Fender ampshave been right there at the birth of Rock'n'Roll, and are just as popular today as they've been for the last60 years. Here's our guide to help you choose theperfect Fender amp for guitar or bass.
The list of artists who've used aFender guitar amplive or on record is enormous. It seems as if everyone has used them at some point, including Elvis, Chuck Berry, Buddy Holly, The Beatles, Rolling Stones, Oasis, The Strokes, Radiohead and White Stripes, to name but a few.Fender guitar ampshave been aconstant in rockmusic, featuringlegendary clean tones, lush spring reverbs and, in the case of the newest solid-state models, some of the best modeling and built-in digital effectsavailable today.
The Fender musical revolution started before the birth of rock music, just after the end of WW2. Since his early teens Leo Fender had an interest in electronics, andwhen he grew up, Leo made a career for himself fixing and building PA systems for musicians, openinghis own shop in California. Leo soon realised that amplifiers needed to be sturdy to withstand the life on the road, and decided tobuild his own, to care for the needs of travelling musicians such ashis customers.
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In1946, Fender began manufacturing a series of now-legendary amps: the Deluxe, the Professional, the Dual Professional, andthe Princeton.These were easily the most powerful amplifiers commercially produced back then. They all had the classic features we're familiar with now:heavy steel chassis, chromed control plates, and heavy pine cases covered with tweed fabric. Theseamps caught on straight away, and in1948 Fenderreleased the Champ, which became the most popular amplifier they built.
When the next generation of Rock'n'Rollers started to make some noise across the Atlantic, they also used Fender amps:British Invasion bands such as The Beatles, Rolling Stones, The Who, Yardbirds and others began to experiment with Fender amps: John Lennon was an early adopter, actually playing a tweedFender Vibroluxwhen The Beatles were still starting, and after a well-documentedinterlude with AC30s, he and George Harrison used aFenderTwin Reverbin the final years, including at the Beatles famous rooftop concert:
One little detail not that well-known, is that the Beatles favourite amp was aFender Bassman, as described on ourRevolver Turns 50blog post. Originally purchased by Paul McCartney, it was widely used on recordings by both John and George.
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The list of illustrious British Fender users continues with Keith Richards (Dual Showman in the Sixties, Twin Amp now); Jimmy Page (Dual Showman in The Yardbirds), Pete Townshend (Bassman, Pro, Bandmaster and others); Marc Bolan (Dual Showman) and many others - so many, in fact, that it's almost pointless to try to create a comprehensive list of famous Fender amp users!
We'll just conclude this section by saying that, just likeFender amps have defined the rock'n'roll sounds of the Fifties and Sixties, they've carried on doing the same into the 21st Century: the Arctic Monkeys used a tiny, vintageFender Champto record most of the overdriven guitar sounds on their influential debut album; Jack White used aFender Twin Reverbin the White Stripes, and The Strokes helped to popularize the modernHot Rod Deville series, which is now a true staple in the setup of manyindie bands.
With exciting new releases such as the newBassbreaker series, it's fair to say Fender Amps will continue to define the sound of rock'n'roll for a long time to come. The Strokes used Hot Rod Fender Deville amps live which comes as an example that Fender Amps are an industry standard today.
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If you A/B any choice of different new or vintage Fender amps, you'll probably notice tonal differences, but in many ways they are all pretty much similar: despite differences in valve configurations, speakers etc., they all have those superb clean tones that made Fender famous. The spring reverb and tremolo effect will also be pretty much the same on theamps that feature those effects - and they're the standard by which those effects are judged on other amps (and fx pedals.)
The most noticeable differences between those amps will be ones which are pretty much obvious when comparing any kind of valve amp, sothey remain true with vintage Fender models, as expected: smaller, low-wattage amps will give you a great crunchy tone when they break-up, with the volume cranked up; louder ampswill keep cleaner at louder volumes; and amps with bigger speakers will sound fuller than the ones which have smaller speakers.
Vintage amps don't have Master only Volume controls. This means amps have different sweet spots, remaining clean at different volumes and breaking up earlier or later, so its with this in mind that we've separated them in three categories:
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Those terms are justslang terms used to identify Fender amplifiers based on the color of the control panel or tolex/cloth covering of the cabinet (these terms are often misconstrued to refer to the color of the grille cloth). Each colour represents a particular Fender era, when those different features first appeared.
Of course, there'll be purists who'll say one era sounds better than the other, but it all comes down to personal opinions. But knowing these definitions may help you to have aballparkidea of when a vintage fender amp was made:
Yes and no. Sure, vintage Fender amps are part of rock'n'roll history, and for mojo and history alone, they'd be worth investing - if you have the money to spare. But for the serious, working musician who plays regular gigs or records often, it wouldn't be such a great idea. Firstly, even though there's no doubt that Fender amps were (as indeed still are) extremely well-made, older amps are bound to cause more problems than new ones - and without beingcovered by warranty!
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You'll see some big names such as Keith Richards, Joe Bonamassa or The Edge using vintage Fender amps onstage - but they can afford to, and it's no big deal to them. However, the vast majority or gigging artists, from mid-level indie bands to famous artists such as Noel Gallagher or Coldplay, prefer new amps.
But secondly, and most importantly, is the simple fact that Fender still make great amps, including reissues of some of their most classic, vintage models. They're the best way to get that classic Fender look andtone, without needing to travel back in time. Actually, having a new reissue amp is a bit like travelling in time... after all, all those artists in the Fifties and Sixties were playing brand new Fender amps!
You don't need to buy an actual vintage amp to get a taste of some classic vintage Fender amps. There are some truly great reissues:
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One day, they were considered the future. Today, many pros would consider solid-state amps as poor relations to valve amps. The truth, as usual, lies somewhere in-between - and Fender makes some of the best solid state amps available today.In fact, Fender has a - excuse the pun - solid tradition in making great solid-state amps! Their Eighties and Nineties solid-state models have great cleans, and even pros such as Radiohead's Jonny Greenwood can be partial to them.
Even though many earlierFender solid-state ampsfeatured an overdrive channel, most guitarists didn't like to use it - often described as fizzy.But that's ok, because the main reason you'll choose a solid-state Fender is for the beautiful, lush cleans. The right way to look at those amps is not as lesser amps than Tube models, only as a different kind of amps.
But Fender amps have evolved and today their solid-states sound even better: Improvements such as digital modeling mean that Fender solid-state amps now have a much more satisfying overdrive/distortion sound if you want to use this effect.
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TheChampion-seriesmodels are ideal for beginners, cheap butdelivering some great tones! TheChampion 20is aperfect first amp for anyone who's just starting, while theChampion 100is a great alternative for gigging on a budget: very loud, and looks just like a Twin Reverb from a distance.
Even better, is theFender Mustang series. Those amps can model classic, vintage Fender amp tones, and many players who've used one will tell you they're as good - or better - than valve amps such as the popular Blues Junior! Whether you agree or not, one thing is clear - they are really good!Watch this Fender Mustang III demo:
Besides all the classic models still in production, Fender has a quite impressive range of modern amps - some of which have already reached a classic status, too! Here's our pick of the best modern Fender guitar amps, available today:
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Fender hasfamously made one of the best bass amps ever. Unfortunately (for bassists...) it turned out to actually beone of the best GUITAR amps ever - we're talking about the Bassman, of course! Since this slightly massive change of course, Fender never again gained a reputation as manufacturer of great bass amps - even though they kept coming: another fantastic vintage model, which is much sought-after today, is theFender Musicmasterbass amp(though, once again, it's better known because it turned out to work great with guitars -it's one of Dan Auerbach's favourite amps, used on many Black Keys recordings!)
For this reason, sadly (but perhaps wisely...) Fender has chosen not to invest too much on
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