Welcome, friends, to a brand new series that will revolve around one of my favourite things in the world: the wonderfully diverse universe of guitar riffs. More specifically, ten guitar riffs from a particular band that
Throughout our journey – which I am going to affectionately refer to as ‘Ten Tasty Riffs’ – we will be looking into the kind of riffs that just can’t help but stay in your head, and even the unlikeliest music fan has at least one that comes to mind. There is, after all, a good reason you will probably be silenced when attempting to play ‘Stairway to Heaven’ in a guitar store: they got so sick of hearing it, the song was banned!
Sporting a thick tone and ridiculously infectious groove, the main ‘Faith’ guitar riff is everything Ghost gets right: a balance of heavier metal influences with a clear intention to entertain. Alongside Cardinal Copia’s sinister proclamation of
The Identities Of Ghost's Current Band Of Nameless Ghouls Have Been Revealed
On the surface, there’s nothing particularly special about the introductory ‘Ritual’ guitar riff: it’s a light, mostly palm muted twang with a few sprinklings of dissonant lead that quickly gives way to the far heavier affair of 0:28 onwards. Yet, despite its simplicity, it is an extremely recognisable opening to one of Ghost’s best tracks, succeeding in building a palpable anticipation before things kick in properly.
I cannot even begin to tell you how much I adore this song. ‘Ghuleh / Zombie Queen’ is such a bombastic ride from start to finish, going from sombre piano ballad territory through to surf rock and beyond. Honestly, it’s ridiculous. And amazing. But the particular guitar riff/lead I want to zero in on is the bridge section: the massive power chords combined with soaring dual leads at the 5:04 mark are absolutely thrilling.
Almost everyone who listens to this song is waiting for one thing: the brilliantly bombastic keytar solo. And you know what? It’s entirely justified, considering how much fun it is, but the guitar riffs featured in ‘Mummy Dust’ are easily some of Ghost’s heaviest to date. The introductory chugga-chug is gritty, gnarly riffage and wonderfully so.
Ghost Nameless Ghoul (bundle Of 2) Rock Iconz Set
Veteran listeners of Ghost need no lesson in how superbly versatile their catalogue is. From heavy metal, to surf rock, to prog-glam, Ghost’s best material is often unexpected and usually the result of experimentation. Cue ‘Body and Blood’, a song that has been interpreted to explore the escapades of a woman luring men with sex with the intent of killing and eating them. It just so happens that this particular track centred on cannibalistic tendencies also happens to be one of the cheesiest Ghost tracks to date(!), and the chorus guitar lead is playfully melodic as a result.
Include it. The introductory bass riff to ‘From the Pinnacle to the Pit’ is ten seconds of some of the thickest, filthiest bass guitar I can think of and I love it.
Certainly leans close, but the ridiculously entertaining energy of ’60s psychedelic rock-infused ‘Kiss the Go-Goat’s twangy main guitar riff and the following ‘Mary on a Cross’ shows Ghost at their most light-hearted.
Alecto — Ghost Guitarist Guide
Okay. Fine. This is probably the most obvious guitar riff I could have come up with, but who am I kidding: the catchy as hell main guitar riff of ‘Square Hammer’ belongs on this list and there’s no denying it. It might not be my favourite Ghost song by any means, but if we’re talking about guitar riffs that get stuck in your head this is certainly the one.
M. Stoneman: If you combine horror movies, rock music and Silent Hill, I'm the result: a British writer who will likely gush over guitar solos and ambient horror game soundtracks.”Lead Guitarist Sodo is the shortest of the male ghouls. He is typically placed on the front right side of the stage during rituals. He has his own platform with electric guitar pedals which he commonly uses in his guitar duels between songs.
Formerly known as Dewdrop, Sodo has many names that fans use for him. All names of current that fans use for Sodo are: Sodo, Dewdrop (Dew), Stompy, Gremlin, Daniel, Drew, Dingus, and Fire/Fire Ghoul.
The Unusual Origins Of The Hagstrom Fantomen Guitar
Sodo is usually recognized by his arctic white and olympic white Fender Stratocasters. The neck and head of the guitar is maple with a rosewood fretboard. If seen close enough, you may see 1-3 of his custom white guitar picks stuck to the bottom right of the guitar body. Sodo is the only ghoul with a completely white guitar, and also the only ghoul who plays Stratocaster electric guitars. For the current tour he switched from a white Hagstrom Fantomen to Fender Stratocasters. This allows him to use a Floyd Rose Tremolo System which is necessary for the Setlist. The guitars are also his personal Equipment. Another ghoul, Rain, is mistakenly mixed up with Sodo as they both play a similar shaped and coloured instruments. Rain is the band's bass player. The main difference between these two ghouls' instruments is that Rain's bass guitar is white with a black pickguard, and only has 4 strings as opposed to Sodo's completely light coloured 6 string guitar.
At the end of the show though, all ghouls put away their instruments which is the primary way of differentiating them. This is also a problem with out-of-concert photos, art, and other similar media where instruments are not required. Luckily, there are other small details to tell them apart - such as their helmets. All Nameless Ghouls wear Victorian style outfits, with customised steampunk helmets. The differences for these helmets are the material on the top sides of the masks - which is a different shape or style for every ghoul. Another difference is the horns - though only two ghouls have different coloured horns from the rest of the ghouls, Sodo included. Sodo has white horns instead of the normal black, and his different material shape on the helmet is a long, curved triangle-shape with a notch where the point of the triangle would be. This is only a minor difference and most of the time very difficult to see. A major detail for Sodo is his arms - the usual long-sleeved ghoul outfit is most of the time rolled up to his upper arm, but he wears tight black sleeves to his wrist to cover tattoos.
Sodo is the only ghoul with his face completely covered. All other ghouls besides Rain have their mouths uncovered, as they are backup singers. Rain, Mountain, and Sodo are the only ghouls who do not do any vocals, but Rain's nose is visible, and Mountain does not have any covering at all. In short, Sodo is the only ghoul whose face is completely covered by material. Another way to differentiate Sodo is by his bold personality. Sodo is by far the most confident and social ghoul compared to other ghouls.
Ghost Lab Acoustics
Sodo is one of the most active ghouls in the group. He interacts with fans and the other band members a lot, usually messing with them. He is also known to do many not-so-PG actions, which can include caressing the other ghouls, choking them, licking things (in era 4, where his mouth was uncovered), and sexual gestures. He is known for his famous guitar duels with fellow ghoul Aether. The duo is seen messing with each other throughout the live performances. In between songs, they do guitar duels with each other, with the two taking turns playing guitar riffs, getting more complex as the duel goes on. On the most recent Tour the song Ritual ended in Sodo playing a single note which goes on for minutes at a time, using a sustainer Pickup to make the guitar sound like a wailing siren to annoy Aether. Aether then walks to Sodo's platform, and stops the sound himself by turning the volume of the guitar down while messing around with the floyd rose, which Sodo becomes visually annoyed - flipping Aether off, throwing picks at him, or simply standing there gesturing a What the heck! Sodo is known to throw a lot of picks, whether that be at the ground in frustration, at Aether, or to fans, he always keeps three spare picks on his guitar.
Sodo is very bold and likes to take attention for himself. This another main difference with Rain and Sodo. Rain is very, very shy - the complete opposite to the very ambitious Sodo. He is seen confidently strutting around the stage, pushing in front of Papa Emeritus IV, messing with Mountains drums, or just being a chaotic being in general. In the song Square Hammer, Sodo, Aether, and Rain all go to the very front middle of the stage during the beginning guitar intro, and all three of them play their instruments in sync. When the beat comes around, Sodo does his famous stomp which is so loud that it sometimes doesn't even pick up on recorded videos! During the song Mummy Dust, Sodo reaches his hand out to the crowd, as if trying to get a fan to take his hand. Most of the time, the fans are too
Okay. Fine. This is probably the most obvious guitar riff I could have come up with, but who am I kidding: the catchy as hell main guitar riff of ‘Square Hammer’ belongs on this list and there’s no denying it. It might not be my favourite Ghost song by any means, but if we’re talking about guitar riffs that get stuck in your head this is certainly the one.
M. Stoneman: If you combine horror movies, rock music and Silent Hill, I'm the result: a British writer who will likely gush over guitar solos and ambient horror game soundtracks.”Lead Guitarist Sodo is the shortest of the male ghouls. He is typically placed on the front right side of the stage during rituals. He has his own platform with electric guitar pedals which he commonly uses in his guitar duels between songs.
Formerly known as Dewdrop, Sodo has many names that fans use for him. All names of current that fans use for Sodo are: Sodo, Dewdrop (Dew), Stompy, Gremlin, Daniel, Drew, Dingus, and Fire/Fire Ghoul.
The Unusual Origins Of The Hagstrom Fantomen Guitar
Sodo is usually recognized by his arctic white and olympic white Fender Stratocasters. The neck and head of the guitar is maple with a rosewood fretboard. If seen close enough, you may see 1-3 of his custom white guitar picks stuck to the bottom right of the guitar body. Sodo is the only ghoul with a completely white guitar, and also the only ghoul who plays Stratocaster electric guitars. For the current tour he switched from a white Hagstrom Fantomen to Fender Stratocasters. This allows him to use a Floyd Rose Tremolo System which is necessary for the Setlist. The guitars are also his personal Equipment. Another ghoul, Rain, is mistakenly mixed up with Sodo as they both play a similar shaped and coloured instruments. Rain is the band's bass player. The main difference between these two ghouls' instruments is that Rain's bass guitar is white with a black pickguard, and only has 4 strings as opposed to Sodo's completely light coloured 6 string guitar.
At the end of the show though, all ghouls put away their instruments which is the primary way of differentiating them. This is also a problem with out-of-concert photos, art, and other similar media where instruments are not required. Luckily, there are other small details to tell them apart - such as their helmets. All Nameless Ghouls wear Victorian style outfits, with customised steampunk helmets. The differences for these helmets are the material on the top sides of the masks - which is a different shape or style for every ghoul. Another difference is the horns - though only two ghouls have different coloured horns from the rest of the ghouls, Sodo included. Sodo has white horns instead of the normal black, and his different material shape on the helmet is a long, curved triangle-shape with a notch where the point of the triangle would be. This is only a minor difference and most of the time very difficult to see. A major detail for Sodo is his arms - the usual long-sleeved ghoul outfit is most of the time rolled up to his upper arm, but he wears tight black sleeves to his wrist to cover tattoos.
Sodo is the only ghoul with his face completely covered. All other ghouls besides Rain have their mouths uncovered, as they are backup singers. Rain, Mountain, and Sodo are the only ghouls who do not do any vocals, but Rain's nose is visible, and Mountain does not have any covering at all. In short, Sodo is the only ghoul whose face is completely covered by material. Another way to differentiate Sodo is by his bold personality. Sodo is by far the most confident and social ghoul compared to other ghouls.
Ghost Lab Acoustics
Sodo is one of the most active ghouls in the group. He interacts with fans and the other band members a lot, usually messing with them. He is also known to do many not-so-PG actions, which can include caressing the other ghouls, choking them, licking things (in era 4, where his mouth was uncovered), and sexual gestures. He is known for his famous guitar duels with fellow ghoul Aether. The duo is seen messing with each other throughout the live performances. In between songs, they do guitar duels with each other, with the two taking turns playing guitar riffs, getting more complex as the duel goes on. On the most recent Tour the song Ritual ended in Sodo playing a single note which goes on for minutes at a time, using a sustainer Pickup to make the guitar sound like a wailing siren to annoy Aether. Aether then walks to Sodo's platform, and stops the sound himself by turning the volume of the guitar down while messing around with the floyd rose, which Sodo becomes visually annoyed - flipping Aether off, throwing picks at him, or simply standing there gesturing a What the heck! Sodo is known to throw a lot of picks, whether that be at the ground in frustration, at Aether, or to fans, he always keeps three spare picks on his guitar.
Sodo is very bold and likes to take attention for himself. This another main difference with Rain and Sodo. Rain is very, very shy - the complete opposite to the very ambitious Sodo. He is seen confidently strutting around the stage, pushing in front of Papa Emeritus IV, messing with Mountains drums, or just being a chaotic being in general. In the song Square Hammer, Sodo, Aether, and Rain all go to the very front middle of the stage during the beginning guitar intro, and all three of them play their instruments in sync. When the beat comes around, Sodo does his famous stomp which is so loud that it sometimes doesn't even pick up on recorded videos! During the song Mummy Dust, Sodo reaches his hand out to the crowd, as if trying to get a fan to take his hand. Most of the time, the fans are too
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