Autumn leavesis one of the most popular non-American jazz standards on pick-up gigs and records. It is a must-know tune for any jazz guitarist and a great choice when you want to play both chords and melody on guitar. This guitar lesson providesan easy chord melody arrangement to play thisfamous jazz tune.
Chord-melody means to play both the melody and the chords of a song (generally jazz standards) at the same time. The main interest is that you can play alone the melody and the harmony of a tuneas a pianist would do with its right and left hand. It is a wonderful technique widely used by jazz guitarists to arrange a tune.
It can be very useful to add new dimension to your playing. Most of the time the original chords are extended orreplaced by chords called
Autumn Leaves By Joseph Kosma Guitar Tabs Chords Sheet Music Free
. Mastering this guitar technique is quite difficult, that's whya beginner guitarist should have at least a basic understanding of common jazz guitarchords.
The first obvious part of the work before learning to play chord-melody on Autumn leaves is listen to some vocal and instrumental versionsto help you hear the melody and understand the chord progression. Here are some suggestions in various keys :
The best way to understand and hear the harmony of Autumn leaves is to play basic chordsusing drop 2 and drop 3 voicings. So let's quickly recap what ared
How To Master Autumn Leaves Chords (and Many Other Jazz Standards)
Thesechords can be used to create beautiful and rich harmonies. They are very useful when working on orchestrations or arrangements. This technique applies to any jazz standard as it is the case in the Autumn leaves sheet below.
The principle of drop voicingsis to take a closeposition chord andmove the second highest note (drop 2) or the third highest note (drop 3) one octave lower to create an open chord. Drop 2 and drop 3 chords are very common in all kinds of jazz arrangements. Many composers and arrangers have used them, especially for big bands in brass sections. However, thesekinds of voicings soundsgreat on the guitar too.
Theeasy transcription with TABSand standard notation below takes the most commondrop 2 and drop 3 voicings to play Autumn Leaves. Thelist below will help youunderstand which chord used in this sheet is a drop 2and which one is a drop 3. Here they are in order of appearance :
Seiji Igusa
The second important part of this guitar tutorialwill show you how to playthe melody of Autumn leaves in order to understandthis jazz standardmore in-depth. Remember that before learning a chord-melody for any jazz standard, make sure you know the melody in order tobe more comfortable mixing the chords and the melody. Playingthe melodywill also help youto solo more easily over the changes previously discussed when you want to start improvising over this great jazz tune with your guitar.
As you can see in the lead sheet below, the melody of Autumn Leaves is almost entirelybased onphrases leading to the 3rd (the blue circle) of the chord (Am7, Gmaj7, F#m7b5, Em7). The other lines leadto the fifth or the root of the chords.
The following chord melody arrangementuses three-note voicings except Em11 in bar 15, Gmaj7 in bar 18and Em7, Eb7#9, Dm7, Db7#9, Cmaj13 in bars 22, 23, 24.These are chords built with four notes. Most of these three-note chords are rootless and inverted. Here are the chord shapes used for the changes below. Please note that the root represented by a red circle is not played in this lesson, it is up to you to play it.
Autumn Leaves (fingerstyle Guitar / Chord Melody) Sheet Music For Guitar (mixed Duet)
After having thrown a glancewiththe previous chord diagrams, you must try to mix them with the melody as it is shown in the music sheet below. You may notice that the melody is an octave higher than the previous one.You need to play the chords and you also need to improvise and play some great Riffs when you are comping. This video builds a set of Autumn Leaves Chords that connects different Jazz Chords to give you something you can use to improvise with.
A lot of the time when you practice you think you need to learn completely new things, but often it is much more efficient to make new connections and find better ways to use what you already know. And become much more flexible if you can mix the different things you know like drop2 and shell-voicings for example. So That is also the way I am going to build the material in this lesson.
I am using Autumn Leaves as an example because that is a very common standard and covers a lot of ground with chords, so it is a perfect example for teaching jazz chords in a guitar lesson.
Download Digital Sheet Music Of Autumn Leaves For Guitar Notes And Tablatures
Let’s start with a set of basic Shell-voicings for the first 8 bars of Autumn Leaves. If you want more information on Shell-voicings then check out this very old lesson (in fact my first YouTube Lesson) The basic construction of a Shell-voicing is either 1 7 3 (as on Cm7) or 1 3 7 (as on F7).
In this lesson, you don’t need to use the root, and you also want to be more flexible to add more things on top of the voicings so let’s take away the bass note:
Now we have two-note voicings that are easy to add extra material to. The first step is to add the notes on the next string, so the B string.
Autumn Leaves Sheet Music To Download And Print
Keep in mind that I am trying to be practical and I am only adding notes that I think are useful and easy to play. You should do the same and it may differ from what I do. Keep it practical!
Notice that the 3-note voicings are often Triads and you can add the notes on the high E string as well and that will mostly give us Drop 2 voicings (Check out the explanation of Drop voicings here)
If you want to check out a more in-depth application of this on a 12-bar Blues in Bb then have a look at this WebStore lesson:
Autumn Leaves Les Feuilles Mortes Guitar Tab
If you have any questions, comments or suggestions for topics then please let me know. Leave a comment on the video orsend me an e-mail. That is the best way for me to improve my lessons and make them fit what you are searching for.
Please subscribe to myYouTube channeland feel free to connect with me viaInstagram, TwitterGoogle+orFacebookto keep up to date with new lessons, concerts, and releases.In this lesson, you will learn how to play the chords of Autumn Leaves. There are a number of different ways that you can comp through a jazz standard on the guitar. For some people, drop 2 and drop 3 chords are the way to go in their playing. Other players draw upon shell voicings or triads to outline progressions.
While three, four or five-note chord shapes are essential sounds for any jazz guitarist, sometimes using two-note chords (aka double stops) is the best way to get your ideas onto the fretboard when comping behind a melody or soloist.
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To help you check out double-stops in a comping situation, this section outlines a jazz guitar chord study over the standard Autumn Leaves.
To help you understand the intervals used in this jazz guitar comping study, here is an explanation of how to build each interval as well as how they are normally fingered on the guitar fretboard.
3rds – Built by playing notes that are two notes apart (such as C-E). 3rds are usually played on two adjacent strings such as the 3
How To Make A Set Of Solid Jazz Chords On Autumn Leaves
Strings. Since they are more ambiguous than 3rds or 6ths, 4ths are often used in a more modern context, though they are also great for outlining 3rds and 7ths in a traditional context.
Intervals. These are best played on adjacent strings but can also be played across three strings, such as playing C-G on the 4
Strings. Again, these intervals have more of a modern sound to them, but they are also good to outline 3rds and 7ths in jazz chord progressions.
Autumn Leaves (bass Guitar Tab)
6ths – The largest interval in this study, 6ths are built by skipping four notes between the lowest and highest note (such as C-A). Because there is more room between the lowest and highest notes, it is best to play 6
If you find that your ears are drawn to any of these intervals in particular, try working it further in your practice routine in order to bring this intervallic sound into your playing.
By using the hybrid or fingerstyle techniques to play this chord study, you will be able to play each double-stop and phrase in a clean fashion, even at faster tempos.
Laurence Juber
If you have trouble with hybrid or fingerstyle picking, feel free to slow things down. Work the chords with a metronome, and then slowly increase the tempo until you can play along with the example and backing track below.
Here is the chord study to work out and learn in your practice routine. To begin, work on each four-bar phrase separately. Memorize it and get it up to speed with the track, before moving on to the next phrase in the study.
Once you have worked out each phrase on its own, start putting together
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