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Riot Audio has released Baritone Guitar Washes, a versatile Kontakt instrument based on recordings of a baritone electric guitar with an aluminium neck custom made by Nude Guitars in collaboration with Italian ambient artist Eraldo Bernocchi.
Baritone Guitar Washes is a two-page Kontakt instrument with deep sound design capabilities. The UI includes controls for source sounds, morphing target sounds, layer-specific and morphing envelope shapes, effects. EQ and filter as well as a wide range of delay and reverb adjustments. It also includes an EDGE control mapped to CC1 that allows for additional tape saturation and spectral shaping to bring out presence and dirt.
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Baritone Guitar Washes' palette of possible sounds is unique in its breadth, whilst still retaining the DNA of the original sound sources. It covers icy, thin trails, warm, sparkly harmony pads, edgy, scratchy atonal textures as well as an assortment of plucks with varying degrees of electric guitar realism.
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“Baritone Guitar Washes” is a versatile Kontakt instrument based on sampled recordings of a custom-made hand-built baritone electric guitar with an aluminium neck by
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The Body layer contains the core guitar samples, in various pickup positions (Neck, Mid, Bridge) and playing styles (Harmonics, Straight, Ebow). These samples are looped/layered to create “swells” with close to infinite release times.
It also includes several instances of “pre-washed” samples, swell sounds that were recorded using custom delay and reverb settings on a Kemper Profiling Amp.
Sample start times, attack and release are highly customizable, allowing for anything from short, dry naturalistic pluck sounds as well as organ-like stab sounds (without the initial attack of the guitar pluck) via 10s risers that end abruptly to classic slow-attack and slow-release pad sounds.
Lefty Blue Jean Wash
The Grit layer serves to add a distorted, dissonant, scratchy or bowed flavour. This can either be dialed in low in the mix for a sprinkling of darkness and texture, or dialed up to be a featured element.
The Air layer contains a few different instances of moving air (a household hoover, air blown across an Irish Low Flute) for some high-frequency/breath-like sizzle. This layer can be added to produce organ-type sounds (think Hammond or Wurlitzer) and hints of choir.
All three layers can be morphed by applying several target sounds (usually combinations of sounds from other layers). There are controls for direction, speed and strength of this morphing effect, allowing for maximum soundshaping capabilities.
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There are also detailed FX controls as well as an “EDGE” control mapped to the mod wheel by default for some added saturation and spectral shaping to bring out extra dirt and presence.
The resulting palette of possible sounds is unique in its breadth, whilst still retaining the DNA of the original sound sources. Whether you’re looking for icy, thin trails, warm, sparkly harmony pads, or edgy, scratchy atonal textures, BARITONE GUITAR WASHES is guaranteed to have something for you.
The guitar session with Eraldo Bernocchi (Sigillum S, Harold Budd, Bill Laswell) was tracked using an ultra-quiet Profiler Amp from German high-end manufacturer Kemper Amps owned by Eraldo himself.
Guitar Play On Print
Custom-made for legendary Italian ambient composer Eraldo Bernocchi, “Baritone Guitar Washes” is a cinematic pad instrument that lends itself well to many types of music production including:
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