The way that the slide moves from one note to another is very similar to how the voice can glide up and slide down seamlessly between notes.
It speaks to us. We hear ourselves in it. To me it is similar to the way people react to a saxophone. It can cry, or scream, or even whisper. It’s a very versatile way to get your musical points across.
Can’t go wrong. Each of these players has or had their own very distinct sound that you can learn from and build upon.
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Playing slide is something that a lot of players have tried at one time or another. And, from the group of students that I’ve had, it doesn’t always work out the greatest.
Yes, it’s different and does take some getting used to. But, just like everything on the guitar that we have gone over this year, this isn’t a hopeless case.
You just need to know the tricks. You need to find the narrow path that will give you the most results with the least effort applied.
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Once you know the things to watch out for, playing slide is extremely enjoyable and you can start progressing ahead at light speed!
In blues music legends, I’ve heard stories about stringing up broom wire to nails on the wall. Then using bottles or metal tubes to make music with it. In its most basic form, that’s exactly what slide is. Using an object across a tuned up string to make music.
. If you press the slide down on the strings so hard that the frets come into contact with the string, you’ve gone too far.
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Basically, the slide becomes our fret.It’s a movable ablefret.We can take the slide from the lowest sounding part of the string all of the way to the highest part, smoothly without hearing each note in steps up the frets.
This takes the frets out of the picture. But, as I will get to in a few minutes, the frets do serve an important function in the long run. So. don’t go running out to get a fret-lessguitar anytime soon. We will need them.
This is a great question! There are a lot of different kinds and sizes of slides. It can be tough to pick the right one for the type of slide playing that you want to do.
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The reason is that the metal slides are very bright and a bright slide helps acoustic instruments project more. Brass being the darker of the two. Players like Keb Mo favor the porcelain slides for acoustic and dobro because of their warmer sound.
Glass slides may be popular with electric guitar players because of the classic tones that players like Duane Allman an Ry Cooder have been able to record. Remember, I’m just generalizing here. You can use any type of slide for any instrument if it works for you. But, this is a good way to get started.
Some prefer real bottle neck glass or old medicine bottles. I have never been lucky enough to find one that worked for me. The curve of the glass of the neck of a wine bottle has to be just right for the radius of your guitar. I prefer a completely even Dunlop slide. I seem to control the slide better if it is not curved.
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There are several things to consider when you are going to purchase a slide. The inside of the slide comes in different sizes to accommodate different players finger sizes.
There aredifferent lengthsof slides that just cover one knuckle all the way to longer than your finger. Thethickness of the slideis also something that you can choose as well.Thicker slides can provide more sustain and tone.I will talk a bit more about the reasons that you would make some of these choices later on when I talk about certain setups for different situations.
I suggest a trip to your local guitar store to get a better idea of what feels and sounds good for you.
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Taking a look at some of the players I mentioned before is a good way to figure out which finger you are going to use for slide. The choices seem to be yourmiddle, ring, or pinky. I’ve never seen someone use the first finger for slide.
Come to think of it, I don’t think I’ve ever tried. Hold on. OK, that was no good at all. When you use your first finger, you have no way of muting the unwanted noises that occur behind the slide (the strings ring on the other side of the slide in a very out of tune way). Plus it seems very uncomfortable.
Thepinkyis used by a lot of players likeKeb Mo and Sonny Landrethto give you three fingers free to play chords as well as slide. Just lift the slide up a bit and you are free to use your index, middle, and ring fingers for anything you want. Great for playing solo without a band.
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Thering fingerseems to be the staple ofsouthern rock players.To me it feels the most comfortable with the increased strength of the ring finger. You still have your index and middle to do play parts of chords or single notes without the slide.
Themiddle fingeris not used a whole lot. The most famous player that used the middle isBonnie Raitt. She uses the slide to great effect and I love how she sometimes mutes and sometimes doesn’t the area behind the slide. Very cool effect!
OK, so now that we know a bit of the basics, let’s start to make some decisions. Let’s start to decide the whole package. And, that depends on you, your situation, and the style of music that you are playing.
To me, it seems like there are two different camps when it comes to this. The first being aguitar that is completely set up for slide(where slide work is the main purpose of the guitar), and the other is usinga guitar that is setup up for regular non slide workbut still being able to be used for occasional slide.
A dedicated slide guitar will usually go for the biggest tone with the most sustain.This will mean a high action with heavy strings. And the slide you choose can also be a heavy one to maximize the sound. This direction can give you an awesome slide tone but is tough to use for anything else. The high action will give you a hard time fretting notes if you need them.
If you are looking in the other direction, to be able to take theguitar that you regularly use, the compromises will be a bit different. Usually these guitars will have the
Than a dedicated slide guitar. This will mean that you choices all deal with the slide itself. And, this is wherelighter and thinner slides come in handy. Yes, they aren’t going to give you the most dramatic slide tone, but for convenience sake, this is a great way to go. And, the tone can still be great (thinkDuane Allman). You can use your same guitar setup the same way and still get the benefits of slide.
If you wanted to add more sustain to the guitar with the lighter slide, Compressor pedals and even more overdrive can add sustain to your sound.
When I talked about using the slide as a new movablefret, I mentioned that the frets are still important. This is more visual than anything else. To hit a note correctly, you have to position the bottom of the curved directly over the fret. This is very awkward to the new slide player who is used to putting their fingers slightly behind the fret for each note played.
This is where the intended note is in tune. Thank goodness for those frets. Ask anyone who had learned the violin or trombone. Those are instruments where there is very little visual information as to where the notes are supposed to fall. It takes a very long time to get those positions correct and in tune.
Having these frets as markers not only shows us where our intended note is, but gives us a reference point for any kind of back and forth vibrato with the slide.
Another thing that is needed for basic slide technique isdamping.What you find out quickly when starting slide is that since the slide goes across all of the strings, there is
Using the palm of your right hand to lightly touch the strings that you don’t want to sound is a skill that is needed in slide technique. Also, using the fingers behind the slide is key to keeping the back part of the strings silent as well.Sometimes I think that slide is mostly all about the notes that you don’t play.
Playing rhythm is fairly easy if you are playing major chords in open tuning. Because of the new tuning of the guitar, all of your major chord note are under the slide. Just slide around for your other chords. Of course, most songs have more than just major chords, so you can see how this start to become a limitation. If you use your fingers to make chord
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