This is quite a funky little riff in the key of A and it’s basically based on a counter-melody. What I mean by that is there is a melody going all the way through and the bass notes change. So you’ve got this melody. And then the bass notes change. So we start in A on the 5th fret, then we’re going to play A on the 7th fret of the B string, then G and A again. So all together.
We’re going to play C on the 5th fret of the G-string and then we’re going to go back to A on the 7th fret of the B-string and then play G. So all together.
In terms of picking, I can’t say that I’m really thinking about it. I think the important thing is to have your muting technique sort of nailed so that you can just kind of feel it thing. When it comes to groove-based music I have found if you get too clinical about it, it kind of loses the point. So as long as you feel the groove and you’re confident about your muting, it should work.
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For the first part what you’re going to do is you’re going to go to G on the E- string and then you’re going to play the exact same counter-melody. Then you’re going to go to F sharp. All together.
Now there’s a slight alteration, we’re going to go to F, and then we’re going to head to A on the B-string, then G on the 5th fret of the B-string, then back to A and that’s as far as we’re going to go this time. So we’re going to play the entire counter-melody and we’re going to conclude the lick by playing the low E and then play G and A. So all together, slowly.
Learn how to play This Boy by The Beatles with Guitar Control instructor Darrin Goodman, aka Uncle D. In this video lesson Darrin breaks down
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Guitar Control presents instructor Darrin Goodman, aka Uncle D, with a fun and easy bluesy descending pentatonic lick in C. This sweet lick covers aRhythmically, there is very little difference between using single note lines and using chords to build funk riffs. The key to both approaches is staying in time and in the pocket of the groove.
Rhythmic accuracy is achieved by practicing with backing tracks, drum machines or a metronome. If you’re lucky enough, find yourself a bass player and drummer and jam out your ideas as much as you can.
The key point to remember when playing single note lines, just as with chord playing, is that the picking hand must constantly be moving up and down in 1/16th notes in order to stay in time.
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As you know, there are only two events that can happen to the picking hand; hit the string or miss the string. As long as the down-up movement stays consistent and in time then we don’t have to worry about it too much. In the fretting hand, there are many more options available.
Most single note funk riffs are created by using notes from the minor pentatonic scale. Other scales such as the Dorian and Mixolydian modes are used, but funk riffs are mainly pentatonic.
To get the feel of things, start by practicing the 1/16th note permutations from earlier chapters on a single note. To recap, here some of the main possibilities.
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Using muted notes together with backing track one to make sure you are comfortable playing all these groupings in time. Refer back to chapter two if you have any challenges.
Pick hard so that you can feel the strings resisting your pick. Also, experiment by changing the location of the pick along the string. Try picking towards the bridge and gradually move towards the neck. You may find a sweet spot that really makes your guitar tone pop out.
Now take the same riff, but this time use a hammer-on instead of the second pick. Once again, you will notice a slightly different inflection to the groove.
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Third finger down onto the 9th fret. Be careful to make sure your notes are equal in both rhythm and volume. Listen carefully to the audio track to hear how this should sound.Hey, everybody this is George Meyers on behalf of Guitar Control. I do hope that you enjoy this lick and you will find the transcription on the link
This is a cool sort of Hendrix-y, Stevie Wonder type riff. It’s in the key of E. So we’re going to start with E7 sharp 9 chord, the so-called Hendrix chord.
To play this chord, you have the root, which is E on the 7th fret of the A- string. You’ve got the major 3rd, G sharp, on the 6th fret of the D-string. Flat 7 on the 7th fret of D on the G-string and the sharp 9, which is G, which is found on the 8th fret of the B-string.
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As soon as we kick-off the lick we’ll play the chord and then we head over to D on the 5th fret of the A-string; then head over to E. Then we’re going to play G on the 5th fret of the B-string. Then we go back to E on the 7th fret of the A-string and then we’re going to play the following line. So we’re going
Now I’m going over to the second part. Let’s refresh it, which is a really cool, bluesy kind of line. Once again, we’re going to start off with an E7 sharp 9 chord and we’re going to go back to D, then E. Then we’re going to slide from A on the 7th fret of the D-string to B on the 9th fret. It’s quite a rapid slide. You don’t get a chance to listen to A all that much. Then straight ahead you’re going to play the D on the 7th fret of the G-string. Then
We’re going to slide back from B to A on the B-string, then pull-off to G and then go back to E. Then back to the riff.
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Those little licks are really cool because it teach you to fit in between sort of playing chords and especially if you’re playing in a trio setting and you get a lot of space. You can do a lot of that. So let’s play the lick one more time.
Hey, this is Matias Rengel with Guitar Control, today you’ll be learning “Five Beginner Funk Rhythms” that are going to take you completely into the
Hey, everybody. This is George Meyers on behalf of Guitar Control. I do hope that you enjoy this lick and you will find the transcription
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Hey, this is George Meyers with Guitar Control, I do hope that you enjoy this lick, let’s check it out. This is quite a funky
Learn how to play This Boy by The Beatles with Guitar Control instructor Darrin Goodman, aka Uncle D. In this video lesson Darrin breaks down
Guitar Control presents instructor Darrin Goodman, aka Uncle D, with a fun and easy bluesy descending pentatonic lick in C. This sweet lick covers a
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