When learning how to play jazz guitar chords, many of us spend hours working out different voicings, learning chord licks and phrases and putting together the harmonic aspect of comping chords. But what about the rhythmic side? To help you take your jazz guitar chord rhythms to the next level, here are 10 comping rhythms that every jazz guitarist should know.
Since the focus of this lesson is rhythmic, the chord progressions themselves are fairly basic and are the same for each rhythm to allow for a quick comparison when practicing them back to back.
Because the chords are the same in this lesson, be sure to practice each rhythmic pattern in all 12 keys, as well as apply them to any and all other chord progressions you know, as well as playing them over your favorite jazz guitar standards.
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The first comping rhythm we’ll explore is probably the most popular and well-known jazz guitar rhythm, the Freddie Green four-to-the-bar quarter note pulse. Made famous by Freddie Green when he was a member of the Count Basie Big Band, the quarter-note pulse is a great way to lay down a swinging rhythm and keep things steady at the same time.
While playing this rhythm might not work for a whole tune, depending on the context and genre of jazz you’re playing, it can be a great way to set up a more complex rhythm. So, once you have this rhythm down, try mixing it up with other more syncopated rhythms in order to hear how it can highlight those syncopations while swinging hard at the same time.
The next rhythm is also a very popular and well-known pattern that is based on the Charleston dance from the 1920s. Though originally based on a dance craze, this rhythm has since crept into the writing, comping, and playing of countless jazz guitarists as they have modernized this fun rhythmic pattern.
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When playing the Charleston rhythm, make sure to play the first note long and the second note short, in order to get the most swing out of this rhythmic pattern.
One of the ways that players have altered the Charleston Rhythm is to push it around the bar, starting and ending it on different beats in the process. Here is an example of the Charleston starting on the & of 1, rather than on the downbeat of each bar.
When moving this rhythm around, you are able to create more levels of rhythmic interest without having to learn a new rhythmic pattern. You are simply altering a pattern that you already know. This is an approach that you can take to any rhythm that you learn.
Martin Taylor: Latin Jazz Rhythm Guitar: Rhythm Comping On Essential Latin Jazz Standards For Guitar: Rhythm Guitar Comping On Essential Latin Jazz Standards For Guitar (learn How To Play Jazz Guitar) :
To finish up our study of the Charleston Rhythm, let’s combine the first and second rhythms together in order to build a two bar phrase that starts on the beat in bar one and off the beat in bar two.
We’ll now move on to a new rhythm, and one that was heard often in the playing of Jazz Guitarist Jim Hall, the dotted quarter note.
This next rhythm is a tricky one to nail without rushing or speeding up.. Playing on the & of 2 and the & of 4 in each bar can help a tune swing and give it forward motion when comping, but it can also lead you to “trip forward” since there are no downbeats in the pattern.
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Because of this, go slow and work with a metronome, a backing track, or Band in a Box. This will help you become comfortable with this syncopated rhythm, and prevent you from rushing.
The next rhythm is a bit easier than the & of 2 and 4 that you just worked on, but it is an essential jazz rhythm and one that is often played in combination with the & of 2 and 4 as you’ll see later on in this lesson.
When playing on 2 and 4, make sure that you play each chord short, one quarter note exactly. This helps create a bouncy swing feel in your comping with this pattern.
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You will now combine bars of 2 and 4 with bars of the & of 2 and 4. There are no rules for how you can combine these two rhythms, but I’ve written out a common pattern below which is one bar of 2 and 4 followed by one bar of the & of 2 and 4.
From here, try coming up with your own combinations, reverse this pattern, 1 bar of one and 3 of the other etc. There is no limit for how you can combine these two common jazz guitar rhythms.
You can also combine half of one rhythm and half of the other, such as the example below. This example uses the first half of the & of 2 and 4 and the second half of the 2 and 4 patterns.
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The last jazz guitar rhythm that we’ll explore is a syncopated pattern that places the attacks on the 1, & of 2 and 4 of each bar. When doing so, you are grouping the 8, 8th-notes of the bar into 3+3+2 in your comping.
This type of odd grouping with your 8th notes is a great way to create interest and add syncopation to your comping ideas.
To get these jazz guitar rhythms under your fingers, take an easy jazz standard, such as Summertime or Autumn Leaves, and play through the chord changes using one of the rhythms.Rhythm is much more important than notes. This is very true for jazz and certainly for comping. The easiest way to learn some new rhythms for your comping is to come up with some small riffs and practice playing those through a chord progression. In this jazz rhythm guitar lesson, I am going to show you 5 great variations on some great Comping rhythms and how they sound through a Blues In F.
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If you want to practice them with me then you can go to the second examples via the link in the description of this video. I’ll talk a little about that later. This way of really thinking in rhythms as phrases are really important because you can’t think about the notes, you have to hear them.
If you want to check out more material that you can use for both soloing and comping on an F blues then have a look at this Study Guide: F Blues Study Guide
Instead of using the voicings that I use in the example you can also simplify that part by using shell voicings. In the end this is much more about rhythm than it is about the chord voicings so that will still teach you the most important part of the material in this lesson.
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In this video I have added the count-off to the perfromances so if you want to play the rhythms together with me then you can do that. If you are a Patron of the channel then you can also download the mp3 backing track via my Patreon Page
The Charleston rhythm is a great place to start! It is in many ways the most simple rhythm that has it all. It clearly shows the chords by stating that on the 1 and the groove and swing feel is clear from the 2& that follows it.
This rhythm is a little more busy. Here the goal is to state the groove with the first two 8th notes and then use the 3& to really pull the song forward. The 3& sound adds tension or energy and the following chord on the 1 resolves that tension.
Jazz Guitar Comping Rhythms
This example is a little busy if you play it too much, especially if the tempo is higher than a slow medium.
It is however a complete groove and a way of laying down the harmony and the groove in a very clear way. This can work as a a great solid background for a soloist, but for some it may also get in the way.
This rhythm is a little lighter and a great way to break things up a little. It is important to be able to play comping rhythms that are not on the 1st beat all the time.
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Another exercise is to play rhythms starting on beat 2. This exercise helps you feel(or think) the first beat and then play on the 2nd. Internalizing the rhythm and the meter like this is really useful for your overall timing and time-feel.
If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video or send me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.
Please subscribe to myYouTube channeland feel free to connect with me viaInstagram, TwitterGoogle+orFacebookto keep up to date with new lessons, concerts and releases.“What are good comping rhythms?” and “can you make a video on standard comping rhythms?” are probably the two most common questions on my channel. This lesson is giving you an exercise to help you improvise or compose endless amounts of great comping rhythms.
How To Master Jazz Guitar Comping Rhythms?
Instead of making a set
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