Fender, a brand that’s been synonymous with rock’n’roll since 1946, is best known for its iconic electric guitars—think Stratocaster—played by everyone from Eric Clapton to The Edge, the lead guitarist of U2. Less well known is the imprint Fender has made on the acoustic space. worked with the company to design a new family of acoustic amplifiers: one professional and one with stereo effects.
After gathering insights from amateurs, professionals, music magazine editors, and producers, the team explored portability, storage, materiality, and form through a series of early prototypes that they tested with users.
While most acoustic amps in the market don’t look all that different from their electric cousins, the new Fender product line reflects the pure, natural sound at the core of acoustic. This new line of amps uses a unique manufacturing technique with bent plywood that’s new to acoustic amp design. Not just a design statement, the innovation also improves sound quality.
Legendary Guitars: Eric Clapton's Martin 000 28ec
The acoustic amps were also designed with simple, intuitive controls, and with illuminated features that balance high-tech performance with a satisfyingly analog experience. The design emphasizes portability and maneuverability, targeting the acoustic artist who often may have to make a tough choice between traveling light and using the often unreliable house PA.
Pi Jacobs, a singer-songwriter who participated in the design research process, said acoustic sound requires its own unique medium. Acoustic is raw, pure, no bells and whistles. You see someone playing and singing, it’s like looking through a window into someone’s soul, he said.
For Fender, the work proved to be transformative. Working with was an eye-opening and refreshing experience, said James Gifford, vice president of design for Fender. The result of the work that was done with on the acoustic amp project was a game-changer that challenged the traditional definition of the design and experience received from using acoustic guitar amplifiers.
Photo Of Marshall Amp And Eric Clapton And Cream; Eric Clapton... News Photo
Acoustic is raw, pure, no bells and whistles. You see someone playing and singing, it’s like looking through a window into someone’s soul.
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Martin Clapton's Choice Acoustic Strings
Whatever challenge your organization might face, you don’t have to solve it alone. Let’s talk about the future you’re here to make—and then let’s make it.Eric Clapton plays a Fender Stratocaster guitar as his main electric guitar, and a Martin 000-28EC as his main acoustic guitar. He played a variety of different Stratocaster, but the two most important to name are the Brownie and the Blackie. Brownie is a 1956 Stratocaster that Eric played on
But. saying that Eric only plays Fender Stratocaster is far from the truth. Eric’s guitar collection features some of the most iconic instruments in rock & roll music history.
His first guitar was a cheapKay Jazz IImodel. But, by 1964 Clapton had already moved onto ared Fender Telecaster, which he used on the majority of the material that he recorded with the Yardbirds. In 1966, he acquired a1960 Gibson Les Paul Standard–the “Beano-burst”. A year later, he started using aGibson SG Standard, nicknamed“The Fool”, decorated in psychedelic colors and designs.
Fender Eric Clapton Twinolux Reviews
1964 Gibson SG Standard ”The Fool” – a guitar that Eric Clapton played extensively with the Cream. On the right, he is seen using the guitar during the famous “Woman Tone” interview.
In 1970, Eric made a big shift, and moved away from Gibson guitars, towards Fender. The two most notable guitars from this period were, as noted in the opening paragraph, Brownie and the Blackie.
This second Stratocaster, the Blackie, Eric assembled himself, using parts fromfour different 1950s Stratocasters. He used Blackie until around a decade later, at which point Fender started producing replicas of the guitar. Eric began using these, and his guitar arsenal became a lot more varied.
Versteigerung Von Eric Claptons Gitarren Und Amps Zum Vorteil Des Crossroads Centers. Pos. 15
Eric’s main acoustic guitar was nearly always some sort of aMartin. Most famously, he used a000-42 modelduring the MTV Unplugged concert. More recently, he uses custom-made models from Martin, such as the000-ECHF Bellezza Nera, and his own signature model, the 000-28EC.
Eric Clapton uses theMarshall Bluesbreaker Model 1962and aMarshall JTM45/100 amp. More precisely – these are the amps that he is best known for, and the ones that he used at the height of his career. The Model 1962 he used to record “Blues Breakers with Eric Clapton” (a.k.a. The Beano Album) in early to mid-1966, while the JTM45/100 was Eric’s main amp during the Cream/Blind Faith era.
Eric does not use effects to the extent that most other guitarists use them. He is known for relying on “pure” sound, which is just his guitar and his amp. He does occasionally use a Wah-wah pedal, but that’s about it.
Martin 00028ec Eric Clapton Signature Acoustic Guitar
This gear list is a result of years of research and constant updates. It's a hobby project with the goal to eventually have the most complete and thorough gear list on the web - but that is only achievable with your help!
Counts on your criticism and feedback. If you have any knowledge or notice any mistakes, be sure to let us know!ATTENTION Serious Collectors and Eric Clapton Enthusiasts! Make’n Music is happy to present this curated selection of gear which was previously owned and used by none other than Slowhand himself, Eric Clapton! Various items are featured as part of this Eric Clapton collection; including a custom Gibson ES-335 electric guitar presented to Eric by Gibson for his 2001 tour, two stage used 4x12 Marshall speaker cabinets stenciled “Derek and the Dominos”, one Jaguar Limited Edition Marshall Bluesbreaker combo amp presented to Eric by Jim Marshall himself, and a stage used Music Man HD-150 Reverb Head and 2x12 Cabinet with “Duck Bros.” roadcase.
If you are an avid Clapton collector, or simply an enthusiast of rare, vintage, collectible guitars and amps, this is a once in a lifetime opportunity to obtain your own personal Eric Clapton Rig!!! Just imagine this killer selection of gear all set up in your mancave or jam room. Think of all the stages and players this iconic gear has seen. When I close my eyes I can imagine myself there, relishing the sounds (and smells) or Rock and Roll! Keep reading for more detailed information about each piece of gear included in this collection.
Eric Clapton's Guitar Rig, Gear & Pedalboard
This guitar was given to Clapton by Gibson for his 2001 U.S. Tour. It is a custom instrument that features ES-345 style Parallelogram Inlays and Purfling for a stunning, understated yet elegant look. The neck profile is slim and feels exactly like the neck on my own personal vintage 1962 SG Special, and a 1961 ES-335 I used to have, so I suspect it may have been carved especially for Eric to replicate an actual vintage Gibson. It is a phenomenally good sounding and playing guitar. The woods are exquisite too – especially the dark and beautifully figured Rosewood fingerboard. The typical Orange Gibson Label is affixed inside the F-Hole and inscribed with the model ES-335 and sn# EC001. The original brown hardshell case with pink lining is included. The condition is excellent without any serious issues, damage or repairs. There is some minor oxidation to the nickel hardware and maybe a few negligible/superficial dings and dents from use, but overall very nice.
The 1960A (slant) cabinet is consistent with 1970 specifications including Birch ply construction, large white script Marshall logo, basket weave grille cloth and metal handles. It is loaded with only three Celestion G12M 25W speakers which also date to 1970. The back panel of this cabinet is missing some screws. The 1960B (straight) cabinet is also consistent with 1970 specifications including Birch ply construction, large white script Marshall logo, basket weave grille cloth and metal handles. It is loaded with all four Celestion G12M 25W speakers which also date to 1970. “DEREK AND THE DOMINOS” is stenciled on top of both cabinets in white paint. Both cabinets exhibit some cosmetic wear and tear consistent with age and tour use, including dings and scuffs. The tolex on the bottoms is especially rough, probably from all the loading and unloading while on tour, but overall they are actually in very good shape. The 1960B cabinet sounds fantastic! Marshall 4x12 cabinets from this era are highly regarded for tone and one listen will explain why. The 1960A cabinet was not tested due to the missing speaker and it will require some maintenance including a replacement speaker in order to be used. We would be happy to complete this work prior to shipping if so desired. Please contact us to discuss prior to purchase.
After having changed his musical direction by quitting Cream, forming Blind Faith and then leaving for Delaney & Bonnie in 1969, Clapton began favoring Fender amps to the Marshall stacks he was previously known for. In fact, Clapton was often seen playing through late 1960s Dual Showman amps on
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