Autumn leavesis one of the most popular non-American jazz standards on pick-up gigs and records. It is a must-know tune for any jazz guitarist and a great choice when you want to play both chords and melody on guitar. This guitar lesson providesan easy chord melody arrangement to play thisfamous jazz tune.
Chord-melody means to play both the melody and the chords of a song (generally jazz standards) at the same time. The main interest is that you can play alone the melody and the harmony of a tuneas a pianist would do with its right and left hand. It is a wonderful technique widely used by jazz guitarists to arrange a tune.

It can be very useful to add new dimension to your playing. Most of the time the original chords are extended orreplaced by chords called
Weekly Workout: Chord Scales From The Jazz Standard 'autumn Leaves'
. Mastering this guitar technique is quite difficult, that's whya beginner guitarist should have at least a basic understanding of common jazz guitarchords.
The first obvious part of the work before learning to play chord-melody on Autumn leaves is listen to some vocal and instrumental versionsto help you hear the melody and understand the chord progression. Here are some suggestions in various keys :
The best way to understand and hear the harmony of Autumn leaves is to play basic chordsusing drop 2 and drop 3 voicings. So let's quickly recap what ared
Autumn Leaves Tab By Joe Pass (guitar Pro)
Thesechords can be used to create beautiful and rich harmonies. They are very useful when working on orchestrations or arrangements. This technique applies to any jazz standard as it is the case in the Autumn leaves sheet below.
The principle of drop voicingsis to take a closeposition chord andmove the second highest note (drop 2) or the third highest note (drop 3) one octave lower to create an open chord. Drop 2 and drop 3 chords are very common in all kinds of jazz arrangements. Many composers and arrangers have used them, especially for big bands in brass sections. However, thesekinds of voicings soundsgreat on the guitar too.
Theeasy transcription with TABSand standard notation below takes the most commondrop 2 and drop 3 voicings to play Autumn Leaves. Thelist below will help youunderstand which chord used in this sheet is a drop 2and which one is a drop 3. Here they are in order of appearance :
Cheat Codes To “autumn Leaves” Jazz Guitar
The second important part of this guitar tutorialwill show you how to playthe melody of Autumn leaves in order to understandthis jazz standardmore in-depth. Remember that before learning a chord-melody for any jazz standard, make sure toknow the melody in order tobe more comfortable mixing the chords and the melody.
Playingthe melodywill also help youto solo more easily over the changes previously discussed when you want to start improvising over this great jazz tune with your guitar.
As you can see in the lead sheet below, the melody of Autumn Leaves is almost entirelybased onphrases leading to the 3rd (the blue circle) of the chord (Am7, Gmaj7, F#m7b5, Em7). The other lines leadto the fifth or the root of the chords.
Autumn Leaves Fingerstyle Tab
The following chord melody arrangementuses three-note voicings except Em11 in bar 15, Gmaj7 in bar 18and Em7, Eb7#9, Dm7, Db7#9, Cmaj13 in bars 22, 23, 24.These are chords built with four notes.
Most of these three-note chords are rootless and inverted. Here are the chord shapes used for the changes below. Please note that the root represented by a red circle is not played in this lesson, it is up to you to play it.
After having thrown a glancewiththe previous chord diagrams, you must try to mix them with the melody as it is shown in the music sheet below. You may notice that the melody is an octave higher than the previous one.In this lesson, you will learn how to play the chords of Autumn Leaves. There are a number of different ways that you can comp through a jazz standard on the guitar. For some people, drop 2 and drop 3 chords are the way to go in their playing. Other players draw upon shell voicings or triads to outline progressions.
Autumn Leaves [introduction]
While three, four or five-note chord shapes are essential sounds for any jazz guitarist, sometimes using two-note chords (aka double stops) is the best way to get your ideas onto the fretboard when comping behind a melody or soloist.
To help you check out double-stops in a comping situation, this section outlines a jazz guitar chord study over the standard Autumn Leaves.
To help you understand the intervals used in this jazz guitar comping study, here is an explanation of how to build each interval as well as how they are normally fingered on the guitar fretboard.

Autumn Leaves Guitar Hacks
3rds – Built by playing notes that are two notes apart (such as C-E). 3rds are usually played on two adjacent strings such as the 3
Strings. Since they are more ambiguous than 3rds or 6ths, 4ths are often used in a more modern context, though they are also great for outlining 3rds and 7ths in a traditional context.
Intervals. These are best played on adjacent strings but can also be played across three strings, such as playing C-G on the 4
Autumn Leaves Guitar Melody For Beginners
Strings. Again, these intervals have more of a modern sound to them, but they are also good to outline 3rds and 7ths in jazz chord progressions.
6ths – The largest interval in this study, 6ths are built by skipping four notes between the lowest and highest note (such as C-A). Because there is more room between the lowest and highest notes, it is best to play 6
If you find that your ears are drawn to any of these intervals in particular, try working it further in your practice routine in order to bring this intervallic sound into your playing.
Pdf Guitar Tabs And Guitar Pro Tabs: Autumn Leaves Fingerstyle Guitar Tab
By using the hybrid or fingerstyle techniques to play this chord study, you will be able to play each double-stop and phrase in a clean fashion, even at faster tempos.
If you have trouble with hybrid or fingerstyle picking, feel free to slow things down. Work the chords with a metronome, and then slowly increase the tempo until you can play along with the example and backing track below.

Here is the chord study to work out and learn in your practice routine. To begin, work on each four-bar phrase separately. Memorize it and get it up to speed with the track, before moving on to the next phrase in the study.
Autumn Leaves Chords: The Ultimate Guide
Once you have worked out each phrase on its own, start putting together the four 8-bar phrases, then the two 16-bar phrases, before working the study as a whole.
Learning to play jazzy sounding chords is one of the most enjoyable and challenging parts of playing jazz guitar. Rather than bog yourself down by learning all new chord shapes, you can adapt shapes you already know to create new sounds in your playing.
One of the most popular ways to do this is to remove the root note from any four-note chord you know. This gives you a three-note triad that outlines the chord and is easier to play than the four-note version. And, since the bass guitar is covering the root note, you don’t lose anything by leaving out the root.
Autumn Leaves Tutorial
In this lesson, you learn how to remove the root from common chords to create triads in your playing. Then you apply that knowledge to a jazz standard, Autumn Leaves, as you take these triads to a musical situation.
Before you dive into the chord study below, take a minute to learn about how you can remove the root note from common chord shapes to create rootless chords.
Because of this, building rootless chords by removing the root from shapes you already know helps you visualize the root note even if you don’t play it.
Eva Cassidy
Now that you know what triads are used to build rootless chords, here they are on the guitar to check out. These chords are taken from Autumn Leaves, starting with a 2-5-1 progression in G major.

Here are the chords and rootless chords for the next four bars of Autumn Leaves, a ii V I in E minor.
Again, a common chord voicing is in the first bar, followed by the rootless chord and the name of that triad in the second bar.
Autumn Leaves (mittlere Stufe, Solo Akustische Gitarre) (eric Clapton)
Now that you know how to build these rootless chords, and have played a few triad shapes, you’re ready to take them to a jazz standard.
Here, two or more triad shapes for each chord are used. Start by learning one shape in each bar and comp with those shapes over the backing track. Then, learn the rest of the shapes and comp with those grips over the backing track.
As you can see, the triads are written in a plain rhythm. Start by playing whole and half notes, keeping the rhythms simple as you work on these new chord shapes.
Download Digital Sheet Music Of Autumn Leaves For Guitar Notes And Tablatures
You can also treat each triad as an arpeggio and play them as single notes, adding these shapes to your soloing ideas in the process.
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