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If you’re a good guitarist and have decided you’d like to become a professional guitar teacher, then there are certain steps you should take to ensure your successful employment.
There will be more steps to take for those who are inexperienced, and fewer for those who’ve already gotten their feet wet.
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You might be a decent guitar player already. But if you’ve never taken any lessons, now is the time to work under the direction of a teacher to develop your chops.
This won’t just make you a better, more knowledgeable player. It will also give you a better idea of how to carry out lessons of your own.
My first guitar teacher did an entire lesson on how to teach guitar for me, and that gave me a great head start. Maybe you could request that from your teacher too.
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Teaching is a different ballgame than learning on your own or even jamming with others. It requires a great deal of concentration and discipline.
I don’t know about you, but when I have a guitar in my hands, I just feel like playing. That was even the case when I was with my students.
So, when you’re teaching, you must be focused on what your students are doing and how they’re doing it. You must offer constructive feedback and help correct bad technique.
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You’re going to need to learn the basics of sight-reading, which can be a challenge on the guitar, but it’s worth the effort.
There’s a good chance you’ll only need to learn the basics, but if you want to go beyond, you certainly can. For those times when you have more skilled students, you’ll be glad you did.
If you want to go to school to learn music, that’s fine. Spending several years studying the craft should equip you with more tools you can use to effectively teach your students.
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Another more affordable option is to take online guitar courses, whether it’s through an independent provider or a course marketplace like Udemy.
Although some teachers specialize in different areas of music – whether it’s country or the blues – I think it pays to be a versatile guitarist, especially as a teacher.
Not all your students are going to want to learn the same thing. Some will come to you asking to learn the latest top 40 hits.
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You might find this a little annoying, especially as you attempt to adapt a synth riff to the guitar, but it’s important to keep lessons fun.
If music isn’t fun to the student, or they aren’t naturally passionate about it, there’s a good chance they’ll lose interest or spend no time practicing on their own.
So, you should always be tuned in to what your students want to learn, whether it’s punk rock, singer-songwriter, country, jazz or otherwise.
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Or, if you’re working at a guitar store, the administrative staff will be more likely to set you up with a wider group of students, which is always good for income.
It doesn’t help you in the sense that if the staff at the guitar store know you play in a band and at any moment you could end up going on tour, they may have to think twice about hiring you.
But where it does help is in showing off your skills and determination as a musician. It’s not easy to put together an entire album’s worth of material, and if you can show yourself as capable in this regard, you could land better opportunities as a teacher.
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Another benefit is that your students may end up buying your CDs and come to you wanting to learn your riffs. That can be quite gratifying.
If you don’t have a home studio setup already, it’s worth putting some money towards one, even if it’s just for preproduction work.
If you want to make a quality album, you should spend plenty of time messing around with your demos, so you know exactly what you want to do in the studio.
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Session playing also counts, so it’s worth gaining experience playing for other artists too, whether it’s on stage or in the studio.
Practicing in your bedroom or basement is good and all, but it’s not as good as performing in front of an audience. Live performance is the best practice there is.
When you’re under pressure to perform, it’s easy to freeze up or choke. But if you can pull off everything you can pull off in your bedroom on stage, you’re inching infinitely closer to mastery.
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It shows that you can learn parts, play well with other instruments and hold your own on stage. It might even speak to you having a good ear for picking up riffs, licks and melodies (and, by the way, ear training is a worthy topic all its own).
I would be impressed by any teacher who can demonstrate their worth based on their experience and hard work, and I think most students or employers would be too.
So, we aren’t necessarily talking about creating a set-in-stone curriculum for your students at this point. This is more about developing a skeleton framework, so you know how to progress through each lesson.
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After all, all your students will progress at a different pace. You can inspire them, but what they do with each lesson is mostly up to them.
For instance, even if you think most people should be able to master open chords within a small amount of time, you’ll find that in many cases you will have to work up to it.
Here’s an example of a curriculum with a gentle learning curve. Believe me when I say it takes many students months if not a full year just to get through this amount of material:
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So, there’s an example of a basic curriculum (from beginner to intermediate). You can take it and run with it if you like. Or, you can modify it based on your own hunches and observations.
A potential student or employer will be pleased to see you’ve done your homework, and if you show them a detailed curriculum (does not need to cover all the way up to advanced players), they will be more likely to want to work with you.
There are a variety of ways you can offer lessons, whether it’s from your own home, in the homes of your students, online, at a guitar store or studio, at church, at a school (usually requiring more formal education), or otherwise.
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If you’re a new teacher with no established track record (besides your work portfolio, of course), I assume the first place you’re going to apply at is local guitar stores. This is how I got started.
No matter what job, if you can get a referral from someone who already works at the store, you will greatly increase your chances of being hired. I got several teaching gigs this way.
There’s nothing complicated about this process. You can drop in at local guitar stores at a time that makes sense for you and drop off your resume.
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If the person you talk to knows what’s going on, they will probably tell you “there are no openings for teachers”, “we might be looking for someone”, “we could use a substitute teacher”, “play me a few songs” or otherwise.
If there are no openings, fine, at least they know who you are and have your resume on hand just in case.
If there is an opening, and you’re hired on, there’s a good chance you’ll start off with just one- or two-night’s worth of students – probably not enough to earn a living, but an okay side income. As you prove yourself, you should be given more.
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Also, I’ve worked as a substitute guitar teacher before and I must tell you it can be a sweet side hustle, depending on the studio. I happened to get in with the highest-paying one in town.
As you gain experience, you’ll be able to tap into more opportunities, command higher fees and choose who you want to work with.
Working full-time often means teaching 40 to 60 students (or more) per week, and giving each one your full attention as you’re teaching them.
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But some guitar teachers absolutely love it. They even told me they couldn’t believe they got paid to play guitar all day.
You won’t know whether it’s the right career for you unless you give it a try. So, gain the experience necessary to be hired and give it your best.
David Andrew Wiebe is a professional guitar teacher, musician and staff writer at Music Industry How To. Still regularly recording music, his latest EP ‘No Escape’ is out now.
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