Best Acoustic Guitar For Live Music

Best Acoustic Guitar For Live Music

You’re excited and ready to get out there and play some live acoustic gigs. And this is perfect for beginners and those just getting started playing small venues.

Either way, the last thing you want to do is book a gig, show up, and not have all of the equipment you need for a live performance!

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In this post, you’re going to learn about all of the equipment you need to get out there and start playing live gigs with your acoustic. And the cool thing is this live setup is

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There’s other gear that can come in handy as well. For example, if you’re like me and bad about forgetting lyrics, then you’ll probably want a tablet for musicians and a tablet holder to connect to your mic stand.

Or if you want to go old school you can just get a music stand and have a notebook for your lyrics. Or even better when you forget the lyrics, just make up your own or mumble something that sounds similar.

It’s crazy, but all of my equipment for live acoustic gigs fits in the back of my SUV (Nissan Rogue)…I could be a homeless traveling musician!

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I typically rely on the advice from my rep at Sweetwater, who has always steered me in the right direction. On that ‘note, ’ I’m simply sharing with you what I use to give you a guide.

Now, that doesn’t mean you have to get some huge 24-channel mixing board. I was actually going back and forth between a 6 and 10-channel board.

Many of these questions are ‘in the future.’ But it’s important to consider these. Because if you someday want to expand, you’re going to end up spending more in the long run…

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I realize I said this setup would be simple. But a 10-channel board is still pretty simple, in the grand scheme of things. And there are just some cool options that you’re probably going to use sooner than later.

I really had no clue where to start because I spend most of my time in the studio recording music. I haven’t played out in a while. Naturally, I reached out to my rep at Sweetwater.

Of course, there are other features that come with the ProFX10v3 but I’m giving you the ones I feel are most important to playing live acoustic gigs.

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Also, I almost went with their 6-channel version. But the 10-channel offered so much more and I also know there’s a chance I may expand my sound. Remember, plan ahead.

On a side note, I encourage you to support your local businesses as much as possible. For me, that’s Replay Guitar Exchange in Tampa, FL (they also take online orders if you don’t live in the area).

For everything else, Sweetwater is definitely my top choice for music gear. I feel like I’m talking to a close friend when I’m chatting with these folks. And they always dig deep to understand my needs so that they can recommend the best equipment.

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Not only is getting a powered speaker less expensive, but many modern-day powered speakers come will a bundle of options, which I didn’t know about until I got mine…

I’ve heard too many PA speakers that sound like crap. I needed high-quality sound but I was also on a tight budget. So, again, I trusted my Sweetwater rep to guide me.

Now, this wasn’t a feature that I absolutely needed. But it’s cool if you want to play your own music from your own device between sets.

Mixing

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This could actually be another selling point for getting gigs. You will cover ALL of the music, from your own performance to the music in between sets

I bought the speaker and board at the same time from Sweetwater, and these two seem to be the perfect combination for live acoustic performances.

**I initially only bought one Electro-Voice ZLX 12BT powered speaker. I’m mainly playing small solo acoustic gigs and this speaker puts out more than enough quality sound for that purpose.

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And because it’s just me, I don’t really need a monitor (I’m usually set up close enough to the speaker that I can hear myself just fine).

And possibly a subwoofer down the road if I start playing at larger venues or adding more band members for these types of gigs.

You can probably get your acoustic guitar to sound okay just by going through the Mackie ProFX10v3 or a similar mixing board. Remember, it has built-in effects and that would probably give you a

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The next level for a better live acoustic sound is using a preamp that’s specifically made for acoustic guitar. And if you can get one that has effects, that’s even better.

The sucky part is I purchased this in early 2020 right before the quarantine apocalypse! But I finally got to test it out later and I’m pretty happy with it.

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The only thing I would change about the TONEDEQ is the delay and reverb are paired together. So, for example, if I wanted to have just reverb on for some parts and add some delay in other parts of the song, I’m limited.

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From my many years (more like decades!) of playing on worship teams and in churches – it seems we were always using Shure mics. But in my experience, you really can’t go wrong with the Shure SM58 mic.

In short, it makes my voice sound just a little better. I don’t have a gifted voice or super high range. So I’ll take all the help I can get…

And it’s not like I’ve tried every microphone available. I haven’t. But when you find something that works for you, you tend to stick with it.

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Tip for choosing a vocal mic: Research what other singers that sound like you or that are in your genre use. Go with that.

It’s also a good idea to bring an extra speaker cable as well. Notice I listed two, not just one. If you’re running two speakers, then you need three speaker cables.

I think you’re okay just having one mic and guitar stand. If one of those ‘go bad’ then have someone in the audience hold the mic while you sing!

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How many times have you had people come up to you between sets or after the show asking if they could play your guitar? Is that annoying, or what?

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When you have all of the equipment you need for playing live acoustic gigs and the appropriate backup gear, you can focus 100% on your performance.

This is also a fairly simple live set up so it’s not going to take you a ton of time to set everything up and get started. Not to mention, all of this gear is relatively inexpensive while giving you an awesome sound.

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And that was part of my goal for this post. I wanted to give you the minimal gear you need but also gear that’s going to give you an amazing sound on stage.Acoustic guitars are central to many live performances, but making them sound good through a PA isn't as straightforward as you might imagine.

After vocals, acoustic guitars are probably the most common instruments a live sound engineer has to deal with. In practical terms, they are also often relatively simple instruments to amplify, as performers tend to use guitars with built-in pickup systems, which means you don't even need to bother with a microphone. But plugging them in is only the start of the battle: making them sound good is the tricky bit! In this article, I'm going to share the tips I've learnt over many years of dealing with more strummers, pluckers and pickers than I can remember.

Assuming the guitar you're working with has an onboard pickup system, you'll want to plug it in to a DI box, to better match the guitar's output level and impedance to the mic inputs on your mixer. For more info on DI boxes, I recommend you read Hugh Robjohns' excellent article in last month's SOS: /sos/may13/articles/using-di-boxes.htm.

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Most built-in acoustic-guitar pickups are of the piezo variety, which is unfortunate as they almost universally sound horrible. Probably the first thing you'll hear once you've turned up the gain and lifted the fader is a very spiky sound (often referred to as 'quack') that barely resembles that of the guitar being played acoustically. This is because piezo pickups sense sound from directly under the guitar's bridge, so rather than the lovely 'bloom' that happens when a guitar's strings, neck and body excite each other to resonate, you're left with a transient-rich sound where every pluck pokes through your eardrum and such sustain as there is sounds extremely quiet compared to the note's attack. This extremely dynamic sound can be effectively dealt with using compression, but my first port of call is to address the guitar's tonality, using my mixer's channel EQ.

More than any other instrument, I find that piezo-equipped acoustic guitars normally require some pretty savage EQ to combat their rather nasal quality. Mid-range cuts of 12dB or more aren't unusual, and these can be accompanied by some rather unintuitive boosts elsewhere in the frequency range to try and coax a natural sound out of the guitar.

If I have the luxury of a soundcheck,

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