Stringing chords together is like playing matchmaker. Some chords are made for each other, some are mortal enemies, and some take a bit of coaxing to get on. Add the fact that there are millions of chords and you’ll find it’s way tougher than swiping right or left.
We’ve already gone through the iconic I-IV-V progression , but that’s just the tip of the iceberg. By the end of this lesson, you’ll be able to:
We’ve said major chords tend to be ‘happy’ while minor chords are more ‘melancholic.’ That’s a simplification, of course. The flavors of chords should be looked at
Guitar Chord Progressions For Beginners
It happens that no matter the key you’re playing a progression in, the first (I), fourth (IV) and fifth (V) chords will always be major. The second (II), third (III) and sixth (VI) chords will always be minor. We won’t go into the details, but it’s sufficient to know that there are always three major and three minor chords in every key.
And when you play two or more chords in succession, each chord takes on a different voice in relation to the key. Here’s a simple reference chart of their respective nuances:
While the I, IV and V chords are all major, the I chord has a distinctly positive vibe. The IV chord, however, sounds ‘dreamier, ’ while the V chord has a tonality best described as ‘dominant.’ As for the minor II, III and VI chords, most would agree that II sounds the ‘darkest, ’ while III and VI are both distinctly melancholic in their own unique ways.
Minor Key Chord Progressions
Again, note that these characteristics are relative to the key and its root chord. So a D minor played in the key of C will sound ‘sadder’ than the I chord, a C major. And a G major in the key of C will add a ‘dreamy’ touch to the progression.
Let’s take a look at three basic chord movements commonly used in modern music: I-ii, I-iii and I-vi. In the key of C, the ii, iii and vi chords are, respectively, D minor, E minor and A minor.
This progression starts with the C major and then ascends to D minor. Notice that this progression ends without a resolution—you’ll feel like you should add another chord to ‘complete’ it. This is why the D minor chord is commonly used as a ‘passing chord’; it lacks a strong tonality that can ‘tie up’ a progression.
The Top Guitar Chord Progressions
Swapping the D minor with an E minor produces a ‘dark’ vibe, which is commonly used, to borrow Leonard Cohen’s term, as a “minor fall.” Yes, all the times you cried to Simple Plan—it was probably the E minor at work.
The sixth chord, or A minor (in the key of C major), also channels melancholic vibes. What differs is that it lacks the ‘darkness’ found in the previous one, and can be used to create more of an ‘endearing’ feel.
There are 26 letters in the English alphabet, about 220, 000 words in the Oxford English Dictionary, and millions and millions of written material ever published. Similarly with music, there are just a dozen notes but an uncountable number of songs ever written.
Simple & Easy Guitar Chord Progressions For Beginners
Which is why it’s helpful to look at songs in terms of their chord progressions. Two comic books, for instance, may share the same type of hero. Yet Superman and Captain America are rather different—even though they’re fundamentally equivalent. And, in music, while Jason Mraz’s “I’m Yours” and The Beatles’ “Let it Be” are different tunes, they have similar chord progressions.
In the key of C, this progression would be: C major, A minor, F major and G major. Try it out with different strumming patterns and in various tempos. Sound familiar?
Songs that use this progression include “All I Have to Do is Dream” by The Everly Brothers, “I will Always Love You” by Whitney Houston, and “Every Breath You Take” by The Police.
Blues Guitar Lessons • Chord Progression And Solo From Learning Blues Guitar Chapter Four • Chords, Solo, Videos
Just by shifting the sequence of chords, you’ll end up with quite a different feel. End the progression on the IV, and it’ll lend a ‘dreamy’ vibe to the composition. You’ll hear this progression in tunes such as Mraz’s “I’m Yours, ” The Beatles’ “Let it Be, ” Bob Marley’s “No Woman No Cry, ” and Journey’s “Don’t Stop Believing, ” just to name a few.
This is an ascending progression that begins with the root chord and goes to the next three chords of the scale. In the key of C, the chords are: C major, D minor, E minor and F major.
The sense of ‘ascension’ is distinct, and hence this progression can be for transiting from one mood to another. Songs that feature it include “If I Ain’t Got You” by Alicia Keys and “Love is All Around” by Wet Wet Wet.
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And guess what: You don’t even need to play the root chord to be in the key. A vi-ii-iii progression in the key of C, for instance, is an A minor, D minor and E minor.
This progression deploys all three minor chords of the major scale, so it’s no surprise that you’d get a melancholic vibe from this progression. Bill Withers’ “Ain’t No Sunshine” is a great example of a song built around these three chords.
We’ve only shown you the chords in the key of C. So as an exercise, try transposing these four progressions into another key —you’ll find that although the notes are completely different, the emotional resonance remains the same.And you want to hear some other less predictable chords, and actually, there are a lot of options for that which are already built into the key and let you play something like this.
Most Common Chord Progressions Ever (beginners, Learn These First…)
What I am using here is borrowing some chords from a category called minor subdominant chords, which is a large group of chords that really can sound incredible in a chord progression!
When I was beginning to learn standards then I didn’t know how to analyze them, so in the isolated Danish mountains while I was practicing endlessly I was just trying to remember the chords, not understanding what was going on. My knowledge of harmony was limited to realizing what key something was in and maybe figuring out that something was a II V I of some sort.
But I still often ran into other progressions that sounded great, but where I didn’t really understand why, and a lot of the chords that I liked the most later turned out to be minor subdominant chords, they were often the part of the song that I was really drawn to but that I couldn’t figure out.
Writing Music 101: Create A Chord Progression On Guitar (major Key)
The music that I am going to explore in this video is in a key, it is not random chords next to each other which is important to realize.
The groups are made so that the chords in the group can often replace each other in a progression, contain many of the same notes, and therefore also sound similar.
Usually, you call this the function of the chord, so in C major, Em7 has a tonic function, and G 7 has a dominant function.
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Notice that the function of a chord is also about the chord progression, so it is not just about the notes in the chord. That is also why you can find examples of Am7 being a subdominant chord in C major as well as other places where it is tonic,
When a song is in a major key then the great thing about that is that you have all the diatonic chords that I just showed you but you can also use the chords from the minor key with the same root, so in C major you can also use the chords from C minor.
Cut in: – I can, for some reason, never remember what is parallel and what is relatively minor, so I think about it like this, sorry…
Music Composition For Beginners 4: Popular Chord Progressions
This is not entirely coming from scales and is essentially more about voice-leading, but starting with a scale is a great way to get some things to work with, and then you can expand on that to get to some of the great sounds, but I will get to that later in the video.
And in fact, most of these can work as a minor subdominant: Dø, Fm7, Abmaj7, and Bb7 will all be great minor subdominant chords. Let’s hear them in action also to get a better understanding of how they are used in the songs.
The Dø chord is the easiest to put to use in a II V I, so that you in fact have an entire dark-sounding minor cadence that then beautifully resolves to a bright major sound, similar to Cole Porter’s I love you
Guitar Chord Progressions Wth Audio, Using Only Open Chords!
The Fm7 chord is more often used as a way of getting from a subdominant chord to a tonic chord, so not as a part of a II V I. Often you will in fact see it as an Fm6 or FmMaj7, but I will get to that in a bit. Here it is moving coming from Dm7:
The bVImaj7 is a beautiful sound and is actually used in quite a few different
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