I have been writing about and researching music gear for many years, all while serving as a music director at my local church. I engage in guitar playing and singer-songwriter stints, in addition to mentoring young musicians and teaching guitar and bass.
It's hard to talk about strings and not mention D'Addario, with their worldwide market presence and their legacy as one of the pioneers of winding machines.
Their continued popularity in all-things guitar strings is corroborated by the high ratings that strings like EXL130 receive, which in turn helped the company secure multiple slots in this guide.
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The D'Addario EXL130 Nickel Wound is a great feeling, extra super light set of strings. If you need the dexterity and clarity of thin nickel strings, this is a great affordable choice.
At publication time this was the Equal Highest Rated Set of Super Light Gauge Electric Guitar Strings along with the D'Addario NYXL0942.
Throughout the many years of my electric guitar playing journey I have had the privilege (and sheer curiosity) to try all sorts of strings. But the Ernie Balls hold a special place of nostalgia for me because these were the first proper strings that I tried.
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The Ernie Ball Super Slinky 2223 strings are the 9-42 gauge variant of their Slinky Nickel Wound series featuring a hex-shaped tin plated steel core wrapped with a nickel-plated steel wire providing a balanced tone, attempting a versatile voicing that's not too bright or dark.
They definitely have a unique feel to them and like an old perfume instantly transported me to a different time, the moment I first tried an electric guitar with a fresh set of quality strings.
They have a sound that I would describe as springy, there's a charming bounce to the feedback of the strings and the characteristic lightness for its gauge makes fretting chords a breeze.
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One thing that hasn't changed throughout the years is the quickness with which this set runs out of brilliance and is possibly one the reasons I went string hopping in the first place. If you're thinking about maining these strings I would stock up on at least 3 sets for backup and replace them whenever there is a critical task at hand such as a gig or a recording session.
These are good, although I'm not pledging my undying fealty to this set. There is something to be said about these classic strings and they can be used as a jump-off point to find what strings will suit your needs and preferences.
The EXL110 is a non-coated gauge 10 set, part of the company's long running XL Nickel line that was first introduced in 1974. It features hex shaped cores wrapped in nickel, which improves the structural integrity of strings, resulting in better tuning stability and longevity.
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Since I've been using this set for a long time, it has become the standard set by which I compare everything else. And while I appreciate the difference in tone and feel that other strings provide, the EXL110 continues to hold its own in terms of quality, tone, and reliability.
Bright Tone is printed on the upper left portion of the packaging, and it correctly describes the EXL110's voicing. It has clear sparkly highs that work great with single-coil guitars, even the bass strings have some zing to them. This is the reason why I love using this on my Strat, especially when I'm playing pop, R&B and similar styles. On the flipside, while trebly strings sound good when playing alone, it can sound thin and be drowned out in band settings. And because I got so used to its bright voicing, it took me a while to realize this problem, and to appreciate other balanced and warmer voiced strings. Thankfully, excess treble can be remedied by tone and EQ adjustments.
The EXL110 has a light feel that makes it easy to play, and to me, this is its main advantage over my other string choices. My fretting hand hurts less with this, compared to other similarly spec'ed 10-46 gauge sets from other brands. Those who are used to 9s will find that riffs and chords will not be much of a problem, but they will feel the extra tension of its thicker gauge when bending. I also find that it has a smoother feel, which makes it easier to do slide, hammer-on and pull off techniques.
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If you're looking for a widely available bright sounding 10 gauge set, or if you're looking to go beyond the usual 9s, then the D'Addario EXL110 is perfect for you.
Before the convenience of online shopping, my choice of string brands were limited to what's available at local stores, but this led me to discover the Rotosound R10. I didn't really seek it out, rather I ended up getting it because there were no other gauge 10 available at that time. I wasn't sure what to expect, but I ended up liking it, and up to now, it still is one of my go-to string sets, especially for my Gibson Les Paul Studio.
What enamored me to the Roto Yellow is its aggressive mid-range, which is a contrast to the trebly sounding strings that I'm used to. The thicker wound strings sound fuller to my ears, great for playing my favorite riffs and chord changes. It also rounds-off some of the excess high-frequencies of bridge pickups, resulting in a subtly warmer yet still ballsy tone, that works great for blues, rock and similar styles. The downside to its warmer tone is that some may find it sounding dead or old, especially those who are used to bright sounding sets. Note that I still use bright strings, especially when I'm going for clarity and bell-like cleans, but I go for the R10 when I need to cut through a mix.
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I didn't notice any playing feel improvement compared to the other 10s that I use, but I don't have any complaints either. This set plays much like any of the standard strings that are available in the market, which is good for me because I want my guitars to have consistent playing feel, regardless of what brand of strings I use. The feel of this set is not too far off from the more common 9s, but there is noticeable increase in tension when I apply left-hand techniques like vibrato, bending and pre-bends.
In my experience, this set retains its fresh playing feel and tone for over 2-weeks, sometimes longer if I diligently wipe the strings after playing, and put my guitar back in its case when not in use. Note that it doesn't come with coating that extends string life, but in my experience, it still lasts quite long for a standard set. And since its not a trebly set to begin with, the dulling of its high frequencies is not as dramatic as it ages.
In terms of tuning stability, I don't see the R10 as being better or worse than others. After a break-in period, it reliably stays in tune as I play on stage or for practice, as long as I don't play too aggressively. It's part of my routine to tune my guitars every time I take them out of their case, so tuning stability over long periods is not much of an issue to me.
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Instead of the usual paper and plastic packaging, the R10 set comes in a streamlined package with just one sealed foil pack carrying all the strings. This does away with individual packets for each string, reducing waste and packaging cost, while retaining string freshness upon opening. Its single foil package never gave me problems, probably because it is not as prone to wear and tear as paper.
More importantly, the savings they get from their simplified packaging are given back to consumers via a free extra 1st string. This freebie is another BIG reason why I keep going back to this set, saving me the need to buy another set just because the 1st string broke.
I recommend this set to anyone who is into blues, rock and similar styles. The included extra 1st string ups its value by a lot, and more importantly, gives me one less thing to worry about.
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Stevie Ray Vaughn, Eric Johnson, Carlos Santana, Neal Schon, Tom Morello are just a few of the many notable artists who use GHS Strings. And as expected their popularity with the pros has spilled over to the masses, especially when it comes to medium gauge strings.
But being a medium gauge set instantly sets it apart from what most players use. The extra thickness of the 11 gauge strings allow for increased string tension for gritty tones that you simply cannot get from the usual thin sets.
Each GHS set comes in Nitro-Packs which prevents corrosion from affecting the strings prior to opening. This packaging has a nifty transparent side so you can check if all strings are intact without having to unseal. The plain strings are thicker, so they are harder to bend, but they sound fuller compared to lighter gauge sets.
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The GHS GBM strings represent the highest rated
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