A brainchild from the late 1960s garage bands, punk music heavily bases itself on fast guitar riffs, energetic drums, and rebellious lyrics.
This post will discuss guitars, EQ settings, amps, playing style (amongst other things) to achieve a rocking punk sound. Ultimately, to assist you to grasp the key components of a destructive punk guitar tone.
(Small note) This post will focus primarily on the classic punk era, so this post is not highly relevant to subgenres such as pop-punk and others. Sound good?
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As I mentioned before, punk music relies heavily on its energy rather than technical proficiency, complex harmony, or intricate guitar sounds. Therefore, power chords are the cornerstone of most general punk songs.
This, in turn, relies heavily on your strumming hand. Being able to create solid rhythmic patterns with strength and consistency is what makes or breaks punk guitarists.
Having the right amp cranked up and a good distortion/fuzz pedal is fundamental in our pursuit of punk tones. Remember loose, loud, and aggressive tones are your friend.
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Thankfully, this allows you to not overly worry about getting a bunch of gear to get a good-sounding punk tone. Punk guitar depends much more on your ability to create intensity and power.
EQ settings will help you fine-tune your sound to give it its own space within the other instruments (usually bass, drums, vocals, and a second guitar).
However, having a good feel for punk rhythm and energy, paired with a good amp/distortion pedal combo and proper EQ settings will lead you to find the ultimate punk guitar tone.
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The reason is that Punk is a simple and no-frills genre. Therefore, guitars associated with punk tend to mirror this ‘scaled back’ and ‘simple’ tradition. Meaning, a guitar with many fancy features is not required.
Therefore, choosing your chosen weapon for playing punk is a wide-open choice. With that said, I will offer a list of some traditional punk guitars used by a wide spectrum of punk guitar players. (keep in mind, this list is in no particular order.)
The Les Paul Junior, whether Gibson or Epiphone makes it, is one of the most popular guitars among punk musicians. The main reason behind this is the model’s overall simplicity.
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There’s only one P90 pickup in the bridge position, and there’s the wraparound bridge. Additionally, the neck feels pretty comfortable, and the entire guitar is pretty light.
What’s more, punk musicians like the empty space on it, which can contain some stickers, or even carvings, adding to the guitar’s aesthetics. One of the most famous punk players using the Gibson Les Paul Junior model is Billie Joe Armstrong.
Of course, the classic Les Paul Standard should not be omitted from this list. While not as simple and as straightforward as the Junior model, the Standard provides you with more options than the Junior.
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But the main thing still remains – the guitar sounds powerful and raw, while still giving you more ways to shape your tone. And let’s not forget how awesome they feel, despite being just slightly heavier compared to an average electric guitar.
The main difference between this one and most of the other Les Paul models is that it comes with a mahogany body without a maple top.
In most cases, it comes with two P90 pickups, which are quite popular among punk players. There are also some versions with humbuckers.
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The original run of these guitars from the 1950s had the wraparound bridge, while the present-day version comes with a tune-o-matic one. Johnny Thunders of the New York Dolls is one of the famous punk guitarists known for using the Les Paul Special model.
Gibson’s SG Standard is easily one of the most versatile instruments. You can see this same model being used by anyone from jazz to extreme metal guitarists.
SG Standard offers versatility, playability, and simplicity, along with a very devilish-looking design. Over the years, it became popular among punk guitarists. One of the examples is Alex Gaskarth of All Time Low.
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Of course, the SG Special model is another obvious pick here. Just like the Les Paul Special, this one adds some accessibility and simplicity to the equation, making it useful for punk music.
The Epiphone SG Special is intended as a budget-friendly guitar, although there are some advanced versions as well. Gibson’s SG Special comes with either P90 pickups or humbuckers, and there are versions with both the wraparound and tune-o-matic bridge.
Nonetheless, it’s still an instrument that offers a lot of versatility. Although it’s usually popular among blues and blues rock players, the Firebird model can be useful for punk music as well.
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Most often, they come with mini humbuckers, offering that gritty and raw tone that punk players prefer. Some of the big names known for using the Firebird model include Steve Jones of the Sex Pistols and Captain Sensible of the Damned.
Rickenbacker is probably one of the most underrated brands on the market. Nonetheless, both their basses and regular guitars have easily recognizable designs, which made them quite popular among punk musicians.
And these guitars have a lot to offer. During the 1970s and the 1980s, they saw an increase in popularity among the new wave punk musicians. One such example is Paul Weller of The Jam.
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If you have a great Stratocaster guitar, you can pretty much rule the world. Both Fender and Squier Strats are present in almost any genre that comes to mind.
Although they feature single-coil pickups, you can create a wide variety of tones, and all of them can fit the context of punk music pretty well. They’re especially useful if you’re into brighter and “twangier” tones.
Telecasters, be it Fender or Squier, are some of the simplest yet most diverse guitars. They’re usually pretty bright-sounding, adding some serious twang to the equation.
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Two single-coil pickups on a solid body and a maple neck are all that you need. It’s a simple guitar built for rock ‘n’ roll. All you need to do is plug it in and crank your amp. El Hefe of NOFX is one of the best-known names in punk music to use the Telecaster.
The Jaguar is not only one of the most interesting “offset” models but is also one of the most interesting guitars overall.
Over the years, it got associated with grunge and psychedelic rock movements, but it’s also a very potent guitar for punk music.
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It features a slightly shorter stale length (24 inches) and usually comes with two single-coils or two humbuckers. All of its features also made it popular among punk rock guitarists. One of the most prominent punk players that comes to mind is Johnny Marr.
Although underrated, Danelectro guitars saw a resurgence during the 2000s and 2010s. Back in the 1960s and the 1970s, they were popular among classic rock and psychedelic rock players.
Their simplicity and unconventional aesthetics are what made them really popular among new generations of punk guitarists. A model like the Danelectro ’59M NOS+ is a good example.
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Some of the most important names in punk music have used their guitars, including the Ramones’ Johnny Ramone. We’d recommend these guitars to those who want to try something a bit different compared to the norm.
They might be a bit expensive, but they’re certainly worth it. Aside from their heavy hard-hitting tones, they’re also very potent tools for virtuosic players. With this in mind, we’d recommend them to all those who combine punk with other genres.
Comparable to ESP, Ibanez is another brand usually associated with metal music. However, their arsenal of products includes plenty of different stuff, including some of the more straightforward and even cheaper stuff.
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Noodles of The Offspring has his signature model NDM1, which combines two humbuckers and one single-coil pickup, along with a unique body shape design.
Traditional Humbuckers sound warm and fat offering more bass and low-end thump. They are also the best at reducing feedback and noise.
Taming that pesky feedback when things get a little too hot. Although punk guitarists love and welcome feedback for dramatic and menacing effects.
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Humbuckers sound less crunchy and piercing compared to single-coils and P90s when drenched in gain. Not as dynamic as single-coils but they sound fat and better equipped for handling high gain destruction.
In the UK, Mick Jones from The Clash and Steve Jones from the Sex Pistols used Gibson Les Paul models. Les Paul pickups allowed them to get fuller, heavier sounds.
If we move more into the modern punk era, there is not a specific guitar or model that wins over others. However, guitars with humbuckers allow you to get heavier, more modern-sounding tones.
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P90s are the in-between choice when it comes to tonality. They do not sound as thick as humbuckers but much fatter than single-coils. They sit in the in-between position on the pickup tonal spectrum.
P90s are a popular choice for punk players due to their ‘bite’ and clarity to be heard with other instruments on stage with plenty of low-end.
P90s are also highly versatile with the option of a wide spectrum of usable tones for playing a range of genres and playing styles. Notably, P90s are the typical pickup of a popular punk guitar being the Les Paul Junior.
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