Finding the best folk guitar for you can be difficult – we’ve got a roundup of some of our favourites right here!
You might be thinking of an acoustic guitar used to play folk music, but people play folk music on many kinds of acoustic guitar.
On the other hand you might be thinking of a folk-sized guitar, which is a certain body shape of guitar that’s similar to that of a classical guitar and not quite as big as other acoustic guitars.
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The folk-sized guitar is sized and shaped so as to produce a balanced sound. Other guitars like dreadnoughts and jumbo-body guitars tend to have a more booming bass sound.
Just so that you know what you’re looking for and what the people in the shop are talking about, here’s a pretty good breakdown of guitar sizes from the lovely people at StrumViews.com.
From the tiny traveler-sized guitar to the grand jumbo, size does make a difference in determining which is the best folk guitar for you.
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If you are going to do a lot of fingerpicking, you’ll want a more balanced sound between the low notes and the high notes, which means that the mid-sized body guitars – the orchestra/auditorium range – are designed optimally for you.
If you’ll be strumming a lot of big chords and want to fill up the space with sound, the dreadnoughts and larger will help you to do that.
Size matters not only to the quality of sound you’ll get out of the guitar but also to how well the guitar fits your body.
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If it’s the pristine and delicate sounds of the parlor guitar that you’re after but you happen to be over six feet tall, you’ll figure out how to navigate the tiny fretboard with your large and powerful fingers.
The recommendations that follow cover guitars at all sizes and price ranges to help you find the best folk guitar for you right now!
Look, none of us know what we’re doing when we wander into a guitar store or a website in search of our first folk guitar.
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Guitars all sound like… well, guitars. They all seem like large foreign objects we don’t quite know how to deal with. If we’re asked a question by the salesperson, we definitely don’t have an answer.
Fortunately for us, Yamaha has the answer. Their FG800 folk guitar is just about the best folk guitar for the first-time buyer.
This guitar has a solid spruce top, which is a common tonewood for the top of a guitar. The fretboard is rosewood and the sides and back are nato.
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The Yamaha FG800 retails for around $200, which is the absolute least you can reasonably expect to spend on a new guitar that sounds good.
The reason this is one of the best folk guitar choices for you is that Yamaha manages to consistently crank out inexpensive guitars that sound good and last forever.
Folk guitar Once you’ve selected the best folk guitar for you, at some point after getting used to playing it, you’ll want to take it in to be set up.
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A set-up costs in the neighborhood of $70 and involves any adjustments needed to the neck for the guitar to play smoothly.
The frets may need to be filed; the degree of bowing in the neck may need to be altered. The nut may need to be filed down. These small things, once done, will make you feel like you have a new guitar!
Fender is legendary for making all kinds of iconic guitars and also uncountable versions of affordable, basic, low-maintenance acoustic instruments that will last a lifetime.
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One advantage to those of you who live in places with unpredictable weather is that laminate is less susceptible than solid wood to the ravages of heat, cold, and humidity.
We’ve talked about set-ups, the minor medical procedure most guitars off the production line really need in order to become enjoyable to play.
Little, easily fixable things, but still. You want to open up your guitar and start jamming, not take it right to the guitar hospital.
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The Takamine GN-10 NEX (NEX is Takamine’s proprietary name for their body style) benefits from Takamine’s general reputation for manufacturing guitars that are immediately playable and sound lovely as soon as they land on your doorstep.
With a spruce top, mahogany sides, and a rosewood neck, this guitar is surprisingly light and has a snappy but not too bright or tinny tone.
The wood choice also means that the tone is clear but never tinny. Overall, it’s just a gorgeous little instrument – and some may find it to be little by comparison to some of the other best folk guitar picks on this list.
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This is a great mid-range guitar that is affordable and will give you years of armchair playing but can also handle performance duties.
Pro-Tip: Even if you don’t buy your guitar in a brick-and-mortar store, it’s very helpful to visit one when you’re deciding which is the best folk guitar for you.
You can play a lot of different guitars and talk to the sales staff about the differences. We all learn a lot from the knowledgeable folks in guitar stores!
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Guild guitars are loud. We do not know how Guild manages to pack so much punch in an acoustic guitar that looks just like every other acoustic guitar, but they do.
The Guild M-240E Troubadour is a small guitar with a big sound, and it is the best folk guitar you can find for under $500 that you can take to the gig and be heard and enjoyed with ease.
The sound of the Guild does carry, and it is a surprisingly robust and booming guitar for such a little thing. The sound alone makes it worthy of the title of best folk guitar.
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What makes it especially gig-worthy is the inclusion of electronics, so that you can plug it right into your amp or the venue’s system.
To be honest, this whole article could have been filled with Martin guitars. Almost every criterion defining the best folk guitar can be found in a Martin.
Let’s say you’re ready to really invest in a guitar that will grow old with you – you’re ready to meet your life partner, the Martin 000-15M.
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This 000 model is a comfortable size for anyone. There is a larger 00 model for about the same price, but whether you’re a casual player or a regular performer, this guitar just fits!
The warm and rich tone of the all-over mahogany is amazing right from the start and, of course, will improve over time.
This is a parlor guitar with a surprisingly full sound. It’s beautiful and smooth, and arguably the best folk guitar you could buy.
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You cannot go wrong with any of the suggestions above; they’re our favorite picks for best folk guitar at different price ranges.
Learn how everything fits together quickly, easily and effectively. We share ninja tips (for instant fun!) but also timeless fundamentals that will deepen your understanding.Imagine Blind Willie Johnson evangelizing on a dusty street corner in the east-central Texas of the 1930s, a small-bodied blues box in his arms. He could have been playing Big Hollow’s Plainsman Double-0, if the guitar had existed back then. That’s how much the Plainsman looks like the kind of instrument bluesman were drawn to back in the old days: nice narrow waist, slotted headstock, and a deep, dark, sunburst finish.
The difference: This new guitar has perfect intonation and a voice that’s warmer and richer than those of the vintage instruments that inspired the Plainsman Double 0. It strikes just the right balance between the historic and the modern in an awesome little package that’s damn near impossible to put down once you fingerpick a few chords on it.
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Big Hollow Guitars is the brainchild of Bevan Frost, a luthier in his mid-30s who doesn’t build a ton of instruments in his Frisco, Colorado workshop—only about eight guitars a year—but focuses instead on stellar craftsmanship. Frost’s guitars tend to have small bodies inspired by the old school, with features such as hide-glue construction and pyramid bridges.
The review model of the Plainsman pairs a concert-size 12-fret 00 body with a long-scale neck, 25.4 inches. Aficionados of vintage instruments will appreciate that the guitar, like most Big Hollows, has an advanced X-braced soundboard of Adirondack spruce. It’s the wood—known for its lightness and sonic power—that was used in the construction of most prewar Martins and Gibsons, but which is now much rarer, mainly because supply is limited.
I remove the Plainsman Double 0 from its Hiscox molded case and I’m struck by its lightness—about four pounds—and luxuriousness. The carefully applied oil-varnish finish looks and feels elegant. Frost initially used the oil-varnish finish for health reasons, as it’s much less toxic to work with than nitrocellulose lacquer, but he’s come to favor its cosmetic attributes—it is softer and more durable than nitro—as well as its musical benefits. He says it tames the harsh trebles of new guitars.
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Frost builds all of his guitars with the fingerstylist in mind, and the Plainsman is a winner for playing country blues, ragtime, and chord-melody-style jazz, whether in standard or alternate
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