an imported guitar can rest assured this is made as well as any domestic model.
It had a mahogany neck with Epiphone’s excellent C profile. It felt fantastic, it was fast-playing, extremely forgiving, and very comfortable even during extended use. As per slushes specifications, it has a 16-inch radius making the Indian Laurel fretboard better than average for easy rhythm work and fatigue-free lead playing.
Tones from this guitar were absolutely exceptional. It was punchy and it had an undeniably strong midrange presence. The bottom end was huge, giving it awesome resonance and some beautifully subtle overtones that manage to reach all corners of any room you play in.
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It was equipped with a fantastic LR Baggs VTC pickup system. This is one of our absolute favorite acoustic electronic sets! It served up some fantastic organic, natural acoustic tones, and was very responsive to changes in attack. It was also nice to see a discrete sound-hole volume control.
Overall build quality was Excellent. Epiphone have fitted the Slash signature with some high-end hardware including Grover Rotomatic tuners. They delivered reliable tuning performance and added to the premium aesthetic. We were also very pleased to see that it came with a Slash-branded fitted hard case.
Delivered an incredibly rewarding playing experience. While many now associate the Epiphone brand with budget guitars, this is anything but budget. It offers
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This dreadnought comes from the original inventor of the style, and it really shows. It delivers huge tones that remain composed in any situation, and because it’s hand crafted by some of the world’s finest luthiers a Martin’s Nazareth, PA plant, it’s an heirloom quality instrument that’s truly built to last.
When it comes to construction materials, this brand is widely known to select some of the finest woods for use in the premium models such as the Martin D-16E (full review here). It came with a fantastic Sitka spruce top, and even genuine rosewood back and sides. Being made with all solid woods gave this guitar such incredible presence and wonderful character.
The neck was carved into a modified low-oval profile. This is similar to a slim D Shape. It was supremely comfortable and this was no doubt aided by the use of a performing artists taper on the neck that allowed for exceptional fret access up and down the entirety of the neck.
Just Paid £2k For This Guitar. Is That A Crack? It Seems To Be Under The Laquer. Im Talking About The Dark Line On The Neck Not The Crack Under The Nut :
Because the D-16E has a slightly slimmer body than a standard Martin dreadnought, the bass was ever so slightly reduced, which made this the perfect recording guitar. Despite the reduced bass, it still retained enormous presence with prominent mids and a gorgeous shimmery top end. Playing an open chord on this guitar and just letting it ring instantly put a smile on the face of anybody who heard it – simply incredible.
For those who like to play through an amplifier, it was equipped with a Fishman Matrix VT Enhance NT2 pickup system. In addition to the traditional under-saddle piezo transducer, it included an advanced Enhance element that was able to be blended into the piezo output, giving a whole new range of organic tones.
One of the things we love most about high-end Martins is the use of beautiful open-gear tuning machines. Not only did the tuners on this Martin look fantastic, but they also performed brilliantly and they worked well with the genuine bone nut to deliver perfect intonation and incredible tuning stability. As expected of any good guitar at this price point, it did come with a nice quality gig bag.
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. The craftsmanship is simply unparalleled and the tones are instantly recognizable. Don’t forget that this is no show pony either! While it would look fabulous hanging on a wall, it would look even better onstage or in the studio with any artist, amateur or professional.
This guitar is a true Japanese icon. This particular guitar is a reboot of the classic red label models of the 1960s and is a glowing example of the type of quality that Yamaha is renowned for. It’s made with such incredible attention to detail you’ll find yourself questioning why it’s not a more popular model.
The construction of the Yamaha Red Label FGX5 is all solid wood, with spruce being used for the top, and solid mahogany for the back and sides. One thing we weren’t too fond of was the aging tint applied to the top. It detracted from the bright aesthetic of the spruce, making it look more like a classical model.
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On this model, Yamaha has used their A.R.E. wood torrefaction, which simply means they artificially aged the wood to give the guitar a mature, broken-in tone right out of the box.
It had a solid African mahogany neck carved into a medium to slim-sized C profile. We found it to be very comfortable from top to bottom and quite fast playing, too. Continuing the theme of premium woods, it featured a stunning ebony
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