Who Played Guitar On The Song Thriller

Who Played Guitar On The Song Thriller

Thriller is a song by the American singer Michael Jackson. It was released by Epic Records in the UK in November 1983, and in the US on January 23, 1984, as the sevth and final single from his sixth studio album, Thriller.

Thriller is a funk song featuring a repeating synthesizer bassline and lyrics evoking horror films, with sound effects such as thunder, creaking doors and wolf howls. It ds with a spok-word sequce performed by the horror actor Vinct Price. It was produced by Quincy Jones and writt by Rod Temperton, who wanted to write a theatrical song to suit Jackson's love of film.

Rod

Thriller received positive reviews and became the album's sevth top-t single on the Billboard Hot 100, reaching number four. It reached number one in Belgium, France and Spain, and the top t in many other countries. Thriller is certified Diamond by the Recording Industry Association of America. In the week of Jackson's death in 2009, it was Jackson's bestselling track in the US, with sales of 167, 000 copies on the Billboard Hot Digital Tracks chart. It charted on the Billboard Hot Digital Singles Chart at number two, and remained in the charts' top t for three consecutive weeks. It appears on several of Jackson's greatest-hits albums and has be covered by numerous artists.

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The Thriller music video was directed by John Landis and premiered on MTV on December 2, 1983. In the video, Jackson becomes a zombie and performs a dance routine with a horde of the undead. Many elemts of the video have had a lasting impact on popular culture, such as the zombie dance and Jackson's red jacket, and it was the first music video inducted into the National Film Registry. It has be named the greatest music video of all time by various publications and readers' polls.

Jackson's song Thriller, released as a single in 1984; Nelson George wrote that it uses cinematic sound effects, horror film motifs, and vocal trickery to convey a sse of danger.

The instrumtation consists of a LinnDrum drum machine, ARP 2600 synthesizer bassline, a Roland Jupiter-8 synthesizer, an electric guitar, a Rhodes piano, an organ, and a horn section consisting of trumpet, trombone, flugelhorn, saxophone, and flute. The introduction features sound effects such as a creaking door, thunder, feet walking on wood planks, winds and howling wolves.

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Thriller was writt by the glish songwriter Rod Temperton, who had previously writt Rock with You and Off the Wall for Jackson's 1979 album Off the Wall.

He improvised with bass and drum patterns until he developed the bassline that runs through the song, th wrote a chord progression that built to a climax.

He recalled: I wanted it to build and build – a bit like stretching an elastic band throughout the tune to height suspse.

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The production team, led by Quincy Jones, felt the song should be the title track, but that Starlight was not a strong album title. Instead, they wanted something mysterious to match Jackson's evolving persona.

Temperton considered several titles, including Midnight Man, which Jones felt was going in the right direction. Finally, he conceived Thriller, but worried that it was a crap word to sing ... It sounded terrible! However, we got Michael to spit it into the microphone a few times and it worked.

He visioned a spok-word sequce for the ding, but did not know what form it should take. It was decided to have a famous voice from the horror gre perform it, and Jones' th-wife, Peggy Lipton, suggested her frid Vinct Price.

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The gineer Bruce Swedi had Jackson record his vocals in differt approaches, doubling takes and recording at differt distances from the microphone. Some background vocals were recorded in the Westlake shower stall.

The bassline was performed on an ARP 2600 synthesizer, and the verse pads were performed on a Roland Jupiter-8 and a Yamaha CS-80.

The percussion was created with a LinnDrum drum machine modified with sound chips from two other drum machines: a snare hi-hat and congas from an LM-1 and a clap from a TR-808.

Thriller (michael Jackson) Acousctic Arrangement By Adam Rafferty

To record the wolf howls, Swedi set up tape recorders up around his Great Dane in a barn overnight, but the dog never howled. Instead, Jackson recorded the howls himself.

Engineer

Price recorded his part in two takes; Jones, acknowledging that doing a voice-over for a song is difficult, praised Price and described his takes as fabulous.

Urged Yetnikoff and another Epic executive, Larry Stessel, to help conceive a plan to return the album to the top of the charts. Jackson's manager Frank DiLeo suggested releasing Thriller, backed by a new music video.

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It was directed by the horror director John Landis and writt by Landis and Jackson. Jackson contacted Landis after seeing his film An American Werewolf in London. The pair conceived a 13-minute short film with a budget much larger than previous music videos. Jackson's record company refused to finance it, believing Thriller had peaked, so a making-of documtary, Making Michael Jackson's Thriller, was produced to receive financing from television networks.

It is credited for transforming music videos into a serious art form, breaking down racial barriers in popular tertainmt, and popularizing the making-of documtary format.

Many elemts have had a lasting impact on popular culture, such as the zombie dance and Jackson's red jacket, designed by Landis's wife Deborah Nadoolman.

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Fans worldwide re-act its zombie dance and it remains popular on YouTube. The Library of Congress described it as the most famous music video of all time. In 2009, it became the first music video inducted into the National Film Registry as culturally, historically or aesthetically significant.

Thriller debuted on the UK Singles Chart on November 19, 1983, at number 24, and the following week peaked at number t; it appeared on the chart for 52 weeks.

Thriller

Beginning on February 5, 1984, Thriller peaked on the Frch Singles Chart at number one and topped the chart for four consecutive weeks.

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In the week of his death, Thriller was Jackson's best-selling track in the US, with sales of 167, 000 copies on the Billboard Hot Digital Singles Chart.

On July 11, 2009, Thriller charted on the Billboard Hot Digital Singles Chart at number two (its peak), and the song remained in the charts' top t for three consecutive weeks.

Thriller reached at number three on the Australian ARIA Chart and Swiss Singles Chart and topped the Spanish Singles Charts for one week.

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The song also placed within the top t on the German Singles Chart, Norwegian Singles Chart and Irish Singles Chart, at number nine, number sev and number eight respectively.

The song has returned to the Billboard Hot 100 chart multiple times since its initial release due to its popularity around the time of Hallowe. Thriller re-tered the Billboard Hot 100 in October 2013 at number 42,

This accomplishmt means Jackson now has at least one Top 20 hit across 7 consecutive decades from 1969 to 2021 in the Billboard Hot 100.

Rod

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The song was certified platinum by the Recording Industry Association of America on December 4, 1989, for sales of over one million physical units in the U.S.

Ashley Lasimone, of AOL's Spinner.com, noted that it became a signature for Jackson and described the groove of its bassline, paired with Michael's killer vocals and sleek moves as having produced a frightingly great single.

Jon Pareles of The New York Times noted that 'Billie Jean', 'Beat It', 'Wanna Be Startin' Somethin' ' and the movie in the song 'Thriller', were the songs, unlike the fluff P.Y.T., that were the hits that made Thriller a world-beater; along with Mr. Jackson's stage and video presce, listers must have idtified with his willingness to admit terror.

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Ann Powers of the Los Angeles Times described Thriller as adequately groovy with a funked-out beat and lyrics seemingly lifted from some little kid's 'scary storybook'.This record really needs no introduction, selling over 120 million copies worldwide since its release in 1982, yes, the biggest selling album of all time. This was the record that really cemented Jackson as the king of pop (of course, as his 6th album, this was already common knowledge), produced by the legendary Quincy Jones, the album has thequintessential80's pop sound; funky guitar work, disco grooves, synthesizers and memorable basslines.

I just want to put now, there is no malice, or copyright infringement intended here. This page is for the use of the aspiring guitarist and student of music. My hope is that by using these transcriptions you can dig a little deeper into pop guitar and arrangement. Don't stop here, keep exploring, never stop learning.

The guitar playing duties on the album are down to many names, mostly studio session aces of the day. It's common knowledge that Eddie Van Halen played the solo on Beat It, legend has it that he recorded it in just one take and completely free of charge! (I chose to avoid including this solo here as its such an integral part of the recording - we're just here to learn pop guitar!)

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The other big name of today that graces many of the tracks on this album is Toto wizard Steve Lukather (In fact, its the entire

Thriller'

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