Whether you’re looking for your first guitar or you’re in a bind and needing an electric 6 string on a shoestring budget, you’ll be extremely surprised by what you can pick up affordably these days. Even with a budget is as low as $300, you’ll find some excellent options that play well, sound good, and look great, too.
To help you find the Best Electric Guitars under $300, we’ve put together this Review. We got our hands on 7 of the best guitars in this price bracket to show you just how much bang you can get for your buck.
When reviewing these guitars, we looked at everything from style and looks to tone and build quality. If you’re trying to find a great guitar for under $300, you’re definitely going to want to keep on reading.
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When it comes to a blend of price and performance, it’s hard to beat our Top Pick, the Yamaha PAC112J Pacifica. It offers some of the best construction quality in the category, great tones, and costs way less than its spec sheet would lead you to believe.
If you’re looking for a guitar that costs as little as possible, but still offers decent performance and playability, our Best Budget pick is the Kramer Focus. It comes in a great range of colors and, despite being the cheapest in the list, is still very well spec’d.
Players who don’t mind getting up near the top of their $300 budget should consider our Editor’s Choice, the Epiphone Les Paul Studio E1. It offers practically everything you’d expect from an LP at a fraction of the cost.
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It’s no secret that Yamaha have quite the reputation when it comes to overdelivering on tone and quality on what are often understated and often underestimated guitars. This Strat style model offers an unbelievable spec for a very modest price, including quality woods, hardware, and electronic components.
The Yamaha Pacifica PAC112J had an S-style alder body, but in typical Yamaha fashion, it’s much more than a straight copy (check out our full review). The dimensions were noticeably different than those of a Stratocaster, giving the Pacifica its own style. Our test model had an Old Violin Burst finish, which looked great and was flawlessly applied.
The Maple neck had a really comfortable C profile with a lovely satin finish on the back for a friction-free playing experience. Unbelievably, it even had a rosewood fretboard, which is a massive feature in this price range. It offered a huge benefit in terms of both looks and feel.
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We were very impressed by the fretwork, which was excellent from top to bottom. The edges were nice and smooth, the medium fret wire was well-seated and properly leveled, and we even found the crowns were well-polished.
It came with a versatile HSS pickup layout, and we found ourselves once again very impressed. The bridge position delivered thumping rock tones and epic leads, handling overdrive with ease and remaining crystal clear throughout.
We got some great quack in the intermediate positions, particularly in position 4 with the selector right between the 2 single coils. The neck position on its own was warm, with great articulation and clarity.
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The bridge was a 6-point tremolo type system, which we were able to use without causing any issues with tuning stability. The tuners themselves turned with ease, and we noted no play or wobble.
Might be the most affordable model in their lineup, but it’s still extraordinarily well equipped, plus it delivers some fantastic tones. The fit and finish is way beyond its modest price and the versatility of the HSS pickup selection alone makes it
This is a great guitar for anybody looking to get their hands on one of the most inexpensive yet playable guitars around. Coming in 50% under budget with a $300 limit, it offers some surprisingly high end features, including a mahogany body, chromed knobs, and a HSS pickup layout.
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One of most impressive things about the Kramer Focus VT-211S is the list of premium materials that have gone into the build. This is the cheapest guitar in this list by quite some margin and yet it still comes with a solid mahogany body. It’s a Strat-style guitar, so of course we found it to be comfortable to play in any situation.
It had a really nice maple neck, with a maple fretboard, too. The profile was slim, but still felt substantial, and the finish on the back was a fantastic satin that made getting up and down the neck a real joy.
Once again, we found ourselves pretty amazed by this Kramer when it came to fretwork. For a guitar costing less than $150, it was really well-finished. Everything was leveled as it should be, with no dead spots, no buzzing, and no sharp edges.
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The pickups were another pleasant surprise. They served up tones to suit pretty much every genre thanks to the versatile HSS layout and Alnico magnets. The neck and middle gave us classic Strat-style chirpiness, with the signature quack in the 4
Position. The bridge position was fantastic for driven rock tones and had tons of mid-range presence, which was perfect for slicing through a mix.
We really loved the knurled chromed knobs and the way they gave this Kramer a much more premium look. The 6-point trem system was definitely useable too. Many budget guitars really struggle in this area, but we didn’t encounter any tuning stability issues after using it. The tuning knobs had a unique kidney-bean style design, which worked really well and looked great.
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Is an absolute gem of a guitar. For this amount of money, there’s nothing else that even comes close. It’s got great tones, it looks fantastic, and the fact that it has a solid mahogany body really brings home just how much
Has gone into this guitar. It’s a solid buy even at twice the price and we highly recommend that you check it out!
If you’re looking for real Les Paul feel and playability, and you absolutely have to have the Les Paul name on the headstock, with a $300 cap there’s no better way to get it than with this Epiphone. It delivers on all of the major features you’d expect from this style of guitar, including a mahogany body and neck, a carved top, and 2 screaming humbuckers.
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The Epiphone Les Paul Studio E1 might be the most affordable carved top LP in the Epiphone range, but it squeezes a ton of value in for under $300. It came with a solid mahogany body and mahogany neck (like you’d find on any good Les Paul), and the top is carved, providing that familiar contour. What it doesn’t have is the maple cap, but in reality, this keeps the weight down and further adds to its comfort.
As mentioned, it had a mahogany neck, but it was a bolt-on rather than a set style. Truthfully, we didn’t even really notice while we were playing. From the front, you’d never know the difference. The neck profile was a ‘60s SlimTaper D, which is one of our favorite shapes. We found it comfortable and really fast.
Interestingly, this LP even came with a rosewood fretboard, something that you don’t typically find until you start getting to the Gibson Les Paul range. Its fretwork was well leveled, and had well-finished edges, with no sharps or sprout.
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We got some great tones from the Studio E1’s zebra ceramic humbuckers. They were super hot and delivered some gnarly rock tones in both the bridge and neck positions. Even though they were hot, they still cleaned up nicely, too. We got great articulation and separation, with a particularly bright top end. There was a surprising depth to the tones from this guitar, and it was much closer to a regular Paul than the price might lead you to believe.
The hardware selection on this Les Paul was exactly as we expected. A tune-o-matic bridge with stop bar tailpiece, 4 top hat knobs, and a 3-way selector switch with poker chip surround on the upper bass side bout. The tuners weren’t Epiphone Deluxe or Grover, but they performed well. Overall tuning stability was rock solid, too.
Was a favorite amongst the KGR staff during this roundup, and was the obvious pick for our Editor’s Choice. It delivers all the Les Paul looks, feel, and tones, while still leaving enough in your budget to buy a strap and some picks.
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Players looking for iconic looks, big tone, and effortless playability can’t go too far wrong with this Squier. It’s extremely well made, it can handle a wide variety of genres, and packs a massive punch for its dual humbucking pickups.
The Squier Bullet Mustang we received for this review (and for our full review) came to us in the Sonic Grey finish, which is probably our favorite of the 3 available colors. The finish was well-applied, as we’ve come to expect from Squier. The overall construction quality was great, featuring a slimline poplar body, which kept weight down and really added to the comfort factor.
It was fitted with the standard Squier C profile maple neck.
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