In this two day intensive we will be studying different techniques of Country, Jazz, and Blues guitar: three styles that emerged in the early part of the 20th century together and that have been influencing each other ever since. Some of the important figures we will study include Chet Atkins, the guitarists of Bob Wills and the Texas Playboys, T-Bone Walker, Lonnie Johnson, Hank Garland, Albert Lee and others. From studying these players we will learn techniques that are useful in playing different styles of American Roots music, and can be helpful in developing new approaches to standard repertoire.
Some of our intensives are better suited to intermediate and advanced musicians with a minimum of a few years on their instrument; other summer intensives, such as the beginner vocal and choir, are open to everyone. More details can be discussed during registration.
Nate Radley is a guitarist and composer who as been described as “an emerging player to watch” and a “brilliant… player on the New York scene.” He can be heard with a variety of collaborative projects and as a sideman in numerous bands both in the New York area and around the world.
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Current projects that Nate is working with include the bands Bad Touch, Akiko Pavolka’s House of Illusion, Marc Mommaas’ Landmarc, the Alan Ferber Nonet, and many others. He can be heard most recently on “Like a Magic Kiss” by Bad Touch, “Winter Fruits” with the Loren Stillman Quartet on Pirouette Records, “Landmarc” with Marc Mommaas on Sunnyside Records, and “Evolution” by Jon Gordon on the Artistshare label.
Nate has performed throughout the United States, Canada, and Europe and played at jazz festivals such as the North Sea Jazz Festival, the Montreal Jazz Festival, and the Atlanta Jazz Festival. He has performed and recorded with artists such as Matt Wilson, Donny McCaslin, Mark Turner, Chris Potter, Greg Osby, Cuong Vu, Seamus Blake, John McNeil, Maria Schneider, and others.
Nate studied jazz guitar and composition at New England Conservatory in Boston, MA where he received a Master’s in Music. He studied with John Abercrombie, Bob Brookmeyer, Jerry Bergonzi, and George Russell. He also has a bachelor’s degree in sociology from the University of Chicago.
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Nate has over ten years teaching experience, and in addition to teaching at the New York Jazz Workshop he currently teaches jazz guitar, music theory, and jazz ensembles at the Center for Preparatory studies in Music at Queens College and private guitar lessons at the Bloomingdale School of Music. Nate has also taught clinics at high schools and universities throughout the United States.
Steve has performed and recorded with many well-known and highly esteemed musicians. Notably, he was a longstanding member of the Paul Motian Electric Bebop Band, Charlie Haden Liberation Music Orchestra, the Steve Swallow Quintet, as well as Joey Baron‘s, Killer Joey. Steve is currently a member of Ben Allison and Think Free, John Patitucci Electric Guitar Quartet, Jon Cowherd Mercy Project and Adam Nussbaum Lead Belly Project. He has toured extensively throughout Europe, North and South America and Asia, performing at international music festivals, theaters and clubs. Steve also leads his own trio and has released four recordings as a leader. His most recent album, Charlie & Paul, was released on Newvelle Records last year.
Steve is also a well-respected educator. He is on faculty at The New School For Jazz and Contemporary Music in New York City where he directs the Thelonious Monk Ensemble, Improv Ensemble and the Guitar Duos class, as well as offering individual lessons. He has also been on faculty at the California Institute of the Arts, Siena Summer Jazz Workshop, Brubeck Summer Jazz Colony, Stanford Jazz Workshop and Banff International Workshop in Jazz and Creative Music.
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Additionally, Steve is co-author, along with editor Don Sickler, of the Thelonious Monk Fakebook, Hal Leonard Publishing. The Thelonious Monk Fakebook marks the first time all of Monk’s compositions have appeared in one volume, many of them appearing for the first time.
For more info regarding our summer program, housing, travel, and more, visit our General Information page. For a more in-depth experience, inquire about adding a private lesson with someone from the NYJW Faculty during your visit. Learn more about how you can combine Summer Intensives to create a customized Summer Jazz Packages. Feel free to reach out via email at [email protected] with any additional questions.
What to expect: When you join us for one or more of our intensives, you can expect to become a member of our tightly knit community. There will be musicians from all over the world looking to learn, explore and make connections. You will be making connections that last a lifetime. A typical day will be as follows:
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Student will normally organize small groups or go check out some concerts. See “Fun Evening Activities” in the Summer Workshop General Information page for more details. There will be opportunities for every student to perform outside of the school, more details coming up soon.If you don't know the blues... there's no point in picking up the guitar and playing rock and roll or any other form of popular music.
Of course, it takes learning and practice (as does everything else in life), but once you understand the fundamentals, you'll see how practical blues really is....
While you read this post, get yourself into the mood and listen to what many consider one of the best blues songs of all time by BB King.
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If you type blues guitar lessons into Google, you'll be presented with many sites offering bluestutorials. Some are good, some are not.
As I do not offer blues lessons on (yet), I want to show my recommendations to my students and everybody interested through this post.
GuitarTricks.com is a real heavyweight in online guitar lessons. In fact, being established in 1998, it was the first site to offer video guitar lessons on the internet.
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The core learning system is GuitarTricks.com's recommended path for learning guitar. After the fundamentals, you have the chance to learn the intricacies of blues, country and rock.
When you look at the table of contents, you can immediately see the amount of thought that went into structuring the course.
Each lesson builds on the prior, and as a guitar teacher of 15+ years, I can't think of any blues skill/technique I would teach to aspiring blues players, that is not covered within the course.
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As you can see, Level 1 covers basic blues concepts and techniques. Once you are comfortable with these techniques, you would turn things up a notch and move on to the next level.
All lessons in the blues style courses are taught byAnders Mouridsen, who is one of the best teachers on GuitarTricks.com. His calming personality is mixed with his enthusiasm for the guitar, which makes the lessons very enjoyable.
After tackling the blues core learning system, what better way to practice and refine your newfound knowledge, than to learn to play popular blues songs?
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GuitarTricks has an impressive collection of lessons on blues songs from many classic and contemporary blues artists. At the moment I counted about 100 blues songs in the list from artists such as:
Seeing how the masters use all the blues techniques you learned in the Level 1 and Level 2 blues style sections will help put it all together and move you forward.
These mini-courses are taught by different teachers, and are relatively short in length. Around 5 to 30 minutes, depending on the course.
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TrueFire.com is an absolute monster website, with more lessons than anybody could ever go through. They offer many individual courses in all genres and difficulties.
TrueFire has an immense number of guitar lessons. At the moment of this writing, it has 177 courses full fledged blues guitar courses with almost 14, 000 individual lessons in them.
FYI the core courses are lessons that build fundamental blues guitar knowledge and skills, while the supplementary courses are stand-alone courses digging deeper into specific blues guitar aspects, like Jazz blues progressions, or 30 blues Americana guitar licks.
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This stage isn't blues guitar specific. It teaches basic guitar skills to beginners, so I'm not sure why it's even included in the Blues path.
This stage of TrueFire's blues course covers basic blues guitar concepts and techniques. If you don't know anything about blues guitar, this is a good place to start.
TruFire gives several recommended supplementary courses with stage 2. The ones that are blues specific any I would recommend a beginner blues student to cover are:
Blues Guitar Lessons, London Experiences, Hammer, Slide Wham! Blues Guitar
It's important to note that unlike the stage 2 lessons, the lessons in this stage were not developed specifically for this blues course. They are actually individual lessons picked out of their massive library of existing courses, and presented in a structure that help build your blues skill-set one lesson at a time.
There are a lot of supplementary courses recommended by TrueFire with stage 3, most of them blues specific. They entail specific courses on blues licks, soloing, rhythm and theory. I won't be listing all of them here, you can see them for yourself on TrueFire.com.
As in stage 3, the core courses of stage 4 are a collection of individual lessons from other TrueFire courses. They were picked and
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