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It is no lie that as guitar players we aspire to improve our skills on daily basis. We want to be able to reach the standard of playing where we can play our favorite songs with ease! As well as, playing tricky licks!
What are the guitar skills to learn? There are various techniques you can use that every guitar technique adds a Unique Dynamic to your playing style, and helps to play different styles. These include,
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In this article, we go over the most important guitar skills that level up your playing and give you a brief description of how they are used…
It would be annoying when you have so many musical ideas in your head, but you can’t express them on the fretboard, right?
Vibrato is a picking technique used aggressively in blues and more suitably in jazz and classical styles. Vibrato It works by shaking the string whereby the vibrato effect is created. Sometime you can bend the string, to alter the pitch, or shake the string and maintain the current pitch. Overall, vibrato adds a-lot of depth and character to your playing and ultimately makes you sound more interesting!
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Usually, you would use the left hand (for right handed players) to hold the note whilst the strumming hand plucks the string. Then, use your left hand to push the strings up (or down) to create a new note. Note that your finger must remain on the fret during the bend; otherwise, the sound will be interrupted. The remaining fingers are used to support the bend. You can bend with 1 or 2 fingers (index finger or/and middle finger), but to create a clean bending sound, bend with all 3 fingers: index, middle, and ring fingers. Many guitarists worldwide often use the ring finger to bend the strings, while the index and middle fingers help support force.
Vibrato is often used when playing long notes. Play a single note and use your left hand to move steadily and continuously up or down to make the note vibrate. You can also push the string left or right, or in a circular motion. Just make sure it is within sequence of the style of music you are playing. 2. Legato (Hammer-ons & Pull-offs)
Legato is a musical term that refers to playing consecutive notes in a continuous motion, whereby all the notes are connected. Basically, each note rings into the next note being played.
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Each instrument has a different approach to legato, and the legato performance achieved is at different levels. With a wind instrument, such as a flute, to create the legato, the player needs to use a single breath to play all the notes. On a keyboard instrument like a piano, the notes can become seamless when the player moves the hands skillfully while simultaneously using the pedal when switching notes. With the guitar, legato is formed when the player combines the hammer-on and pull-off skillfully when moving between the frets, limiting the picking movement. Usually, the guitar player’s right hand only needs to pluck the first note, then use the hammer-on or pull-off with the left hand to play the next note.
Hammers-ons are used when going from low notes to higher notes, whilst pull-offs are used when going from high notes to low notes. 3. Tapping
Tapping is a guitar technique that is an integral part of playing guitar solos which is basically made from hammer-ons and pull-offs. This technique is quite fascinating as it creates a very unique and noticeable sound which can add a nice dynamic to your songs. It can be used to extend arpeggios giving you access to notes that you could not otherwise reach.
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It works by using your fingers to press down directly on the strings suing your picking hand. When tapping, the player uses the tip of his index finger or middle finger to hit the fretboard.
To get a clear tone you would hit the fretboard quite hard with the tip of your finger, and almost bend the string as you release. This will give you a clear pull-off effect, making your tapping sound more pronounced.
Guitar players can tap with one right hand or both hands (two-hand tapping is also called the Emmett Chapman technique). When tapping, act firmly and accurately to the position of the key to be tapped. The index and middle finger are two commonly used fingers for tap.
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However, you can still tap with all 4 fingers. To do this, you need to practice a lot and often because it is quite difficult. But nothing a regular practice session cannot overcome. Paying attention to keeping the beat, and practicing with a clean sound before switching to distortion.
Finger picking is a technique more common used with acoustic and bass guitar. It involves plucking the strings directly with the fingertips or fingernails. However, some people will get pick that attach to their fingers.
Alternate picking is a familiar term for electric guitar players. It is a guitar technique that involves individually picking every notes in a strict DOWN/UP sequence.
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This technique is used a-lot in metal where it is used with high distortion and gain. However, alternative picking can be used in other genres and even on acoustic guitars.
Mastering alternative picking is something that many guitar players aspire to achieve. However, it is not something that can be achieved overnight. Proficient shredding requires a harmonious combination of picking techniques and also knowledge of music theories. So our advice is not to rush. Practice patiently, regularly, and correctly. And most of all, keep being inspired, learn from those you admire.
This picking technique is an extension of alternate picking but combined with the sweep picking method so that when you play up and down scales you are always making use of inside picking.
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Inside picking is more beneficial because the direction of the pick follows the direction which you are travelling. Overall, making it easier and a more efficient way swapping through the strings. 8. Flat Picking 9. Hybrid Picking 10. Sweep picking
Sweep picking is an advanced technique used in guitar solos, especially in rock, fusion, and jazz. This was traditionally a violin technique, which the guitar community adopted for picking through arpeggios and intervals.
Unlike the alternate picking technique, the sweep picking technique involves the right-hand to pick through the strings in a single direction. The right hand plucks the strings down or up as if you were playing a chord at slow speed instead of plucking each note individually. The notes should be separate while playing, avoiding the overlapping sounds like when playing chords. Therefore, it is crucial to have each note clearly marked.
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Generally, up-picked notes are weaker than down-picked notes. That is also a difficult thing you have to overcome – keep each note sound clear and equal in volume. Also, hammer-on and pull-off are two techniques that often come with sweep picking as you get to high E string. You also need to practice mute strings and get your hands to move evenly. Once you practice those two techniques well, you can avoid generating unwanted string noise for a cleaner sound. 11. Pinched Harmonics
To perform pinched harmonics, pick handling is the most important. You should hold the pick deeply, only to reveal about 2 to 3 mm at the top of the pick. The pick should be tilted about 45 degrees above the string. As soon as the pick is hit, touch the skin on the finger of the pick handle on the string quickly. At this time, the sound of a pinched harmonic will appear.
The pick point on a string affects the pitch of the harmonic note. You must pick the right point on the strings to create a harmonic sound. Therefore, you need to choose the correct pick position to produce the desired sound. Applying vibrato on the strings after performing the pinched harmonic note will also make the harmonic sound more pronounced. 12. Natural Harmonics
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This is the simplest and easiest harmonic technique to play. Natural harmonics can be performed in the 5th, 7th, 12th, 17th, and 19th frets. To play natural harmonics, gently place your finger on the fret wire of the aforementioned fret, then strike the string.
The emitted sound will sound like a bell’s but at a higher pitch.
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