These are the acoustic preamps that have received the highest ratings - see How Works for further information about Ratings.
LR Baggs is known for quality acoustic gear, and the Para DI is a great showcase of what the brand is all about. What sets the LR Baggs Para DI apart is its versatile 5 band EQ with tunable notch filter and midrange bands. These extra controls allow for extensive tone shaping that you won't usually get from a preamp.
The five band EQ knobs all have big ranges. This allows for subtle adjustments to fix venue related sound issues. While bigger changes can substantially shape the overall sound. The tune knobs let you zero in on problematic frequencies and boost or lower them down as needed. These tone shaping controls can let you tweak for a fuller sound in case you're playing solo or with a small group. Those who play with bands can utilize the Para DI to go for a more mid-focused cutting tone.
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It lets you do all this in a very intuitive manner without having to dive into complex menus and buttons. Note that absolute beginners may not immediately understand how the EQ and notch filter knobs work. But it doesn't take much to figure it out, especially if they get help from experienced musicians.
At the core of these nifty tone shaping options are is a transparent sounding preamp. With it, you retain much of the original voicing of your guitar when you tweak the EQ controls. This transparency caused some first-time users to encounter feedback issues. Thankfully, you can reduce feedback easily by adjusting the notch filter and phase inversion.
Note that while it works great with acoustic-electric guitars, the Para DI is also quite popular among violinists. It is also used by musicians who play other pickup-equipped acoustic instruments. Other practical features include feedback control via phase inversion. It has the option to power the unit via a 9V battery or via phantom power.
Lr Baggs Venue Di Acoustic Guitar Preamp / Di / Eq / Tuner Pedal
Its compact form factor and straightforward design make the PARA DI preamp viable for floor or desk setups. Speaking of compact, the knobs are quite small, which makes real-time tweaking during performances a bit of a challenge. So it is recommended to get the tweaking done before performing, so you won't have to reach for the small knobs as you perform. Another limitation of the Para DI is the lack of footswitch control.
If you're a multi-instrumentalist that plays various acoustic instruments this is for you. But you have to be willing to put some time in fine-tuning your EQ and notch filters.
The JHS Clover is an all-around preamp / boost pedal that can work with acoustic, electric, and even bass guitars. It behaves similarly to the FET preamp of the 80's Boss FA-1, as used by U2's the Edge. Only this one offers more tone shaping and output options.
Ebs Stanley Clarke Signature Acoustic Preamp
At lower volume levels, the preamp is very transparent. It has a subtle low-end bump that makes the resulting sound fuller, great for always-on basic preamp use. Raising the volume higher adds grit to the tone, allowing the pedal to behave like a boost pedal. Understandably, this boost functionality appeals to those who play electric guitars. But with some EQ tweaks, the JHS Clover's boost can also work great for acoustic - as long as the volume knob is not pushed too hard.
JHS equipped this pedal with a rotary switch that lets you choose between three EQ modes: Full EQ, No Mid, and No EQ. These EQ modes affect the 3 band EQ knobs that come with the preamp. The No Mid setting is closer to the original FA-1 pedal as it disables the MID EQ control. The other modes are self-explanatory, Full EQ engages the three band EQ knobs, while No EQ disables all three for preamp only functionality.
The No EQ and No Mid options allow for straightforward preamp use, which is easier to integrate into different types of setups. The Full EQ mode turns the Clover into a versatile preamp plus EQ unit. Further tone shaping is possible with its side-mounted switch for engaging Low-cut functionality.
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This pedal gives you two output options, a regular 1/4 and a balanced XLR output which you can use for plugging directly into a mixing desk.
The JHS Clover is a good versatile preamp to have if you play both electric and acoustic guitars. While it may lack some features, it can get the job done.
Radial continues to do well in the preamp market thanks to their high quality pro audio products. The Tonebone PZ-Pre is their best rated preamp for acoustic instruments. Packed with features and functions that are usually limited to studio quality rack preamps.
Harley Benton Custom Line Acoustic Preamp
It has expanded tone shaping options, and versatile input/output, while retaining Radial's acclaimed high-fidelity preamp and DI. And this ability to morph the sound of your acoustic guitar however you want to is really what the PZ-Pre is all about. The Low EQ knob is paired with multiple Low-cut modes that give you precision control over the lower frequencies. Mid controls include a freq knob. If that's not enough, the unit has a notch knob with multiple Notch Q modes.
Another nifty feature of the PZ-Pre is the included boost footswitch and boost level knob. This lets you boost the signal for emphasizing certain parts, and do so hands-free. Thankfully, it does not color the sound as much as regular boost effects, retaining the sonic flavor of your instrument.
Speaking of coloration, the preamp has that high-definition sound quality that you'd expect from Radial. So even if you set everything mid-way, you're always getting a transparent guitar sound. And it doesn't stop at just one preamp, the PZ-Pre has two preamps with dedicated footswitch control. It also has pre and post EQ, allowing for precise control over your sound for both the FOH and your monitor. There's also a piezo buffer switch on the side for better compatibility with passive pickups.
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And I'm not the only one who is impressed, it has a long list of satisfied owners, including big-name artist endorsers like James Taylor, Jerry Douglas, Keb Mo, and many more.
Given all these features and controls, the Tonebone PZ-Pre is quite bulky and heavy. So if you're looking for something simple and compact, you may want to consider smaller units like the Fishman Aura Spectrum, which also has Di Box funcitonality.
Note that this is the newer facelifted version of the PZ-Pre, which carries over the Loop On feature that was introduced a while back.
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If you're looking for a powerful transparent Acoustic DI Box solution for your acoustic guitar or other acoustic instruments, then the Radial Tonebone PZ-Pre is definitely worth checking out.
Its focal feature is its versatile and natural sounding EQ section, which lets you adjust highs, lows, and mids more precisely via pass filters, notch and Parametric EQ controls. This way you can zero in on frequencies that need to be cut or boosted, and do so while retaining a relatively intuitive layout. I say relatively because the rabbit hole of controls can go even deeper with DIP switches on the side. Still, the control layout is well thought out and should be easy to get the hang of for experienced guitar players.
All these EQ controls would mean nothing if the core sound was bland, thankfully this pedal has a very transparent and musical sounding preamp that's perfect for acoustic guitars. With just a few tweaks, you can get your guitar to sound natural, and you get even better results as you get used to adjusting its many EQ controls. Another important feature of the ALix is its built-in boost function, with dedicated boost knob and footswitch. And the type of boost it produces is tuned specifically for acoustic instruments.
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For better compatibility with different pickup types, it also comes with 3 input impedance modes. There are also controls for Gain and Amp output, which further expands the versatility of the pedal. Other features include having a phase reverse switch, DI output, built in tuner out, and effects loop insert.
While it can be easy to get a good sound, it will take quite a while to get a good handle on everything that this pedal can do. This is definitely not for those who prefer simple preamps.
Everything about the ALiX feels premium and roadworthy. If you have the money to spend and want nothing less than a high quality single channel preamp for your acoustic guitar, then check out the Grace Design ALiX.
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Acoustic guitar preamps are specifically tuned for acoustic-electric guitars. They work like mini-amplifiers, in that they receive the audio signal from your pickup system and amplify them to your intended levels.
On top of their basic functions, Preamps can have other features like EQ, notch filter, body resonance and more. Often times, these extra features are what makes them worth getting.
You can get good guitar tone with your acoustic-electric guitar's built-in electronics plugged straight to a PA system or an acoustic amp. But you if you want more control over your acoustic guitar
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