Modal Guitar Scales

Modal Guitar Scales

There are a lot of different scales in music, many of which aren’t immediately applicable to the musical situations you’ll likely find yourself in, especially as a beginner. But you probably won’t know the difference between what matters now and what should come later, unless you’re being guided along by a mentor or a teacher.

First of all, you should focus on learning these five scales. Once you begin to feel comfortable with those, you’re ready to start exploring the seven modes of the major scale.

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You should also know that you’re basically getting seven scales for the price of one – you aren’t really learning seven whole new scales! I’ll talk more about how that works, but let’s start with the first mode of the major scale.

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There isn’t a whole lot more to be said about the Ionian mode, because its use in popular music is widespread and ubiquitous. It's a happy sounding scale and is synonymous with most familiar melodies.

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The second mode of the major scale, the Dorian mode, is basically the major scale starting and ending on the second note of the major scale.

So, if we were to use the C major scale as an example again, the notes in the D Dorian mode would be: D, E, F, G, A, B, and C.

But comparing it to the C major scale isn’t really helpful in terms of developing context. It’s better to compare it to the D major scale, which is: D, E, F#, G, A, B, and C#.

The Melodic Minor Scale And Its Modes

So we can see that the D Dorian mode differs from the D major scales in two ways: the F# and the C#. So we would say that the Dorian mode has a “flatted” third and a “flatted” seventh.

Because of this, the Dorian mode has a slightly exotic “minor” sound to it. It is often used in jazz and blues improvisation.

As you can see, there are quite a few altered notes here. The Phyrigian mode has a flatted second, third, sixth, and seventh.

Lydian Mode » Guitar & Modal Theory » Strings Of Rage™

If you’ve been following so far, you should have a pretty good idea of what notes are in the Lydian mode, but let’s go over them anyway. They are: F, G, A, B, C, D, and E.

It goes nicely over a maj7 chord, and is among my favorite modes. It is often used in the beginning of movie soundtracks because it has that “hero embarking upon an adventure” type sound.

The Mixolydian mode doesn’t have a dark, sad or incomplete sound to it, so it’s definitely not a minor scale. But it isn’t exactly a major scale either.

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It’s closer to a dominant scale because it plays nicely over dominant chords (like G7). It can often be heard in jazz, blues, and funk music.

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The A major scale has a raised third, sixth, and seventh, so the Aeolian mode has a flatted third, sixth, and seventh.

The major scale and minor scale are pretty interchangeable, especially if you understand how relative minors/relative majors work. The Aeolian mode is also all over pop music, and its sound isn't likely to take you by surprise.

How To Use Modes And Pentatonic Scales On Guitar

There are some classical compositions that were based on the Locrian mode, and there are some musicians like John Kirkpatrick or Björk that have used it in their music.

You can also think of it as a “jazz scale” of sorts since m7b5 chords do not have a habit of appearing in most other forms of popular music, though they might occasionally turn up.

The seven modes of the major scale are each separate entities, though they are all essentially derived from one scale, namely the major scale.

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In order to understand these differences, you have to compare each mode to their major counterparts, as that will allow you to see which notes were altered to create the scale.

The use of modes may require a little bit of planning. Most of the time, it doesn’t make any sense to bring a mode into a standard chord progression (like G, C, D). Rather, there are “modal” progressions that really accentuate and emphasize the nature of each scale, and this is how to really bring a mode to life.

Modes

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Guitar Soloing: From Pentatonic Scales To Modes: Use Major & Minor Pentatonic Scales To Play Exciting Modal Solos (learn Guitar Theory And Technique)

When I first wanted to move beyond playing the minor and major pentatonic and blues scales, I tried to teach myself the modes. For a long time, I had little success. And looking back, I am not surprised that this was the case.

The language used to explain the modes on your guitar is complicated. Not only this, but properly using and understanding the modes requires a little more theoretical knowledge.

You can get great results soloing and improvising with the minor pentatonic scale, even if you don’t really understand how it works. The same is not quite true of the modes. As such, if you are starting from scratch on the theory front, I would strongly recommend reading the following articles before continuing here:

The 7 Modes Of The Major Scale For Guitarists: A Beginners Guide

I know that you want to get to grips with guitar modes as soon as possible. But please learn from my mistakes. Trying to learn the modes without understanding how they function is very challenging. And it will give you hit and miss results at best.

So even though it might feel like you are spending a lot of time working through the theory – it is worth it. You will be able to use the modes on your guitar much more effectively. In fact I would argue that this approach will actually save you time in the long run too.

Assuming then that you are comfortable with the concepts outlined in the articles linked above, let’s turn our attention to the modes. In this article I will cover everything you need to get started using the modes on your guitar. This includes:

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Before we look at the modes on your guitar, we need to return to the major scale. This is of fundamental importance, because as I will explain in much more detail throughout – the major scale is the ‘parent scale’ from which all of the modes are derived.

Guitar

As such, if you want to play the modes on your guitar, you first need to be able to play the major scale all over your fretboard. Not only this, but you need to understand how the major scale is structured and which intervals appear in the scale.

The major scale is a heptatonic scale. This is because it is comprised of 7 notes per octave, (‘hepta’

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