Best Reverb Guitar Effects Pedal

Best Reverb Guitar Effects Pedal

Finding a great reverb pedal can be confusing since there are so many types – room, hall, spring, analog, digital, and so much more. But we cut through the clutter to find the best options you can buy.

In this KGR guide, we’ve reviewed the 7 best reverb pedals available today. We tested a variety of reverb pedals to arrive at this list so that you can avoid any confusion and make an informed decision.

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In our tests, we used the same gear for all the pedals to keep things as consistent as possible. We used a Fender Stratocaster guitar and a Fender Champion 20W amp with a stock speaker. We tested the reverb pedals with all their presets and modes; we also compared similar reverb modes side-by-side for sound quality. We judged them based on their reverb sound, versatility, ease of use, and build quality.

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TC Electronic’s Hall of Fame 2 has new features adding to the excellent reverb algorithm of the original. We found that the algorithm was initially derived from the TC Electronic SYSTEM 6000, a flagship sound engineering solution that includes multi-effects processing, audio effects, and plugins used by professionals.

We really liked the addition of the ‘Shimmer’ setting, which was missing from the original Hall of Fame. This effect is based on the Octave engine from the Sub ‘N’ Up pedal. Including the new effect, we counted a total of eight reverb effects, namely: Room, Hall, Spring, Plate, Church, Shim (Shimmer), Mod (Modulation), and LoFi.

In our opinion, the Hall of Fame 2 has the edge over its competition courtesy of its pressure-sensitive MASH switch and superior algorithms. We found that the footswitch is not just for bypassing the pedal; you can use it to manipulate the reverb in real-time by gradually pressing harder or softer. The MASH switch is entirely customizable with up to three adjustable parameters, giving you the freedom to alter your sound on the go.

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We were also able to edit the MASH switch parameters using the TonePrint Editor. You can assign anything to the footswitch, including reverb space, time, mix level, and dry/wet. We were able to shape the output graph of the pedal to our liking and found that it really sat well in a mix. And we also found some great artist presets online, which were easy to download onto the pedal.

Next, we turned our attention to the vibrantly colored interface. There are a total of four knobs, a footswitch, and a second small switch for adjusting the pre-delay length (short or long). One knob is for selecting one of the eight effects, and three more for editing the reverb parameters – level, decay, and tone.

The Hall of Fame 2 runs on a 9 Volt DC power supply. It has one set of ¼” mono and another set of ¼” stereo inputs and outputs. We also noticed a Mini-B USB slot for connecting to your devices for editing in TonePrint. The entire frame is made of durable cast aluminum, and we feel the knobs are sturdy for prolonged use.

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Verdict: The TC Electronic Hall of Fame 2 Reverb Pedal offers a versatile group of effects. We liked the sounds and the new improvements over the first version with the new mode and pressure-sensitive mash switch. We found the build quality of the model to be excellent, while the specifications, input and output slots, and pedal size are just right.

We recommend the Donner Verb Square if you’re looking for a budget reverb pedal to spice up your tone with a subtle reverb effect. You can get one of these for just around $50. The Verb Square is one of the simplest reverb pedals we have come across in terms of features, but it still delivers seven different modes: Spring, Plate, Studio, Modulation, Room, Hall, and Church.

When we tested the Verb Square, we found its reverb sound wasn’t on par with the better options we’ve seen. But the onboard features and functionality do make up for it. Aside from the versatility added by the seven different settings, we also liked how compact the design is. The Verb Square hardly takes any space on your pedalboard, which is a pattern we’ve seen with Donner pedals.

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The body is colored a vibrant green, and the interface includes three controls for shaping the reverb – tone, level, and decay. There is a large knob for switching between the available modes, a single LED to indicate power, and a footswitch. We found the solid metal body was durable enough and would be suitable for live gigs, while the plastic control knobs did feel a bit flimsy.

We were surprised to see that the pedal does not come with the required 9 Volt DC power supply, and there is no space in the body for a battery. So you will need to get a power supply separately if you buy this pedal. Still, even with the cost of the power supply added to it, the Verb Square is an affordable reverb pedal that’s great for beginners.

Verdict: The Donner Verb Square is an affordable and versatile choice for any guitarist looking for a subtle and straightforward reverb. We were impressed by the inclusion of seven reverb types at the price point. We also found the pedal to be durable, except for the plastic knobs. Just note that you need a 9 Volt DC power supply and that there are no battery slots.

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The Strymon BigSky is a flagship multi-reverb pedal. We were amazed by all 12 of BigSky’s reverb modes and the customizability of each setting. BigSky is much more than a single pedal – it has three footswitches which correspond to three different settings that you can keep as quick access presets during live performances.

We found that setting up a beautiful reverb on BigSky is far more intuitive than most smaller models. First, we selected a mode from the following – Cloud, Chorale, Shimmer, Magneto Nonlinear, Reflections, Room, Hall, Plate, Spring, Swell, and Bloom. Next, we used the parameters to hone in on the tone we needed.

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We noticed that the BigSky is based on the SHARC DSP engine, which ensures the best sound quality possible. There is space for 300 presets; you can save these and access them instantly during your performances. The knobs on the top right are for setting mix, pre-delay, decay, modulation, and tone. There are also knobs for parameters 1 and 2, which we were able to program to control any characteristic of the reverb tone.

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The Value knob controls everything else; the presets, specific parameters, and more. Another remarkable feature we found is the extensive I/O capability of the BigSky. There are a pair of stereo inputs and outputs for your guitar or any other instrument. We tried a synthesizer with this pedal, and it worked just as well. There is an expression pedal input, a switch for the cab filter, and MIDI input/output.

We liked the robust feel of the anodized aluminum body, along with the sturdy knobs and switches. As the name suggests, the body is sky-blue, and we think the interface is well thought out with its neon green display and indicators for use on a dark stage. The pedal is rather large, which may be the only limitation if you already have a crowded pedalboard.

Verdict: The Strymon BigSky is simply one of the best reverb pedals on the market. In our tests, it provided quality and flexibility with reverbs of every type. We found the build quality to be impressive and reassuring. The only drawbacks for this pedal are its price and relatively large size.

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The Walrus Audio Slö Multi Texture is one of our favorite reverb pedals, despite not having the numerous reverb modes that we generally see in these pedals. It trades versatility for uniqueness to give us three breathtaking reverb types, each with great customizability. There are also three modulation settings for the reverb, giving more depth to the tone than standard pedals.

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Aside from the usual Decay, Mix, Depth, and Filter (EQ) settings we saw in all the other pedals we tested, the Slö has an extra setting called X, which is a unique parameter in case of each of the three modes. The three modes can be set using the switch in the top center – Dark, Rise, and Dream.

We found that Dark adds another reverb on top of the original, but an octave lower. Rise is a reverb that swells as it goes, while Dream has a latch function for activating infinite reverb at any point when you press the sustain switch. For Dark and Rise, we found that the sustain switch ramps up the decay setting to full, until we let go.

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The same switch that controls the reverb modes also controls the modulation settings when the bypass switch is held. The three modulation settings are Sine, Warp, and Sink, so you get three waveforms. We were able to control the speed of the modulation with the depth knob.

The ‘X’ knob controls the level of the lower octave reverb in the case of Dark,

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